架构师提供的文本描述。蓝色院子的房子是伊斯法哈尼家族的房子。它的土地位于伊斯法罕市的一部分，那里的土地细分几乎是建立在东西方模式的基础上的。根据现行法律，当一所房子建在土地的上半部分时，房子的主要部分暴露在西方令人不安的光线下，这使房子失去了南光，这是伊斯法罕照明的最佳方向。

Text description provided by the architects. The blue-yard house is a house of an Isfahani family. Its land is located in the part of the city of Isfahan, where land subdivision is almost based on an eastern-western pattern. According to the current laws, when a house is built in the upper half of the land, the main part of the house is exposed to the disturbing light of the West, which deprives the house from the south light, the best direction of lighting in Isfahan.

Text description provided by the architects. The blue-yard house is a house of an Isfahani family. Its land is located in the part of the city of Isfahan, where land subdivision is almost based on an eastern-western pattern. According to the current laws, when a house is built in the upper half of the land, the main part of the house is exposed to the disturbing light of the West, which deprives the house from the south light, the best direction of lighting in Isfahan.

 © Farshid Nasrabadi

(Farshid Nasrabadi)

这是该项目面临的最大挑战，尽管它提出了一种建筑对策，为该项目提供了一个蓝色庭院形式的庭院，这在过去是这一地区房屋的历史模式。

This was the biggest challenge of the project although it came up with an architectural response through offering the project a blue yard in the form of a courtyard, which in the past was the historical pattern of houses in this area.

This was the biggest challenge of the project although it came up with an architectural response through offering the project a blue yard in the form of a courtyard, which in the past was the historical pattern of houses in this area.

为了使蓝色院子可以从房子的进入院子，并释放房子的南面，房子的体积被分离出它的邻居。房子的质量和邻居的墙之间形成了一个缺口，在这个缺口的尽头，通过一些楼梯，坐落着蓝色的院子。这样，房子的内部部分完全可以从院子里穿过蓝色的缝隙，在它的尽头，蓝色庭院作为转折点。

To make the blue yard reachable from the entering yard of the house, and to free the south side of the house, the volume of the house was separated from its neighbor. A gap between the house mass and wall of the neighbor was created, where at the end of it, through a number of stairs, lies the blue yard. In this way, the inner section of the house is completely accessible from the yard through the blue gap and, at its end, the blue yard as the turning point.

To make the blue yard reachable from the entering yard of the house, and to free the south side of the house, the volume of the house was separated from its neighbor. A gap between the house mass and wall of the neighbor was created, where at the end of it, through a number of stairs, lies the blue yard. In this way, the inner section of the house is completely accessible from the yard through the blue gap and, at its end, the blue yard as the turning point.

 © Farshid Nasrabadi

(Farshid Nasrabadi)

在一楼，在入口处后面，在西侧俯瞰进入院子是客房大厅。经过客房旁的厨房，蓝色的庭院显示出自己的样子，为客厅和主卧室提供东南光，两者相邻。

On the ground floor, following the entry and on the west side overlooking the entering yard is the guest hall. Passing the kitchen next to the guest hall, the blue yard, which owns the share of the house from the southern light, shows itself, providing the eastern and the southern light for the living room and the master bedroom both adjacent to it.

On the ground floor, following the entry and on the west side overlooking the entering yard is the guest hall. Passing the kitchen next to the guest hall, the blue yard, which owns the share of the house from the southern light, shows itself, providing the eastern and the southern light for the living room and the master bedroom both adjacent to it.

 © Farshid Nasrabadi

(Farshid Nasrabadi)

在楼上，图书馆和客房可以看到蓝色的庭院，就像孩子们的一间卧室一样，这也得益于蓝色的隔阂。

On the upper floor, the library and the guest bedroom benefit from view to the blue yard just like one of the children's bedrooms, which also benefits from view to the blue gap as well.

On the upper floor, the library and the guest bedroom benefit from view to the blue yard just like one of the children's bedrooms, which also benefits from view to the blue gap as well.

 © Farshid Nasrabadi

(Farshid Nasrabadi)

起居室有两层楼高，蓝色庭院和楼上的小客厅在一起，它们以“安达罗尼”的形式创造了伊斯法哈尼住宅的心脏。

Living room has the height of two stories, and with the blue yard and the small living room on the upstairs together, they create the heart of the Isfahani house in an ‘andarooni’ form.

Living room has the height of two stories, and with the blue yard and the small living room on the upstairs together, they create the heart of the Isfahani house in an ‘andarooni’ form.

 © Farshid Nasrabadi

(Farshid Nasrabadi)

蓝色的瓷砖让人想起伊斯法罕城的历史和令人难忘的色彩，再加上砖块，它们减少了西部地区的暴力。

The blue tiles recall the historical and memorable color of the city of Isfahan, and in combination with bricks, they diminish the violence of the land to the west.

The blue tiles recall the historical and memorable color of the city of Isfahan, and in combination with bricks, they diminish the violence of the land to the west.

 © Farshid Nasrabadi

(Farshid Nasrabadi)

不可避免地向主庭院和西光开放的空间，带有一种本土垫(用伊斯法罕本地红芽的木材编织而成)的烈日，调节西方阳光的强度，将光束射进其中。

Spaces that have been inevitably opened to the main yard and the western light, with brise-soleil of a kind of homegrown mat (woven from the wood of native redbuds of Isfahan), adjust the intensity of the west sunlight, sending beams into it.

Spaces that have been inevitably opened to the main yard and the western light, with brise-soleil of a kind of homegrown mat (woven from the wood of native redbuds of Isfahan), adjust the intensity of the west sunlight, sending beams into it.

 © Farshid Nasrabadi

(Farshid Nasrabadi)

这所房子有着紫红色的阳光，蓝色的瓷砖和它的院子，为伊斯法哈尼家族提供了一个身份，难忘，和背景元素的集合。

This house with redbuds brise-soleil, blue tiles and its yard has provided a collection of identity, memorable, and contextual elements for the Isfahani family.

This house with redbuds brise-soleil, blue tiles and its yard has provided a collection of identity, memorable, and contextual elements for the Isfahani family.