The Ship Strombro Building Workshop

2018-08-06 03:00

 © Mikael Olsson

Mikael Olsson

背景，2014年秋季，Nils刚刚开始为我们工作。这艘船是我们一起设计的第一次演习，为了找到共同点，我们一整天都不打电话。不到15分钟，我们就发现了80到90年代科幻美学的共同狂热。人们一直渴望把它发展成一座实际的建筑物。与这样一个进步的客户，如丙醇，这一梦想即将实现。在对审美偏好的分析中(也就是对直觉的分析)，我发现了我设法下载的第一幅移动图像的记忆：“星球大战，幽灵威胁”，“预告片2”。在第一幕中，四辆敌方装甲突击坦克，从纳布星球的长满草的小山上下来，消灭了冈根人。坡位分为四种性质，不可避免地提出了一种解释。通过对结构的定义，我们找到了库布里克空间站核笼的圆形、刚性的框架角。这就形成了中空的核心，使我们可以稳定的信封，同时保持船舶的服务模块。进一步探索经验，-使用厨房长椅作为仪表板，并采取强制性的步骤，以定义明显的客厅指挥桥。

Background Autumn 2014 and Nils had just taken employment with us. The Ship was our first design exercise together, and to find common ground we went for a no phone all day café break. It didn’t take more than 15 minutes to find our shared craze around 80’s – 90’s sci-fi aesthetics. There had been a prolonged yearning to develop this to an actual building. With such a progressive client as Propio, this dream was about to be fulfilled. In the analysis of aesthetical preference (aka examination of gut feeling) I found a memory of the first moving image I managed to download; Star Wars, The Phantom Menace, Trailer #2. In the opening scene four hostile Armoured Assault Tanks, descends the grassy hills of the planet Naboo to annihilate the Gungans. The sloping site divided in four properties inevitably proposed a paraphrase. Defining the structure, we found the rounded stiff frame corners of Kubrik’s space station ribcage. This formed the hollow core from which we could stabilize the envelope and at the same time hold the service module of the Ship. Further in search for experiences, -using the kitchen bench as the dashboard and applying the compulsory step down to define the obvious living room command bridge.

 © Mikael Olsson

Mikael Olsson

 © Mikael Olsson

Mikael Olsson

我们的命令桥到位，南北方向不同（暗到光），我们邀请了Realtors1号销售参数，超大的窗口，可以看到壮观的景色。没有在我们的SCI-FI设计策略中被定义，站在起居室里，庆祝最后的CLT面板被放在合适的地方，天空打开了一场暴风雪。通过在起重机的背光中的雪花，坐在指挥桥台阶上，我们被加速到设计师的梦想团队。

With a command bridge in place and the distinct north to south direction (dark to light) we invited the realtors no.1 sales argument with an oversized window to a magnificent view. Without being defined in our sci-fi design strategy, standing in the living room celebrating the last CLT panel being laid in place, the sky opened with a snow storm. Through the snow flakes In the backlight of the crane, sitting on the command bridge step we were warp speeding in to a designer’s dream team.

 © Mikael Olsson

Mikael Olsson

材料斯特龙布罗经过15年的研究

Material Strombro have after 15 years of R&D chosen to work solely with CLT (Cross Laminated Timber). In this project we combine the frame with stucco on hard wood fibre insulation. The permeability of the build-ups of walls, floors and roof “breathe” as it both binds and release moisture. This ensures a healthy indoor climate free of toxins, free particles and swirling dust.

 © Mikael Olsson

Mikael Olsson

 © Mikael Olsson

Mikael Olsson

规划建筑代码与70年代郊区蔓延的混合，在进入时直接激发了头发沙龙、莫迪埃或心理学家的家庭办公室。在访问时，总是允许私人使用一个高峰。很有趣。阶梯切片探讨CLT的结构性能，因为6米100mm厚的面板承载垂直荷载，而刚性框架核心保持横向稳定性。在楼梯上和下，您将体验按时间定义的内容的地层分层。我们从Soulow泳池房间外面的日出浓咖啡露台出发，穿过白天的起居区和封闭的睡眠区，然后用一个24/7的迪斯科屋顶花园顶着它。

Program A mixture of building code and the 70’s suburban sprawl inspired the hair saloon, modiste, or psychologists home office directly to the right when entering. Upon visiting always allowing a peak in to the private. Ever intriguing. The staircase slice explores the structural capability of CLT as a 6meter 100mm thick panel carries the vertical loads and the stiff frame core holds the lateral stability. Up and down the staircase you’ll experience the stratigraphic layering of chronologically defined content. We start with the sunrise espresso terrace outside the souterrain pool room, up through the daytime living area and the enclosed sleeping quarters, and topping it off with a 24/7 disco roof top garden.