© Paulina Ojeda / contra taller de diseño

(C)Paulina Ojeda/Couna Higher de diso

建筑师提供的文字说明。CeibaHouse是由20世纪30年代的一个小和旧的新殖民建筑创立的，目前的所有者居住在10年以上。突然，需要扩大它以容纳他的新家庭：塑料艺术家、舞蹈演员/瑜伽老师和两个小孩子。

Text description provided by the architects. Ceiba House was created starting from a small and old neocolonial construction of the 1930s, in which the current owner lived for more than 10 years. Suddenly, the need arose to expand it to house his new family: Himself: plastic artist, a dancer/yoga teacher and two small children.

Text description provided by the architects. Ceiba House was created starting from a small and old neocolonial construction of the 1930s, in which the current owner lived for more than 10 years. Suddenly, the need arose to expand it to house his new family: Himself: plastic artist, a dancer/yoga teacher and two small children.

 © Paulina Ojeda / contra taller de diseño

(C)Paulina Ojeda/Couna Higher de diso

最初的房子，虽然有墨西哥新殖民主义建筑的典型元素，但没有很大的历史或建筑价值，但该项目的指导原则是保持原封不动。除了古老的金字塔，新的建筑是在以前的金字塔之上建造的，把它淹没在里面，设计了一个为新殖民主义建筑设计的恭敬的信封。展区巧妙地掩藏和展示了原始的形式、元素和材料。每个建设性阶段都已明确确立。

The original house, although it had the typical elements of Mexican neocolonial architecture, did not have great historical or architectural value, yet the project's guiding principle was to preserve it intact. As well as the ancient pyramids, where the new structure was built over the previous one, leaving it drowned inside, a respectful envelope for the neocolonial house was designed. The expansion delicately shelters and exhibits the original forms, elements and materials. Each one of the constructive stages is clearly established.

The original house, although it had the typical elements of Mexican neocolonial architecture, did not have great historical or architectural value, yet the project's guiding principle was to preserve it intact. As well as the ancient pyramids, where the new structure was built over the previous one, leaving it drowned inside, a respectful envelope for the neocolonial house was designed. The expansion delicately shelters and exhibits the original forms, elements and materials. Each one of the constructive stages is clearly established.

 © Paulina Ojeda / contra taller de diseño

(C)Paulina Ojeda/Couna Higher de diso

 Ground floor plan

 © Paulina Ojeda / contra taller de diseño

(C)Paulina Ojeda/Couna Higher de diso

扩建计划建议建造一间不需要进入房子就能进入的瑜伽室，为孩子们提供两间新的卧室，以及扩大厨房、餐厅和服务区。

The expansion program proposed building a yoga room that could be accessed without entering the house, two new bedrooms for the children as well as expanding the kitchen, dining and services areas.

The expansion program proposed building a yoga room that could be accessed without entering the house, two new bedrooms for the children as well as expanding the kitchen, dining and services areas.

建筑是通过一个很小的大厅进入的，因为前面是房子的正面和通往私人区域的大门。同样的，从这个大厅，在右边，一个螺旋楼梯在树干旁，把使用者提升到树的顶端，从那里，避开上面的树枝，突然出现了一个池塘，一个花园和一个瑜伽工作室。

The construction is accessed through a tiny lobby, as in the front is the original facade of the house and the access door to private areas. As well, from this same lobby, on the right, a spiral staircase next to the trunk of a ceiba tree elevates the user to the top of the tree and from there, dodging the upper branches suddenly appears a pond, a garden and the yoga studio.

The construction is accessed through a tiny lobby, as in the front is the original facade of the house and the access door to private areas. As well, from this same lobby, on the right, a spiral staircase next to the trunk of a ceiba tree elevates the user to the top of the tree and from there, dodging the upper branches suddenly appears a pond, a garden and the yoga studio.

