© Federico Kulekdjian

c.Federico Kulekdji

架构师提供的文本描述。GOODSTEN不仅仅是一种奶油。它是从一种独特的风景中诞生的，仿佛它在那里形成了另一个世界，有着完全不同的逻辑。未知而神奇的土地让我们想起了宝石。他们的面激励我们去创造一个建筑系统。那些石头，用它们的光辉和水晶般的纹理使我们失明，是来自另一个世界的钻石。

Text description provided by the architects. GOODSTEN isn´t just a creamery. It is born from an experience of oneiric landscapes, as if it where form another world, with a completely different logic. Unknown and fantastic lands made us think of precious stones. Their faceted surfaces inspired us to create a construction system. Those rocks, which blind us with their glows and crystal-like textures, are diamonds from another world.

 © Federico Kulekdjian

c.Federico Kulekdji

宝石的寓言对创意决策产生了影响，无论是在设计和施工方面，还是在品牌决策上，甚至是在温度低于零度的花岗岩板上制作甜点。

The allegory of the precious stone had an impact on creative decisions, both in design and construction aspects, branding decisions, and even on the making of the desserts, which are prepared on granite slabs with temperatures below zero.

我们把这个想法转化为一个建筑体系，通过一种材料，我们可以塑造这些多面的人物，而不会落入石材的文字之中。我们想通过一个连续的元素表面来表达一种均匀性，这些元素建立了一个类似钻石的外壳，通过对经过处理的金属瓷砖的重复而使之成为可能。

We transformed this idea into a construction system, through a material which allowed us to mold these faceted figures, without falling into the literalness of stony materials. We wanted to express a homogeneity through one continuous surface of elements which set up a diamond-like shell, made possible by means of the repetition of treated metallic tiles.

 © Federico Kulekdjian

c.Federico Kulekdji

这一提议具有表现力和综合性，从其沉默和单一的物质条件来看，它暗示了一种有趣的形式主义。建造一个双高度的附件，赋予乳酪真正的空间，连接到原来的房子，使两者以一种尊重和谐的方式共存。这种新的类似钻石的结构在形态上与一个20世纪小木屋的倾斜屋顶对话。

The proposal is expressive and synthetic, in a way that it suggests an intriguing formalism from its silent and mono material condition. The construction of a double height annex, which grants the true spatiality to the creamery, is attached to the original house so that both coexist in a respectful and harmonic way. The new diamond-like structure dialogues morphologically with the pitched roofs of a 20th century chalet.

 © Federico Kulekdjian

c.Federico Kulekdji

附件的场地内有两名工作人员，外有一名工作人员，符合通风和照明市政法规的要求。正因为如此，屋顶大大改变了它的形状，允许所需的照明和新鲜空气进入。因此，我们发现自己有一个非常塑料的屋顶，从几何上讲。在地面，我们建造了一个混凝土块，作为一个地下室的屋顶休息，成为一个相似的形态结构。

The site of the annex incorporates two mansards in the inside and a third one on the outside, which respond to the requirements of the ventilating and lighting municipal codes. Because of this, the roof considerably modifies its shape allowing the needed lighting and fresh air to enter. As a result, we found ourselves with a very plastic roof, geometrically speaking. At ground level we built a concrete piece, which works as a basement over which the roof rests, becoming one similar morphological configuration.

 © Federico Kulekdjian

c.Federico Kulekdji

我们创建了一个由三角形和多面曲面组成的系统，它可以在各种元素中看到，特别设计。从生产区建筑物的开口，到附件屋顶，让光线被过滤。同样的几何形状，也构成了一般照明系统的金属结构，以及由预制混凝土制成的外部地板的设计。所有这些都符合相同的构成标准。

We created a compositional system of triangles and faceted surfaces which can be seen in various elements particularly designed. From the openings in the building in the production zone, to the annex roof allowing the light to be sifted. The same geometry, also makes up the metallic structure of the general lighting system, as well as the design of the exterior floorings, made from precast concrete. It all comes together to the same compositional criteria.

 Section C + E

C、E节

一般的内部理念是由北欧审美想象中的要素决定的，如皮肤和皮革挂毯、涂有天然木材和浅色花岗岩的墙壁。所有这些高贵的材料都是以单色的方式使用的，这样就可以在没有更大的难度的情况下，完美地将单一和奇异的世界与所创造的组成体系完美地结合起来。

The general interior idea is determined by essentials from the aesthetic Nordic imaginary, as are the skin and leather tapestry, walls coated in natural wood and light-colored granites. All of these noble materials are used in a monochromatic way, so that a perfect integration of the oneiric and fantastic world and the compositional system created is generated with no greater difficulty.

 © Federico Kulekdjian

c.Federico Kulekdji

客户的要求非常严格。运往生产区域的地面占建筑物总面积的近50%，分为两层，并有两个双循环，以确保明确区分公共和私人区域。

The client´s requirements have been very rigorous. The surface destined to the production area covers almost 50% of the buildings total surface, divided in two levels and with two double circulations as to ensure the clearly differentiated public and private areas.

 © Federico Kulekdjian

c.Federico Kulekdji

Architects Hitzig Militello Arquitectos

Location Av. del Libertador, Martínez, Buenos Aires, Argentina

Architects in Charge Fernando Hitzig, Leonardo G. Militello

Area 118.0 m2

Project Year 2017

Photographs Federico Kulekdjian

Category Restaurants & Bars

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