© Maíra Acayaba

c.Maíra Acayaba

架构师提供的文本描述。工作室就是城市。

Text description provided by the architects. The studio is the city.

该项目提出了室内-室外关系及其物化、​​极限(质量/不透明度)和连续性(开放/透明)的概念。在工地前面提议的半公共广场作为一条街道侵入工作室，在密集的长方形棱镜(“建筑物”)之间展开，打开一个“内部庭院”一个空间来绘画。

The project proposes an exercise in the indoor-outdoor relationship and its materialization, the idea of ​​limit (mass / opacity) and continuity (openness / transparency). A semi-public square proposed in front of the site invades the studio as a street that unfolds between dense rectangular prisms ("buildings"), opening into an "interior courtyard" a space to paint.

 © Maíra Acayaba

c.Maíra Acayaba

这些“建筑物”，3卷混凝土，容纳了工作室的功能程序(办公室，图书馆，准备室，服务，存储和夹层)。当他们离开程序，它的密集和盲目的墙壁外部划定了“街道”和“广场”，设置了一种有盖的棚屋，艺术家绘画。不透明面划分功能和用途时，其开放和透明的面向内部庭院和花园开放，消除内外、建筑和场地之间的界限。

These "buildings", 3 volumes in concrete, house the functional program of the studio (office, library, preparation room, services, storage and a mezzanine). When they leave the program, its dense and blind walls externally delimit the "street" and "square", setting a kind of covered shed where the artist paints. While the opaque faces delimit functions and uses, its open and transparent faces open onto internal courtyards and gardens, dissolving the boundaries between interior and exterior, between building

 © Maíra Acayaba

c.Maíra Acayaba

长凳和连续的台面跨越边界，说明连续性。建筑物的体积外推屋顶的边界，也有助于溶解边界。墙的线，另一方面，限制了这一撤退的一部分，建立了一个坚实的边界之间的广场(公共空间)和庭院(私人空虚)。

Benches and continuous counter tops cross borders, stating that continuity. The volume of the building, extrapolating the boundary of the roof, also contributes to dissolve the border. The line of the wall, on the other hand, limits part of this retreat, establishing a solid boundary between the square (public void) and the courtyard (private void).

 Plan - Ground Floor

平面图-底层

Architects AR Arquitetos

Location São Paulo, Brazil

Category Houses

Project Architects Marina Acayaba, Juan Pablo Rosenberg

Collaborator Paloma Delgado

Project Area 200.0 m2

Project Year 2012

Photography Maíra Acayaba