Altar. Image © Szilárd Köninger

祭坛。图像(Szilárd K ninger)

“…在这里…对我们来说是件好事“/马克9：5

„…it is good for us to be here…” //Mark 9:5//

在树林的空地上有一个帐幕。一些吃草的马在附近。屋檐下有一个有三个凳子的神殿。礼拜场所。它的反型是一个路旁神社或巴洛克三角形覆盖。它几乎是一座教堂，但却是一座教堂。人们穿着卡其布的服装聚集在这片空地的圣殿。一些人拿着角，鹿角，而另一些人则在装饰圣赫伯特人的庆典，因为…已经开始了。这是一家私人公司。猎人-我是说。古代Tradicion的守护者。为了生存而追逐和杀戮的仪式。所以它的位置离定居点很远。…一曲钟声敲打着空气，完成了准备工作。和它的声音相比，它的尺寸太小了。神圣空间中唯一的临时装饰。三角形的仙人掌向观众席开放，但在后面的对焦中没有关闭，直到无限远。一天结束时，家具都不见了，马可以重新进入田里。有一个帐幕孤独地矗立在林间林中，被原始森林的寂静笼罩着。

There is a tabernacle stands in the glade made of wood. Some grazing horses are around. There are a shrine with three stools under the roof. A place for liturgy. Its antitype is a wayside shrine or a barocque triangular covering. It is almost a chapel, but a church. Sancuary of the glade where people gather wearing khakis outfit. Some are carrying horn, antlers while others are decorating as the Saint Hubertus celebration has begun… It is a private company. The Hunters - I mean. Keepers of an ancient tradicion. The ritual of chasing and kill for living. So its place is far from settlements. …a tune of a bell beat the air finishing the preparation. It is much too small in size compare to its sound. The only temporary adornment of the sacred space. The triangular santcuary opens towards the audiance, but unclosed in the back focus to infinity. Furniture are gone by the end of the day and horses can re-enter the field. There is a tabernacle stands alone in the glade framing by the silence of a primeval forest. 

 Night. Image © Szilárd Köninger

晚安。图像(Szilárd K ninger)

林业部门的号召是为猎人们建造一座类似教堂的建筑，以庆祝胡伯塔斯日(Hubertus Day)。林业部门对这件事很感兴趣，但在程序上却不清楚。关键是在以下几个方面明确规则的开始：

The call from the forestry was to create a chapel-like building for hunters to celebrate the Hubertus Day. As the Forestry was fascinating about the happening but unclear in programatic the building. The key was to make the rules clear for the start in the following points:

 Axonometric

目的：确定一种礼拜方法，使约300人参加弥撒和仪式。

GOALS Liturgy: to determine a method of liturgy make the mass and the ceremony functional for around 300 people

在邻里没有神圣场所的情况下寻找参考系统

Objet Trouvé: to find a reference system in the absence of consecrated place in the neighbours

物质性：木材的天真使用(来自林业)

Materiality: naiveté use of wood (from the Forestry)

 Roof. Image © Szilárd Köninger

屋顶。图像(Szilárd K ninger)

乐器：礼拜仪式：野营礼拜仪式

INSTRUMENTS: Liturgy: camping liturgy

布列维：路旁神社是这一地区独特的神圣建筑，以三位一体为重点，在巴洛克时代受到了德国的影响。神秘的数字3是设计的根源，它出现在柱状雕像的底部，甚至在由三根柱子支撑的遮蔽屋顶上。

Objet Trouvé: The wayside shrine is the uniqueness of this region in sacred building focusing on the Trinity   was a german impact in baroque age. The mysterious number three  was the root of the design was seen in the base of column statues or even in shelter roofs supporting by  three columns.

物质性：木材是我们使用的唯一材料，即使在细木工和家具中也是如此。屋顶、人行道和屋顶盖子是我们当地的木材。

Materiality: timber is the only material we use, even in joinery and furnitures. The roof, the pavement   and the roof cover are us the local wood

这个建筑是三者的复合。该布局是一个等边三角形，定义了一个向观众开放的空间，并在后面不关闭。漂浮在草地上。祭坛和三个凳子在设计上和礼拜堂的设计方法和顺序是一样的。由一系列的板条和木制的接合而成。家具是可移动的，但它们的形式决定了它们在圣所中的位置。

The architecture is a compound of the three points. The layout is an equilateral triangle define a space open up to the audience and unclosed on the back. Levitating on grass. The altar and the three stools follow the same method and order in design as the chapel. Made of series of lath with wooden joineries. The furniture are mobile, but their form define their place in the sanctuary.

 Interior. Image © Szilárd Köninger

内部。图像(Szilárd K ninger)

Architects CAN Architects

Location Csapod, Göbös major, 9372 Hungary

Architects in Charge Ádám Tátrai, Szilárd Köninger

Area 27.0 m2

Project Year 2014

Photographs Szilárd Köninger

Category Chapel