架构师提供的文本描述。壮观的周围山脉和山谷，和惊人的陡峭的丘陵特点，地点在费尔迪斯(瑞士)，海拔1500米。一个简单的木结构的微妙操纵，依偎在山坡的等高线上，牢固地锚定在岩石周围，就像岩石坠落后一个单独的岩石露头一样。

Text description provided by the architects. Breathtaking views of the surrounding mountain ranges and valleys, and dramatically steep hills characterize the site located in Feldis (Switzerland), 1500 meters above sea level. The subtle manipulation of a simple timber structure nestled along the contour lines of the hill, anchors it solidly in its rocky surrounding in a manner akin to a solitary rock outcrop displaced after a rock fall.

 © Dominique Marc Wehrli

c.Dominique Marc Wehrli

这座看似铁板一块的度假别墅一度显得既窄又轻，然后又显得又宽又重，根据人们对它的看法，设想了一个不同的方面。打开和关闭慷慨比例的威尼斯百叶窗直接影响到房子的外部表现。简单的内部组织可以用两种方式来解释。首先，该计划允许每个房间为另一个房间服务，在一个开放的层次结构中，厨房和储藏室都成为这个连续体的一部分。第二种解释是三个层次上的开放的、有生命的单元，一个空间从入口不间断地从台阶的层叠流到生活区。

The seemingly monolithic holiday home appears once narrow and light, then wide and heavy, assuming a different aspect depending on the perspective from which it is viewed. Opening and closing the generously proportioned venetian blinds directly effects the external expression of the house. The simple internal organization can be interpreted in two ways. Firstly, the planning allows each room to serve the other, in an open hierarchy where both the kitchen and the storage units therein become part of this continuum. The second interpretation is an open, living unit on three levels, a space that flows uninterrupted from the entrance over the cascade of steps to the living areas.

 © Dominique Marc Wehrli

c.Dominique Marc Wehrli

一个负空间，直接在皮肤的外层后面，夹在较亲密的睡眠区之间、下面和上方，构成了活体雕塑的动态和静态空间区域。优雅的调整和伸展的结构允许房间内部充分利用壮观的高山全景。这些房间大小不一，几何形状各异，设计的目的是使空间体验最大化，每个窗口都能精确地描绘周围的景观。居住者积极改变建筑物的外部表现，通过打开和关闭慷慨比例的窗百叶窗。

A negative space, directly behind the outer layer of the skin, wedged as it were between, under and over the more intimate sleeping quarters structures the dynamic and the static spatial zones of the living sculpture. The elegant tuning and stretching of the structure allows the rooms internally to take full advantage of the spectacular alpine panorama. These rooms, varying in size, and geometry are designed to maximize spatial experience, each window framing a precise picture of the surrounding landscape. The occupants actively change the building’s external expression through the opening and shutting of the generously proportioned window shutters.

 © Dominique Marc Wehrli

c.Dominique Marc Wehrli

场地对环境的特殊要求和建筑过程都决定了木材作为建筑材料的选择-木材框架的选择保证了规划和施工方面所需的灵活性，而在结构上，木材框架的特点得到了大规模建筑的优势的补充。对于一个简单的，偶尔被占用的度假住宅的需求意味着隔音可以减少到最低限度。内部熔覆材料厚度的大幅度减少不仅简化了结构，而且在内部也带来了相当大的空间增益。

The environmental demands particular to the site, and the building process both determined the choice of timber as building material The choice of timber framing guaranteed the desired flexibility in planning and construction, whilst structurally, the characteristics of timber framing are complemented by the advantages of massive construction. The need for a simple, sporadically occupied holiday home meant the acoustic insulation could be minimised. Considerable reductions in the thicknesses of internal cladding materials not only simplified the construction but also led to considerable spatial gains internally.

 © Dominique Marc Wehrli

c.Dominique Marc Wehrli

露台上方的悬臂屋顶有意识地将施工系统拉到了极限，前者是通过将玻璃元素充分融入建筑而实现的。以空间变异性为特征的简单假日住宅的理想效果因木材覆层的稀薄性而进一步加强。把建筑不包衣，借内部它古老的直接性质，这可以更具体地体现在家具的选择。

The cantilevered roof above the terrace consciously stretches the construction system to its limit, the former being made possible by the full integration of the glazing element into the construction. The desired effect of a simple holiday home characterised by spatial variability is further strengthened by the rawness of the timber cladding. Leaving the construction unclad, lends the interior its archaic direct character, that can be more specifically expressed in the choice of furnishing.

 © Dominique Marc Wehrli

c.Dominique Marc Wehrli

时间应该能在建筑物上留下痕迹。由于自然风化过程引起的连续转换，既记录在百叶窗的内部，也记录在外部的表皮上，钢板取代了传统的混凝土挡土墙。随着时间的推移，建筑物的最终改造反映出一个自然的过程，正如它将房屋完全融入自然环境一样。

Time should be able to leave its mark on the building. The continuous transformation due to the process of natural weathering is registered both inside on the venetian blinds, and outside on the exterior skin, and the steel plates deployed instead of the traditional concrete retaining wall. The eventual transformation of the building through time reflects a natural process aiding as it does the full integration of the house into its natural surrounding.

 First Floor Plan

一层平面图