Four Rectangles Jun Igarashi Architects

2018-02-15 22:00

架构师提供的文本描述。我开始思考和练习中部地区(‘engawa’，日光室等)。用气闸入口作为扳机。我出生和成长在寒冷的气候和继续的设计，而生活在那里，所以我开始考虑的中部地区。在我的设计之初，我就意识到了“一个需要保护的中间区域”。它是人类意识从内部空间到外层空间的“中间”空间。这与阿尔瓦·阿尔托的建筑过程类似，阿尔瓦·阿尔托的建筑是与北欧的严肃性相抗衡的。

Text description provided by the architects. I started thinking and practicing about the middle area (‘engawa’, sunroom etc.) with the airlock entrance as a trigger. I was born and grew in cold climates and continued design while living there, so I began thinking about the middle area. At the beginning of my design I had a consciousness of "a middle area to protect". It is a space "between" the human consciousness from the inner space to the outer space. This resembles the process of Alva Aalto architecture, which was built against the Northern European severity of nature.

 © Satoshi Shigeta

(三)世田佐治(Satoshi Shigeta)

人们把自己放进了内部空间，从那里感受到了外层空间，并触摸到了它。该气闸入口是在寒冷地区，作为一个“中部地区，以保护”的建筑，防止冷空气流入室外冬季季节。

People put themselves in the inner space, feeling the outer space from there, and touching it. The airlock entrance was made in cold district as a "middle area to protect" architecture that prevents cold air from flowing outside into the room during the winter season.

 © Satoshi Shigeta

(三)世田佐治(Satoshi Shigeta)

传统的气闸入口很窄，很便宜，它是安装在建筑物上的。它对改善室内环境起着重要的作用，但它的外观和空间却是非常可悲的。我想把它当作一种更愉快的生活。在我的私人住宅里，我们通常把气闸入口稍微安装在入口处，就像孩子们的房间一样大。

Conventional airlock entrance is very narrow and cheap, it is installed to stick to the building. It plays an important role to improve the indoor environment, but its appearance and space are very sad. I thought that I wanted to treat it as a more enjoyable existence. In my private house, we ordinarily made the airlock entrance slightly installed at the entrance as big as the children's room.

 First Floor Plan

一层平面图

然后，附近诞生了那里，创造了良好的距离之间的外部和内部。在设计为“中区保护”的空间里，室内活动将在夏季泛滥。它是由内向外的“间隔”空间意识，而不是“从外到内”的空间意识。

Then, vicinity was born there, a good sense of distance was created between the outside and the inside. In the space designed as " a middle area to protect ", indoor activities will overflow in the summer. It was the “between” space consciousness towards the outside from the inside, it was not “between” from the outside to the inside.

 © Satoshi Shigeta

(三)世田佐治(Satoshi Shigeta)

现在，我正在考虑“中间地带不仅要保护”的可能性。它的目标不仅是严冬，也是中部地区，你可以享受所有的条件，从内部和外部思考“之间”的方式。在这个计划中，我们把一座建筑放在了工地的中心。这是一种选择，当设置一个小足迹建筑在一个有限的居住部分的农村地区，与有限的条件，包括成本。虽然某些层次的发生取决于方向和邻国，“空置的土地”是平等的出生在建筑物的四面。当从内部设计到空置的土地(外部)时，空置的人的感觉似乎很重要。我试图从两个方向创造一个“中间”，这不仅是一个大屋檐，从内部作为基地，也是人类从外部的堡垒。“四个矩形”中有“四个区域”。建筑中心的第一个矩形是处于最稳定状态的空间。第二个是一个半地下矩形围绕它，这是一个思想和连续性的空间，从气闸入口处。

Now, I am considering the possibility of "a middle area not only to protect". It is to aim not only the severity of winter but also the middle area where you can enjoy all the conditions by thinking about the way of "between" from both inside and outside. In this plan, we placed a building in the center of the site. This is one option when setting a small footprint architecture in a limited residential section of a rural district, with limited conditions including cost. Although some hierarchy occurs depending on the direction and the neighboring state, "vacant lands" are born equally to the four sides of the building. When designing from the inside towards the vacant land (outside), the feeling of the person in the vacant land seemed important. I attempted to create a "between" from both directions that would not only be a large eaves as a base from the inside but also as a stronghold of humans from the outside. There are "four areas" in "four rectangles". The first rectangle in the center of the building is the space in the most stable state. The second one is a semi-underground rectangle surrounding it, which is a thought and continuity space from the airlock entrance.

 © Satoshi Shigeta

(三)世田佐治(Satoshi Shigeta)

第三个大屋檐下的长方形和第四个空地的长方形被设计成一个多用途的区域，所以我决定不限制这个区域内的功能。建筑是从外部(地球)的变化无常状态中获得某种稳定状态而诞生的一种存在。气闸入口是对某种有限情况的反应。我做了各种各样的设计，同时改变和扩大它。重要的是，从双向“之间”是更自由和不限制的功能。在这个优雅的空间里，武器的广泛传播成为了人类各种活动的场所，充满了成为一个大的中间区域的可能性。中部地区不仅对环境有反应，而且对人类的乐趣也有反应。

The rectangle of the third large eaves beneath space and the rectangle of the fourth vacant land were designed as a multipurpose area, so I decided not to limit the function inside this area. Architecture is an existence born to obtain certain kind of stable state from the fickle state of the outside (earth). The airlock entrance is a response to a certain limited situation. I have made various designs while changing it and enlarging it. It is important that "between" from two-way is more free and does not limit the function. The elegant space under which the arms spread widely becomes a place of various activities of human beings and is full of possibilities to become a large middle area. The middle area dose not only responses to the environment but also response to human pleasures.