架构师提供的文本描述。Muzeon公园的信息亭是一个紧凑型的临时结构，由一个黑色的雕塑团组成，上面有巨大的白色字体。屋顶斜面的角度异常锐利，建筑的体积也非常小，突出了它的主墙-主面。展馆是简朴、出人意料和粗壮的。但它也很朴素：金属框架，完成了各种类型的镶板。层压防潮贴面在混凝土砌块结构的制造中被更多地用作模板，内部是桦木层，漆成灰色。

Text description provided by the architects. The Infobox information pavilion at the park Muzeon is a compact temporary structure consisting of a dark looming sculptural mass with large white lettering on its high facade.The unusually acute angle of the roof slope, along with the diminutive size of the building serve to emphasise its dominant wall - the main facade.The pavilion is austere, unexpected and robust.Yet it is also unassuming:metal framed, finished with various types of panelling. Laminated moisture-resistant veneers that are more usually used as shuttering in the fabrication of concrete block structures have been employed, and the interior is birch wood ply, painted grey.

这个信息箱标志着通往穆塞翁大道的入口。在花园圈的对岸，是苏联建筑师余的作品“高尔基公园”的入口处。舒科和斯帕索夫。问讯亭在对面。他们被繁忙的花园圈隔开了，但他们的功能却是互相对话，把两个公园连接起来。正门的柱子和柱子，半圆形的横扫，肯定是木结构中最简单的形状。但另一方面，黑色镜子一样的表面有一种无声和单一的影响，反映，甚至最终压倒。

The Infobox marks the entrance to the expanse of the Muzeon. On the opposite side of the Garden Ring there is the entrance group for Gorky Park, works by the Soviet architects Yu. Schuko and A. Spasov. The information pavilion is across the way. They are divided by the busy Garden Ring and yet their function is to enter into a dialogue with each other, linking the two parks. The columns and pillars of the main entrance with its semi-circular sweep certainly dominate the simpler shapes of the wooden structure. But on the other hand, the black mirror-like surface has a silent and monolithic effect that reflects, and ultimately even overwhelms.

 © Ilia Ivanov

伊利亚·伊万诺夫

极简主义的黑暗街区召唤你离开喧闹、拥挤和浮夸的高尔基公园，来到另一个公园，如果你幸运的话，那里会很安静。

The minimalist dark block calls you to leave the noisy, overcrowded and pompous Gorky Park and come into another park, where, if you’re lucky, there is quiet.

 Floor Plan

展馆的正方形和深浅的色彩让人想起Kasimir Malevich的黑色广场，它现在悬挂在500米外的Tretyakov画廊。展馆讲述了简单、干净的几何图形和它的发展，这是人们所铭记的。

The main facade of the pavilion with its square shape and louring dark colour brings to mind Kasimir Malevich’s Black Square, which now hangs in the Tretyakov Gallery, just 500 metres away.The pavilion speaks of simplicity, a clean geometric form and its development and this is what is remembered.

 © Ilia Ivanov

伊利亚·伊万诺夫