Tschumi展馆于1990年由建筑师BernardTschumi设计，作为同年在格罗宁根市举办的部分户外艺术展览的一部分：多么美好的世界！建筑表现中的音乐视频。现在，27年后，这个展馆确实逐渐积累了一个令人印象深刻的投资组合，作为各种艺术项目的城市公众活力。

The Tschumi pavilion The Tschumi pavilion was designed in 1990 by the architect Bernard Tschumi as part of a partially outdoor art exhibition held in the city of Groningen in the same year: the What a Wonderful World! Music Videos in Architecture manifestation. Now, 27 years later, the pavilion has indeed gradually accumulated an impressive portfolio as an urban public vitrine for all kinds of art projects.

 © Peter de Kan

C.彼得·德·菅直人

然而，在2017年4月，这个想法出现了，那就是从严格的建筑角度再一次从概念上接近这个展馆。我们-格罗宁根建筑学院(Groningen Academy Of Architecture)的三名学生-欣然接受了这一挑战，抓住这个机会，以最初打算使用的方式部署了这座展馆：作为一个新的社会现象的城市探索场所。

In April 2017, however, the idea emerged of having the pavilion once again conceptually approached from a strictly architectural perspective. We – three students of the Groningen Academy of Architecture – gratefully took on this challenge, seizing the opportunity to deploy the pavilion in the capacity in which it was initially meant to be used: as an urban exploration site for a new societal phenomenon.

 © Peter de Kan

C.彼得·德·菅直人

 Floor Plan

 © Peter de Kan

C.彼得·德·菅直人

一个新的常数-我们正从一个旧的常量-在我们生活中的大部分事物发生的家庭中生活-转变为一个新的不断的城市生活，城市作为我们家园的延伸。这样，人们就可以住在较小的房子里，生活质量也将保持不变，我们的设计采用Tschumi展馆作为投射上述问题的一种手段。

A new constant We are in transition from an old constant – living in homes where most of the things in our lives happen – to a new constant – urban living with the city as the extension of our homes. This will allow people to live in smaller houses, while the quality of living will remain unchanged.Our design uses the Tschumi pavilion as a means of projecting the above-mentioned issues.

 © Peter de Kan

C.彼得·德·菅直人

格罗宁根市的赫里普林是一个很好的例子，它是一个高质量的城市生活区，目前还没有被永久使用。在这里，我们成功地创造了一个空间区域，在它的透明展馆之内和周围，这似乎没有立即透露它包含了什么。这也正是它的象征。因为我们非常希望你用你自己的想象力来决定你自己如何设计这个小空间的内部，如果它是你自己的！

The Hereplein in the city of Groningen is a perfect example of a high-quality urban living area, which isn’t permanently used as such yet. Here, we have managed to create a spatial area both within as well as around its transparent pavilion, which doesn’t immediately seem to reveal what it contains. And that’s precisely what it’s also meant to symbolize. Because we would very much like you to use your own imagination in determining how you yourself would design the interior of this small space if it were your own!

虽然结构本身完全由两种不同长度的木板条构成，但交错的设计创造了一个动态的整体。每个板条连接到下一个只有一个单一的螺丝，然而，在一起，形成一个坚实的自给结构。这样的设计，事实上，似乎是漂浮在玻璃亭子周围一动不动。准确的定位以及板条的弯曲，都是在施工阶段自己决定的。结构的最终外观是这样发展的，而我们正在建造它。

Design Though the structure itself is entirely made out of wooden slats cut in just two different lengths, its staggered design creates a dynamic whole. Each slat is attached to the next one with just one single screw, together, however, forming a solid self-supporting construction. The design thus, in fact, appears to be floating motionless around the glass pavilion. The exact positioning, as well as curving of the slats, were both determined during the construction phase itself. The ultimate appearance of the structure was thus developed while we were building it.

 © Peter de Kan

C.彼得·德·菅直人

 © Peter de Kan

C.彼得·德·菅直人

由于其倾斜的地板的经验，屈米馆有一个迷茫的影响，它的游客。进入这个不寻常的展馆后，游客会立即被带出他们的舒适区域，因此更容易思考“跳出盒子”。

Experience Due to its tilted floor, the Tschumi pavilion has a disorienting effect on its visitors. Upon entering this unusual pavilion, visitors are immediately taken out of their comfort zone and therefore easier able to think ‘outside the box’.

 © Peter de Kan

C.彼得·德·菅直人

我们的设计旨在增强这种迷失感：游客首先发现自己与外界隔绝，随后在一个奇怪的倾斜空间里迷失了方向。在慢慢地习惯了他们所处的位置之后，他们又开始向外聚焦。然后，他们发现他们在一个有着各种不同视线和进入光线的空间里。随着视野的更新，这座城市又开始通过木壳重新出现。

Our design aims to enhance this disorientation: visitors find themselves first shut off from the outside world and subsequently a little lost within a strange sloping space. After slowly getting used to where they are, they start focusing outwards again. They then discover they are in a space with all kinds of different sightlines and entering light rays. With a renewed view the city starts reappearing through the wooden shell again.

 © Peter de Kan

C.彼得·德·菅直人

Architects Academy of Architecture Groningen

Location Groningen, The Netherlands

Lead Architects Paul Breteler, Melvin Koolen, Thomas Rosema

Area 20.0 m2

Project Year 2017

Photographs Peter de Kan

Category Pavillion

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