© César Béjar

césar Béja

架构师提供的文本描述。海滩离我们有一段距离。在一个没有海滩正面、靠近红树林沼泽边界的“剩馀”空间上，这座建筑的三个海湾为这家酒店创造了自己的水生景观。三个绿色的大屋顶包住了房间，而彼此之间保持着隔离。这样，帕拉帕保留了其清晰和简单的结构。这种古老的逻辑，从传统的玛雅人的房子中学到的，允许墙壁从其结构角色中解放出来。随着墙壁的解放，房间被水隔开，水从被水淹没的院子里流入，这让人想起了覆盖霍尔巴克岛的红树林沼泽。能够在用实心的香柏木建造的帕拉帕下休息，并将它作为一个空间来体验是所有房间的前提，这就是为什么二楼被排除在外的原因。

Text description provided by the architects. The beach is some distance away. On a “leftover” space with no beach frontage and close to the boundary of the mangrove swamps, where construction is prohibited, the three bays of this construction serve to create an aquatic landscape all its own for this hotel. Three large green roofs contain the rooms, while remained isolated from each other. In this way, the palapa retains its clear and simple construction. This archaic logic, learned from the traditional Mayan house, allows the walls to be freed from their structural role. With the walls thus liberated, the room is isolated by the water, which flows in from the flooded courtyard, in a brief reminder of the mangrove swamps that cover Holbox Island. To be able to rest beneath a palapa built from solid, aromatic cedar wood and experience it as a space is the premise of all the rooms, which is why a second floor is precluded.

Text description provided by the architects. The beach is some distance away. On a “leftover” space with no beach frontage and close to the boundary of the mangrove swamps, where construction is prohibited, the three bays of this construction serve to create an aquatic landscape all its own for this hotel. Three large green roofs contain the rooms, while remained isolated from each other. In this way, the palapa retains its clear and simple construction. This archaic logic, learned from the traditional Mayan house, allows the walls to be freed from their structural role. With the walls thus liberated, the room is isolated by the water, which flows in from the flooded courtyard, in a brief reminder of the mangrove swamps that cover Holbox Island. To be able to rest beneath a palapa built from solid, aromatic cedar wood and experience it as a space is the premise of all the rooms, which is why a second floor is precluded.

 © César Béjar

césar Béja

 Axonometric

 © César Béjar

césar Béja

走道不是简单、实用和习惯性地在房间之间放置循环路线，而是转移到场地的周长。该项目的心脏只能有人居住，潮湿，最好是在休息。这家小旅馆从现场出来，与不稳定岛屿上不断上升的海平面进行谈判；或者，它会根据不同的观点，用它的溺水修道院来预测这种情况。在项目最狭窄的角落，就像龙骨一样，一座塔可以容纳这些服务，同时在红树林沼泽上为划定这片土地的两个水体提供一个视角，我们称之为Holbox。

Instead of the simple, pragmatic—and habitual—placing of circulation routes between the rooms, the walkways are shifted to the perimeter of the site. The heart of the project can only be inhabited wet and preferably in repose. The small hotel emerges from the site to negotiate with rising sea levels on an unstable island; or it anticipates this condition with its drowned cloister, depending on the viewpoint. At the narrowest corner of the project, like a keel, a tower accommodates the services while providing a viewpoint over the mangrove swamp to the two water bodies that demarcate this strip of land we call Holbox.

Instead of the simple, pragmatic—and habitual—placing of circulation routes between the rooms, the walkways are shifted to the perimeter of the site. The heart of the project can only be inhabited wet and preferably in repose. The small hotel emerges from the site to negotiate with rising sea levels on an unstable island; or it anticipates this condition with its drowned cloister, depending on the viewpoint. At the narrowest corner of the project, like a keel, a tower accommodates the services while providing a viewpoint over the mangrove swamp to the two water bodies that demarcate this strip of land we call Holbox.

 © César Béjar

césar Béja

 Floor Plan

 © César Béjar

césar Béja

Architects ESTUDIO MACIAS PEREDO

Location Holbox, Quintana Roo, Mexico

Authors Salvador Macías Corona, Magui Peredo Arenas

Coordinator Leonardo Ruíz

Architecture Team Claudia Muñoz, Denisse Sandoval, Carlos Mendiola, Mauricio Vázquez, Andrea Arregui, Ernesto Rizo

Area 600.0 m2

Project Year 2017

Photographs César Béjar

Category Hotels