Architects: De Jaeghere Architectuuratelier Project: Delta House Lead Architect: Steven De Jaeghere Location: Tielt, Belgium Area 282.0 m2 Project Year 2016 Photographs: Stijn Vereeken

建筑师：De Jaeghere建筑工程：Delta House首席建筑师：Steven de Jaeghere地点：Tielt，比利时，282.0平方米项目年2016年照片：Stijn Vereeken

The Delta house is situated on a seemingly lost and unusual triangular lot in Tielt but it is actually very well-oriented from a commercial point of view. It faces a busy crossroads and thanks to a green area, dominated by a beautiful, solitary oak tree there is enough breathing space to regard the project in its entirety.

德尔塔的房子坐落在泰尔特的一个看似失落而又不寻常的三角形土地上，但从商业的角度来看，它实际上是很好的导向。它面临着一个繁忙的十字路口，由于一个绿地，由一棵美丽而孤独的橡树所主导，有足够的喘息空间来看待整个项目。

In order to make a connection with the crossroads and the huge oak tree the building is designed as a dynamic composition of white vertical surfaces separated from each other by glass and contrasting metal carpentry. Because of the oblique configuration of the project opposite the crossroads the building seems to rotate around the oak tree, which reinforces the dynamism. The consciously added vertical surfaces allow the remaining zones of the triangular lot to become an extension to the inner spaces, and to function as patios or as open spaces.

为了与十字路口和巨大的橡木相连接，建筑被设计为由玻璃和对比金属木工隔开的白色垂直表面的动态组成。由于项目的倾斜结构与十字路口相对，建筑似乎围绕橡木旋转，这增强了活力。有意识地添加的垂直曲面允许三角形地块的其余区域成为内部空间的延伸，并用作空间或开放空间。

The inspiration of Luc Peire’s ‘Abstract Verticality’ is obvious: lines become surfaces and surfaces become lines, so that the architecture of the project presents itself as a three-dimensional sculpture.

吕克·皮尔的“抽象垂直性”的灵感是显而易见的：线条变成表面，表面变成线条，所以这个项目的建筑表现为一个三维雕塑。

The expressive metal carpentry of the window frames and window parapets are reminiscent of the artisan fineness of the Art-Deco and subtly refers to the ornamental forge of the architect’s grandfather.

有表现力的金属木匠的窗框和窗框，让人想起了艺术装饰的艺术细腻，巧妙地指的是建筑师祖父的装饰性锻造。

Due to its commercial location the project is presented as an office building and comprises four entities. The ground floor accommodates an architect’s office with a separate entrance. The central staircase leads to three other entities. A second practice is situated on the ground floor. The two other floors can be organised either as office or as private flat.

由于项目的商业位置，该项目是作为办公楼提出的，由四个实体组成。底层设有独立的入口，可容纳建筑师的办公室。中央楼梯通向另外三个实体。第二种做法是在一楼。另外两层楼可作为办公室或私人单位。

The vertical surfaces do not reveal what happens inside; only the metal carpentry at the head of the building gives an inkling. The glass volume is surrounded by manipulated solid steel and offers various possibilities of looking inside. The minimalist steel volume rests on a base, bordered by metal, which guides the visitor via the side to the covered entrance. The visitor is immediately surprised by the strong perspective throughout the whole building and the possibility of looking through the building to the courtyard. That is the reason why thin steps made of solid steel were used for the central staircase. The circulation on the stairs is organised around an accentuated vertical wall with the possibility of looking through the vertical blinds.

垂直的表面不显示里面发生了什么，只有建筑物顶部的金属木工才会发出墨水。玻璃体积被操纵的实心钢所包围，提供了各种观察内部的可能性。极简主义的钢卷位于底座上，底座由金属连接，引导游客通过侧边到有盖的入口。参观者立刻对整个建筑的强烈透视图感到惊讶，并且有可能透过大楼向庭院望去。这就是为什么用实心钢做的薄台阶被用作中央楼梯的原因。楼梯上的循环是围绕着突出的垂直墙组织起来的，可以透过垂直的百叶窗观看。

The powerful lines in the exterior can also be experienced inside, in the carved out light niches in the ceiling and in the design of the custom-made furniture. Mirror effects and the opportunities of looking through the building reinforce the perspective. The interior decoration consists of parquet flooring, brushed oak marble, dark grey vertical blinds etc. in natural and timeless colours. They were carefully chosen to ensure that interior and exterior go hand in hand.

外部的强大线条也可以在室内，在天花板上雕刻出的光龛中，以及在定制家具的设计中得到体验。镜子的效果和透过建筑物的机会加强了透视。室内装饰由地板、刷过的橡木大理石、深灰色垂直百叶窗等组成，颜色自然、永恒。他们被精心挑选，以确保内部和外部并驾齐驱。