 © Paulina Ojeda / contra taller de diseño

(C)Paulina Ojeda/Couna Higher de diso

如果我们从小大厅一直往前走，穿过旧的大门，你就会来到一个“zaguán”，它通向一个私人露台，成为房子的中心。一个大玻璃可以让一个巨大的流光，一个瀑布和走廊的三点拱门成为所有家庭活动的场景和见证。

If we continue straight ahead from the small lobby, crossing the old main door, you will come to a "zaguán" that leads to a private patio which becomes the center of the house. A large glass allows a huge beaucarnea, a waterfall and the three-point arch of the hallway to be the scenography and witness of all the family's activities.

If we continue straight ahead from the small lobby, crossing the old main door, you will come to a "zaguán" that leads to a private patio which becomes the center of the house. A large glass allows a huge beaucarnea, a waterfall and the three-point arch of the hallway to be the scenography and witness of all the family's activities.

 © Paulina Ojeda / contra taller de diseño

(C)Paulina Ojeda/Couna Higher de diso

房子的私密区域是通过天井的一个侧门进入的，它位于暴露的水箱旁，让人回想起古代穆斯林的蓄水池，倾泻着平静而持续的流水声。4 MTS的天花板高度。还有厚厚的土坯墙，有图书馆/音乐室、卧室和浴室。

The intimate area of the house is accessed through a side door of the patio, located next to the exposed water tank that recalls the ancient Muslim cisterns, pouring a peaceful and continuous murmur of running water. Ceiling heights of 4 mts. and thick adobe walls house a library/music room, bedrooms and bathrooms.

The intimate area of the house is accessed through a side door of the patio, located next to the exposed water tank that recalls the ancient Muslim cisterns, pouring a peaceful and continuous murmur of running water. Ceiling heights of 4 mts. and thick adobe walls house a library/music room, bedrooms and bathrooms.

 © Paulina Ojeda / contra taller de diseño

(C)Paulina Ojeda/Couna Higher de diso

在露台的后面，保留了原来的位置，在一个由面具顶起的拱门后面，是厨房的餐厅，有一个开放和坦率的视野。有第二个露台，穿过狭窄的侧面走廊到厨房，比第一个露台大，覆盖着一个巨大而古老的Zapotte树，下面是艺术家的工作室。

At the back of the patio, retaining its original location and behind an arch topped by a mask, is the kitchen-dining room with an open and frank view to the main courtyard. There is a second patio crossing a narrow side corridor to the kitchen, bigger than the first one and covered by the frond of a huge and ancient zapote tree, under which is the artist's studio.

At the back of the patio, retaining its original location and behind an arch topped by a mask, is the kitchen-dining room with an open and frank view to the main courtyard. There is a second patio crossing a narrow side corridor to the kitchen, bigger than the first one and covered by the frond of a huge and ancient zapote tree, under which is the artist's studio.

 © Paulina Ojeda / contra taller de diseño

(C)Paulina Ojeda/Couna Higher de diso

Ceiba House远离了大多数建筑师所面对的那种宏大的正式装腔作势和夸张，它简朴的外观和精致的室内设计充满了象征意义、植被和亲密空间，有时会让路易斯·巴拉甘(Luis Barragán)警告的那些词被建筑师们遗忘：美、灵感、魔术、魔法、意境、宁静、沉默、亲密和惊奇。

Ceiba House keeps away from the great formal pretensions and exaggerations to which most architects are given, its simple façade and a refined interior design full of symbolism, vegetation and intimate spaces, bring back at times those words that Luis Barragán warned were being forgotten by the architects: Beauty, Inspiration, Magic, Spellbound, Enchantment, Serenity, Silence, Intimacy and Amazement.

Ceiba House keeps away from the great formal pretensions and exaggerations to which most architects are given, its simple façade and a refined interior design full of symbolism, vegetation and intimate spaces, bring back at times those words that Luis Barragán warned were being forgotten by the architects: Beauty, Inspiration, Magic, Spellbound, Enchantment, Serenity, Silence, Intimacy and Amazement.

 © Paulina Ojeda / contra taller de diseño

(C)Paulina Ojeda/Couna Higher de diso

Architects Jorge Ramirez

Location Aguascalientes, Mexico

Area 290.0 m2

Project Year 2013

Photographs Paulina Ojeda / contra taller de diseño

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