Itanhangá House,巴西里约热内卢

2024-10-25 14:40
  
The project was born from a dream shared by a couple who loved the place where they had lived for many years, in Itanhangá, Rio de Janeiro. The house they lived in no longer aligned with their life desires. They wanted something simpler, more practical, without excess, yet with great beauty and a generous garden.
该项目源于一对夫妇的共同梦想,他们热爱他们居住多年的里约热内卢伊坦杭加 (Itanhangá) 的地方。他们居住的房子不再符合他们的生活愿望。他们想要更简单、更实用、没有多余的东西,但又具有美丽和宽敞的花园。

                            

                            

                            

                            
The linear layout of the construction, positioned along the longitudinal boundary of the plot, was designed to favor the main entrance through a lush pathway, maximizing the gardens and preserving almost all the existing trees. The practical access for cars and service areas was strategically placed at the front of the plot, while the intimate spaces were located at the back. At the intersection of these spaces lies the open dining room, celebrating the clients desire to dine outdoors. The great surprise came when visiting the site: the chosen position of the house offered a perfect framing of the Pedra da Gávea, a visual delight for the residents.
建筑的线性布局沿着地块的纵向边界定位,旨在通过一条郁郁葱葱的小路有利于主入口,最大化花园并保留几乎所有现有的树木。汽车和服务区的实际通道被战略性地放置在地块的前面,而私密的空间则位于后面。这些空间的交叉点是开放式餐厅,满足了客户在户外用餐的愿望。参观现场时,令人大吃一惊:房子所选择的位置提供了完美的 Pedra da Gávea 框架,为居民带来了视觉上的享受。

                            

                            

                            

                            

                            
Seeking a more “green” and welcoming design, the initial study considered constructing the house in CLT (Cross Laminated Timber), where the finish and structure would be integrated. The facade would receive treatment with the Japanese technique shou sugi ban as a form of protection against the elements. We advanced with this concept until the client, concerned about durability and maintenance, opted for a more traditional construction while maintaining the same aesthetic result. We then decided to use concrete slats mimicking charred wood planks on the facade, and to preserve the same cozy contrast, some internal walls were clad with pine marine plywood sheets. The touches of color were reserved for the childrens bedrooms — light green and dark green — and for decorative elements carefully curated by the client.
为了寻求更“绿色”和更受欢迎的设计,最初的研究考虑使用 CLT(交叉层压木材)建造房屋,其中饰面和结构将一体化。立面将接受日本技术“shou sugi ban”的处理,作为抵御自然灾害的一种形式。我们不断推进这一概念,直到客户考虑到耐用性和维护性,选择了更传统的结构,同时保持相同的美观效果。然后,我们决定在立面上使用模仿烧焦木板的混凝土板条,并为了保持同样舒适的对比,一些内墙覆盖着松木海洋胶合板。颜色的点缀是为儿童卧室保留的——浅绿色和深绿色——以及客户精心策划的装饰元素。

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            
The entire house receives an abundance of natural light and interacts harmoniously with the gardens, ensuring a living experience that is delightfully airy and sunny. Each room features external decks that promote an intimate and constant connection with nature, and skylights positioned in the dining room and bathrooms allow the sky to become an integral part of daily life. The linearity is also present in the internal circulation that provides access to all rooms, with a rhythm marked by alternating supports with glass, followed throughout the length by a long bench.
整个房子拥有充足的自然光线,并与花园和谐互动,确保通风和阳光明媚的生活体验。每个房间都设有外部甲板,促进与自然的亲密和持续的联系,餐厅和浴室的天窗让天空成为日常生活中不可或缺的一部分。线性也存在于通往所有房间的内部循环中,其节奏以玻璃交替支撑为标志,整个长度上有一条长凳。

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            

                            
△平面图/立面图
夏边际
撰文:豆宝宝
校改:吴一仁
编排:布忠耀

                            

                            

                            

                            

                            

                            

                            
  

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