© Ramiro Sosa

拉米罗·索萨

架构师提供的文本描述。科隆达河岸认为一个生活空间，它总是复杂的，如果它被理解为一个联系之间的隐含习俗-意味着文化-社会-身体的需要，每个人带来的自己，以及环境-背景的工作是被投射的。作为庇护所的空间和限制带来了从时间观念迁移到另一种情况，地点的挑战。

Text description provided by the architects. Coronda River Banks Thinking of a living space it is always complex if it is understood as a link between the implicit  customs-  meaning  culture-,  socio-physical  needs  that  each  individual  brings with  himself,  and  environment-context  where  the  work  is  projected.  The  space  and limits  incorporated  as  a  shelter  bring  the  challenge of  migrating  to  another  condition, place, from a chronotopic conception.

 © Ramiro Sosa

拉米罗·索萨

时空-所有的一切都是从一个美妙的景观开始的，这是典型的海岸景观，湿地和生物多样性就在这里。

Time-Space-Individual It all starts with a wonderful landscape, typical of the coast, where wetlands and biodiversity stay around.

从一开始，人们就试图思考两个主要因素，这两个要素决定了住房以及地面和天花板飞机的必要性。在那里，设计师会停下来思考基于限制的可能性：预算以及由上下文提供的人力和技术资源。从Celula.Urbana-Facebook的粉丝页面-它寻求充分展示所有的资源，以有效地安排项目，在一个美学，给周围的媒体一个可持续的形态。物质是指其结构(物质)的逻辑与生命概念的结合程度。

From the very beginning it was sought to reflect on two principal elements that shape the necessity of shelter and ground and ceiling planes. It is there where the designer stops to think about the possibilities based on the limits: both budget and human and technological resources that are provided by the context. From Celula.Urbana - Facebook fan page- it seeks to have fully present all the resources available to arrange the items efficiently, within an aesthetic that gives a sustainable morphology to the surrounding medium. Matter is how far the logic of its structure (matter) is twinned from conception of living. 

 © Ramiro Sosa

拉米罗·索萨

房屋50.50是由一个覆盖破碎的表面，它从墙上出来提供大量的光，空气和绿色。利用土地提供的最佳位置，实现了高效的平顶交叉通风，在打开后的几秒钟内将空间排出。混合结构，双拉萨塔墙和慷慨的金属结构上升连接双方获得更大的刚性可能，每一个连接满和空画廊和绿色。

House 50.50 is constituted as a cover broken surface, that comes off of the walls offering significant amounts of light, air and green. Taking advantage of the optimal position that the land provides, efficient flush ceiling cross ventilation that airs out spaces just in seconds after they were opened, is achieved. Mixed structure, double rasata walls and generous metal structure that rises linking both sides to gain greater rigidity possible, are each articulated by full and empty gallery and green.

 © Ramiro Sosa

拉米罗·索萨

 © Ramiro Sosa

拉米罗·索萨

作为人工和自然之间的衔接设计的画廊，在一个50平方米(50平方米)覆盖和50平方米(50平方米)半覆盖的项目中获得了相关性。这个部分覆盖的空间是允许整体的福利和舒适的空间，它是到达的空间，第一次接触，珍惜周界，给平面阴影以及视觉锐利的景观。房子是画廊，画廊也是房子。

The gallery, designed as the articulation between the artificial and the natural, gains relevance in a project that has fifty square meters (50 m2) covered and fifty square meters (50 m2) semi-covered. This partially covered space is the space that allows welfare and comfort of the whole, it is the dimension where the arrival occurs, the first contact, cherishing the perimeter and giving planes of shadow as well as visual sharpness to the landscape. The house is Gallery, as well as the gallery is the house. 

 © Ramiro Sosa

拉米罗·索萨

Architects Célula.Urbana

Location Santo Tomé, Argentina

Project Year 2015

Photographs Ramiro Sosa

Category Houses