架构师提供的文本描述。昆塔之家位于圣达菲市，阿罗约·莱耶斯镇，距该省首府12公里，在1号省道上，这条公路连接着与巴拉那省河系、岛屿、小溪和溪流接壤的城镇。此沿海条件定义了体系结构。

Text description provided by the architects. Quinta house is located in the city of Santa Fe, in the commune of Arroyo Leyes, 12 km from the capital of the province, on the provincial route No. 1, a route that links the towns bordering the river system, islands, creeks and streams of Paraná. This coastal condition defines the architecture.

设计阴影

To design the shadow

与客户的第一次会面发生在现场，在参观过程中，人们以“与自然接触”的方式表达了对空间的渴望。他们想象着：周末出城，来到一个“绿色”占主导地位的环境。这个空间体现在一个大型画廊中，并成为项目的组成部分。

The first meeting with the client happened on site, and on its tour the desire was expressed for space in "contact with nature". They imagined: weekend out of town and arriving at an environment where the "green" predominates. This space is manifested in a large gallery, and became the component that articulates the pro

 © Nicolás Mántaras

(Nicolás Mántaras)

画廊

The Gallery

 © Nicolás Mántaras

(Nicolás Mántaras)

在北有一个4×20米的画廊，内部外部门槛，阐明了不同的分配和居住模式。

To the north there is a 4 x 20 meter gallery, interior exterior threshold, articulating different modes of appropriation and habitation.

东方被设置为花园和聚会墙之间的连接，避免从房子的主空间看到风景。

The east is set as a connection between both gardens and party wall, avoiding views from the main space of the house.

南方是收集雨水的混凝土排水沟，把雨水引到西边的院子里。

The south as concrete gutter that collects rainwater and leads it to the courtyard to the west.

 © Nicolás Mántaras

(Nicolás Mántaras)

花园

The Gardens

昆塔住宅是在建筑与景观的紧密关系中设计的，体现在一个空间的园林序列中，表达了该地区的植物地理特征。花园也被认定为在行动中，成为一对景观亚单位；观想的感官花园是由色彩鲜艳的草和树木以及一套芳香的藤蔓组成的：色彩鲜艳的乡土花卉(田园雏菊、薰衣草和马鞭草)、不同的纹理(Cortadera、Peniseum rubraa)、Ibirábitá叶子的声音或Ciná-Ciná的钟摆运动。嬉戏的花园在Timbós的半影中出现；与大马士革(Prunus Armeniaca)一起的草本植物协会的围堵花园和砖块的屏蔽减轻了西方太阳的影响。最后，塞巴尔在它的阴影边缘灌输饮酒伴侣。

Quinta house was designed in an intense relationship of architecture and landscape, manifesting itself in a spatial sequence of gardens, which articulate the project, expressing the phyto-geographical features of the region. Gardens that were also identified in the action, becoming a pair as a landscape sub-unit; the contemplative garden of the senses, is made up of grasses and trees with vivid colors and a set of aromatic vines: brightly colored native flowers (field daisies, lavender and verbena), different textures (cortaderas, Penisetum rubra), the sound of ibirá pitá leaves or the pendulum movement of Ciná-Ciná. The playful garden materialized in a half shadow of Timbós; the containment garden of herbaceous associations together with damascus (Prunus armeniaca) and the screening of brick attenuate the impact of the western sun. Finallt, the ceibal instigates drinking mate at the edge of its shadow.

砖块作为领土的商标。构造与构造之间的张力是在形态物质的关系中定义的.砖墙的金属结构引导着人们走向地球，体现了自然与艺术的界限，构成了环境的框架，使视线得以扩展。它也成为家具：长凳和储存空间补充了灵活性和多功能性的需要。

Brick as trademark of the territory. The tension between the stereotomic and the tectonic is defined in the relationship of form-matter. The metal structure of the brick wall leads efforts towards the earth, embodying the boundary between nature and artifice, framing the environment and enabling the expansion of the gaze. It also becomes furniture: benches and storage spaces complement the need for flexibility and versatility.

 © Nicolás Mántaras

(Nicolás Mántaras)