Installation view of the eighth instalment of 'Prototypes and Experiments', on view at The Aram Gallery in London. Photography: Josh Redman

这把椅子是个很难的东西。“每个试图让人知道这一点的人都知道这一点，”米斯·范德洛在1930年评论道。他说：“有很多的可能性和问题-椅子必须轻，它必须坚固，它必须舒适。”建造摩天大楼几乎比建造椅子容易得多。

人们只能想象范德洛花了多少原型才能到达他现在标志性的‘巴塞罗那’椅子；设计过程和最终的产品一样具有吸引力。这个概念正是伦敦阿拉姆画廊的一次新展览所探索的，从一开始就追溯了最近的产品，它们的表现形式和再现在两者之间。

自2008年成立以来，“原型和实验”已经让广泛的设计师和建筑师了解了他们的发展和创作过程-以前的参展商包括阿伯·罗杰斯(Ab Rogers)、罗恩·阿拉德(Ron Arad)、麦克斯·兰姆(Max Lamb)和尼娜·托@@由RiyaPatel策划，第八批，也是最近一期的“原型和实验”，包括米舍尔·特拉克斯勒、卡尔·特纳建筑师、卡莫迪·格罗克等人正在进行的作品。

有一个折衷的混合模型，样本，测试和草图，从他们的工作室新采摘。当地设计工作室夹点正在展示9月在伦敦设计节上推出的“尼姆”(Nim)表的迭代，以及详细描述其发展的五个阶段的星历。

在附近，卡尔·特纳建筑师的“临时安装”家之家“揭示了一种理想化的房屋形式的理念；朱勒·怀贝尔(Jule Waibel)在她独特的设计折纸品牌中涉猎，将薄片材料转换成三维物体；卡洛斯·奥尔特加(Carlos Ortega)的比例模型向我们展示了他软木椅子背后的研究成果。

同时，Mischer‘Traxler透露了“反向卷”项目背后的尝试和错误，该项目试图以水果本身为原料制作水果碗。几次使用有机物的尝试都没有结果，这最终导致了一堆碗，这些碗是通过捕捉水果/蔬菜的印记形成的。这是失败孕育成功的证据。

The new exhibition shows models, samples, tests and iterations plucked from the studio shelves of architects and designers. Pictured (in foreground): prototypes of 'Corkigami', by Carlos Ortega. Photography: Josh Redman

Jule Waibel dabbles in her unique brand of design origami, transforming sheet materials into three-dimensional objects in 'Unfolded Things' (pictured left). Photography: Josh Redman

Local design studio Pinch is showing iterations of its ‘Nim’ table, launched in September at the London Design Festival...

...along with ephemera detailing the five phases of its development. Photography: Josh Redman

PostlerFerguson's 'Staeckler' shoe hooks (left), from its production company Papafoxtrot, hangs shoes off the wall at a gentle angle; and Felix de Pass is exhibiting his 'Universal Bottle' created for London-based distillery Sweetdram. Photography: Josh Redman

Mischer’Traxler reveal the trial and error behind the ‘Reversed Volumes’ project, which sought to make fruit bowl using fruit itself as the material. Several attempts with organic matter proved fruitless, which eventually resulted in a collection of bowls that are shaped by capturing the imprint of a fruit/vegetable

Detail of Waibel's 'Unfolded Things'. Photography: Josh Redman

'Chair 182' (centre), by Carmody Groarke with Joe Pipal, is constructed entirely from stained and waxed CNC-cut plywood and achieves its durability from robust, flexible cork-lined joints, which prevent the need for screw fixings. Photography: Josh Redman

Installation view of 'Prototypes and Experiments VIII'. Photography: Josh Redman

'Tarnish' collection, by Daniel Schofield. Photography: Josh Redman

Maquettes from Carl Turner Architects’ temporary installation ‘Home from Home’ uncover the idea of an idealised house form. Photography: Josh Redman

Left: 'Universal Bottle', by Felix de Pass; Right: 'Cast Light', by Studio Vit. Photography: Marius W Hansen

The Aram Gallery is interested in the way designers think and work and have chosen to present these unique artefacts as part of an ongoing search for insight into the design process. Photography: Josh Redman

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