A new show at Paris’ Galerie Perrotin looks at the genesis, remarkably long-life and continuing influence of Korea’s Origin art school. Pictured left: Nucleus 78–28, by Lee Seung-Jio, 1978. Right: Nucleus, by Lee Seung-Jio, 1978

大多数艺术“学校”或动作，无论是迷你还是专业，火、火都会迅速消失。最初的创作能量很快就会消散；紧张和分裂，关键人物开始转向其他东西。尽管有些人表现出更强的持久力，但参与其中的艺术家们坚信，他们的使命和方法仍然是至关重要的和相关

巴黎加莱丽·佩罗廷(GaleriePerrotin)的一场新展览着眼于韩国起源学校的根基、超长的寿命和持续的影响力，特别是三位创办人崔明扬、苏承元和李承九的作品。

他们都出生于20世纪40年代初，就读于首尔的红木大学(Hongik University)，经历了日本占领(大约)、朝鲜战争和1960年四月革命的结束。成立于1962年，起源学校对这场动荡的反应是坚持冷静、控制和基于系统的抽象。在韩国人对抽象表现主义的热情洋溢之后，崔顺实、苏和李，顾名思义，决意回归本真，发展自己的创作约束。

蔡明扬没有用画笔，而是用手指作画，留下了数千个重复的指纹，每一个印象都是独一无二的，创造了规律的但令人激动的图案。苏承元在画布上和画布上旋转着彩色的三角形、方形和菱形。同时，李承九也在演奏催眠术，重复完美的圆柱体，或嗡嗡作响的霓虹灯管。在这三方面，重点都是理性和重复，冥想过程和效果。

All were born in the early 1940s, studied at Hongik University in Seoul and lived through the end of the Japanese occupation (just about), the Korean War and the April Revolution of 1960. Pictured: exhibition view, showing works by Lee Seung-Jio

Instead of using a brush, Choi Myoung-Young paints with his fingers, making thousands of repeated fingerprints. Pictured: exhibition view, showing works by Choi Myong-Young

Pictured left: Sign of Equality 75–52, by Choi Myong-Young, 1975. Right: Sign of Equality 75–51, by Choi Myong-Young, 1975

After the hot and high emotion of the Korean take on abstract expressionism, Choi, Suh and Lee were determined, as the name suggests, on going back to basics and developing their own creative constraints. Pictured: exhibition view, showing works by Suh Seung-Won

Suh Seung-Won sends coloured triangles, squares and diamond shapes spinning across and off the canvas. Pictured: exhibition view, showing works by Suh Seung-Won

Pictured left: Simultaneity 88–910, by Suh Seung-Won, 1988. Right: Simultaneity 89–68, by Suh Seung-Won, 1989

Lee Seung-Jio plays, to hypnotic effect, with repeating perfectly rendered cylinders, or buzzing neon tubes. Pictured: exhibition view, showing works by Lee Seung-Jio

Pictured left: Nucleus 78–23, by Lee Seung-Jio, 1978. Right: Nucleus 85–1, by Lee Seung-Jio, 1985

keywords:Galerie Perrotin, Korea, Origin, New York, Choi Myoung-Young, Suh Seung-Won, Lee Seung-Jio

关键词：Galerie Perrotin，韩国，原产地，纽约，崔明扬，Suh Seung-won，Lee Seung-Jio