© Virginia Vrecl

(弗吉尼亚)

架构师提供的文本描述。设计概念反映了原加油站场地目前的空间和交通安排。该方案带迁至该地区的最南端，可将各种设计的封闭和开放环境和环境连接起来。在通往休息站的车道上规划了一个可供放松的入口公园，通往一个可容纳10辆汽车的停车场。

Text description provided by the architects. The design concept reflects current spatial and traffic arrangements on the site of a former petrol station. Moved to the very south part of the area, the programme belt enables the stringing of diversely designed closed and open environments and ambiences. An entry park with areas for relaxation is planned by the driveway to the rest stop, leading to a parking lot for 10 cars.

 © Virginia Vrecl

(弗吉尼亚)

后者与旅游业议会大楼的区域相连，设有卫生设施和茶点，为游客和当地社区提供服务。此外，它还向绿地、休闲和游乐公园开放，建筑有一个交叉的木/钢结构和一个木质立面和内部元素。透明的零售展区是灵活的，可以在设备元素或展品周围移动。

The latter joins with the area of the TIC building with sanitary facilities and refreshments point serving visitors and local community. Further on it is opening up towards the green area, the relaxation and play park.  The building has a cross laminated timber/steel structure and a wooden facade and interior elements. The transparent retail gallery area is flexible and enables moving around equipment elements or exhibits.

 © Virginia Vrecl

(弗吉尼亚)

 Floor Plan

从立面到屋顶、天篷和地标的强调统一区域是一个空间吸引子，利用它的形式将各种功能经济地融合成一个可识别的建筑原型，能够适应不同的边缘条件。建筑的设计符合可持续建设的原则，其形式和方向。同时，以现代的方式运用本土材料，诠释了喀斯特构造和内喀斯特构造的鲜明特征。

The emphasised unified area that runs from the facade to the roofing, canopy and landmark is a spatial attractor, employing its form to economically merge various functions into a recognisable architectural prototype, which can adapt to diverse edge conditions. The building is designed in line with the principles of sustainable construction its form and orientation. Moreover, distinct characteristics of Inner Carniola and Karst construction are paraphrased by the use of autochthonous materials in a contemporary manner.

 © Virginia Vrecl

(弗吉尼亚)

Architects studio stratum

Location Postojna, Slovenia

Category Tourism

Design Team Polona Filipič, Peter Šenk, Marko Pretnar

Area 108.0 sqm

Project Year 2014

Photographs Virginia Vrecl, Anita Kranjc