架构师提供的文本描述。从本质上说，建筑的表现形式是通过房产的位置、其独特的全景视图和对古堡镇的历史借鉴来定义的。位于两层住宅三层的每套公寓在平面图、高度和比例上各不相同。

Text description provided by the architects. The architectural expression is essentially defined through the location of the property, with its unique panorama view, and the historical reference to the castle town. Each of the apartments located on the three floors of the two house sections differ in floor plan, height and proportion.

 © Vito Stallone

.Vito Stallone

每套公寓的中心都是通过休息室形成的，装饰着高耸的天花板(3.4米)和南侧从天花板到地板的窗户。部分蜿蜒、狭窄和城堡式的私人房间与开放式和轻度淹水的“公共”房间之间的相互作用，使独立公寓的质量和布局保持平静。

The centre of every apartment is formed through the lounge room, adorned with high ceilings (3.4m) and ceiling to floor windows to the south side. The interplay between the partly winding, narrow and castle-like private rooms and the open and light-flooded ‘public’ rooms, gives the separate apartments their quality and layout composure.

 © Vito Stallone

.Vito Stallone

因此，在单独的公寓中使用高度偏移，使得两个阁楼公寓的布局都是垂直的；房间是彼此之间的，并在阁楼上交错到休息室。长的，2米高的角落窗户和有玻璃的圆木，使一个独特的全景。

The consequent use of height offset in the separate apartments allows a layout in both attic apartments which is vertically orientated; the rooms are over each other and are staggered on the mezzanine to the lounge room. The long, 2m high corner windows and the glazed loggias allow a unique panorama.

 © Vito Stallone

.Vito Stallone

与窗户表面的比例的相互作用，超长的窗户和超高架阳台在两院的中心欺骗了眼睛，个别的公寓是无法从外部理解的。北面的“城堡”特征，带有“箭缝”式的窗户，定位于雷根斯堡的历史基本结构。

The interaction with the proportions of the window surfaces, the over-long windows and super-elevated balconies in the centre of both houses fool the eye, the individual apartments are not comprehensible from the outside. The ‘castle’ character of the north façade, with ‘arrow-slit’ like windows, orientates itself on the historical fundamental structure of Regensberg.

 Floor Plans

平面图