The title of 'Global Citizen: The Architecture of Moshe Safdie' refers less to the jet-set ways of an architect overseeing major projects around the world (although that is certainly the case) and more to Safdie's nuanced appreciation for sites, wherever they happen to fall on the map. Pictured: Salt Lake City Public Library. Photography courtesy of Timothy Hursley

美国国家学院博物馆(National Academy Museum)目前的展览名为“全球公民：摩什·萨夫迪(Mohe Safdie)的建筑”，更多的是指建筑师监督世界各地主要项目的喷气式方式(尽管情况确实如此)，更多的是指萨夫迪对遗址的细致入微的欣赏，无论它们恰巧落在地图上。萨夫迪1938年出生并在英国托管的巴勒斯坦长大，后来成为加拿大人，后来成为美国移民。正如“全球公民”中的项目所显示的那样，萨夫迪早已超越了地理。

在展览的200个对象（包括草图、缩尺模型、照片和电影）中，一系列Safdie的笔记本，放在玻璃窗中，提供了一个可以窥见他的反复和自我批评的过程。他说，我在飞机上做了大约50%次飞行，承认了他的实践的全球性。

追溯到“人居67”，他职业生涯的特点之一就是关注社会和环境问题。他说，这是我作为公民和建筑师的信念的基础。在展览中可以看到很多这一点，比如阿肯色州的水晶桥美国艺术博物馆就是这样融入景观的，还是他的住宅项目确保了公共和私人花园的开放。正如他在展览的墙上文字中所说，“每一条画的线和每一个设计都有经济、生态、社会、行为、心理和精神上的影响”。

他的公司定期赞助一个设计研究奖学金，旨在解决这个当代城市最棘手的问题。下一个议程：真正的公共空间的侵蚀。正如他所警告的那样，“太多的公共领域现在都是私人建立和维护的。”他把这种对公共领域的担忧根植于他在世界各地的生活经历中，他列举了他童年时代的集市和集市，以及1953年的欧洲之旅，这趟旅行让他经历了他所谓的“一些最伟大的公共空间-意大利的广场、加利利亚·维托里奥·伊曼纽尔二世(Galleria Vittorio Emanuele II)和特拉法加广场(Trafalgar Square)-在汽车完全

该展览由设计公司NADAAA的Nader德黑兰尼设计，自2010年在加拿大国家美术馆(一座设计的建筑Safdie)推出以来，已得到更新。明年，它将前往波士顿，这座城市的建筑师，典型的全球公民，称之为家。

Among the exhibition’s 200 objects, a series of Safdie’s notebooks provide a telling glimpse into his iterative and self-critical process. Pictured: interior shot of Salt Lake City Public Library. Photography courtesy of Timothy Hursley

'About 50 percent of them,' he says of the notebooks, 'I’ve done on flights', acknowledging the global nature of his practice. Pictured: from the rooftop of 'Sky Habitat', Singapore. Photography courtesy of Jonathon Choe 

One of the hallmarks of Safdie's career has been a focus on social and environmental concerns. Exterior shot of 'Sky Habitat', Singapore. Photography courtesy of Safdie Architects

As he says in the exhibition’s wall text, 'every line drawn and every design created has economic, ecological, social, behavioral, psychological, and spiritual impact'. Pictured: night view of the Mamilla Centre, Jerusalem. Photography courtesy of Timothy Hursley

The multi-layered retail corridor of the Mamilla Centre, Jerusalem. Photography courtesy of Ardon Bar Hama

Next up on Safdie's agenda: the erosion of truly public spaces. As he cautions, 'Too much of the public realm is now built and maintained privately.' Pictured: view of Marina Bay Sands from the water, Singapore. Photography courtesy of Timothy Hursley

The exhibition, designed by Nader Tehrani of the design firm NADAAA, has been updated since its 2010 launch at the National Gallery of Canada (a building Safdie designed). Next year it will travel to Boston. Pictured: Marina Bay Sands, ArtScience Musuem, Singapore. Photography courtesy of MBS Visual Media

Exterior of the National Art Museum of China. Photography courtesy of Safdie Architects

Interior of National Gallery of Canada. Photography courtesy of Timonthy Hursley 

A view from the end of a Prism at Yad Vashem Holocaust Museum, Israel. Photography courtesy of Timothy Hursley 

Courtyard view of the Hebrew Union College, Israel. Photography courtesy of Michal Ronnen Safdie

Taper Courtyard at Skirball Cultural Centre, USA. Photography courtesy of Timothy Hursley

Founders Courtyard at Skirball Cultural Centre, USA. Photography courtesy of Timothy Hursley 

View from the river by Raffles City Chongqing, China. Photography courtesy of Safdie Architects

View along the central retail gallery in Raffles City Chongqing, China. Photography courtesy of Safdie Architects

Crystal Bridges Museum of American Art, USA. Photography courtesy of Timothy Hursley

Interior of the Crystal Bridges 20th century gallery, USA. Photography courtesy of Timothy Hursley 

Aerial view of Jewel Changi Airport, Singapore. Photography courtesy of Jewel at Changi Airport Development

The Forest Valley at Jewel Changi Airport, Singapore. Photography courtesy of Changi Airport Development