Rocky House Base Architecture

2017-06-28 17:00
 © Christopher Frederick Jones
克里斯托弗·弗雷德里克·琼斯
架构师提供的文本描述。最初的简介是一个独特的家庭住宅,重点是一个干净,简单的设计,与室外空间密切联系。人们渴望的是一个明亮而开放的家,宽敞的房间自然地流入彼此之间,进入风景之中。这份简报主要是由客户通过中世纪现代主义建筑的形象传达的.
Text description provided by the architects. Initially the brief was for a unique family home that focused on a clean simple design, with a close connection to outdoor spaces. The desire was for a home that was bright and open, with generous rooms that naturally flowed into each other and into the landscape. This brief was predominantly communicated by the client through images of mid-century modernist buildings.
 © Christopher Frederick Jones
克里斯托弗·弗雷德里克·琼斯
客户还希望能够看到房子里每一个空间的每一个细节都得到了考虑,这反映了他自己对1:1的创造的热情。在整个设计过程中,不同的空间都需要讲述一个不同的故事,但设计需要始终保持一致。有时,房子应该感觉宏伟,宽敞,活泼和放松,但安静和平静取决于用户居住的空间。
The client also expected to be able to see that every detail of every space in the house had been given consideration, which is a reflection on his own passion for creating at a 1:1 scale. Different spaces throughout the design all needed to tell a different story, yet the design needed to feel consistent throughout. At times, the house should feel grand, expansive, lively, and relaxing yet quiet and calming depending on the space the user is inhabiting.
 © Christopher Frederick Jones
克里斯托弗·弗雷德里克·琼斯
坐落在一座山顶上,暴露在强风下,一个L形的计划把居住空间推开到尽头,坐在视野中,而卧室则沿着山顶侧翼,以遮住北方的庭院。考虑到房子的广阔场地和位置,每个海拔高度都需要理解为有自己的特征,而没有一个
Perched on top of a hill exposed to some strong prevailing winds, an L-shaped plan pushes living spaces out to the extremities to sit within the view while bedrooms are flanked along the crest of the hill to shelter a northern courtyard. Given the expansive site and location of the house, each elevation needed to be understood as a having its own character without there being a 'back of house' to hide away. While there are so many longer vistas to take in around the site, there also needed to be key connections within the dwelling itself and to the immediate outdoor spaces.
 © Christopher Frederick Jones
克里斯托弗·弗雷德里克·琼斯
 Ground Level Plan
地面平面图
 © Christopher Frederick Jones
克里斯托弗·弗雷德里克·琼斯
整体的青石脊骨墙从地面上升起,但却被漂浮的混凝土平面所交叉。所有分隔悬停平面和卡拉拉大理石地板是全高度木框架玻璃,提供最低限度的内部和外部之间的轮廓,而白色呈现的墙壁淡入背景。材料调色板是简单和一致的内外。这是唯一的变化是卧室的房子,在那里的颜色,材料的变化,甚至设计的开放性是一个提示的变化,在隐私水平的变化。
Monolithic bluestone spine walls rise up out of the ground, only to be intersected by floating concrete planes. All that separates the hovering plane and the Carrara marble clad floor are full height timber framed glazing which provides minimal delineation between inside and out, while white rendered walls fade into the background. The material palette is simple and consistent both inside and out. The only variation to this is the bedroom wing of the house, where the shift in colours, materials and even the openness of the design is a cue to the change in the level of privacy inside.
 © Christopher Frederick Jones
克里斯托弗·弗雷德里克·琼斯
这个家一直被认为是一个长期的家庭之家,这就决定了几个规划的考虑。对于现在有小孩的家庭来说,卧室都在一个层次上。随着家庭的成熟,父母将能够退到楼上,留下一间带有双向套间的客房,以便将来灵活使用。孩子们的喧闹空间也将很快演变成家庭教育的空间。由于客户大量参与一项蓬勃发展的业务,它还需要有家庭办公室的功能,而不需要那种空间,感觉就像带走了家庭家的感觉一样。对此的反应是在一扇沉重的石门后面偷偷潜入一个书房,这样游客就可以避开这种双重目的。
The home was always considered as a long term family home, which dictated several planning considerations. For the current family with young children, the bedrooms are all on one level. As the family matures, the parents will be able to retreat upstairs, leaving a guest bedroom with two way ensuite for future flexibility. A rumpus space for the kids will also evolve soon into a space for home schooling. Due to the client being heavily involved in a booming business it also needed to have the functionality of a home office without that space feeling like it takes anything away from the feeling of a family home. The response to this was to sneak a study behind a heavy stone door, so visitors are hidden from this dual purpose.
 © Christopher Frederick Jones
克里斯托弗·弗雷德里克·琼斯
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Base Architecture
Location Redland Bay, Australia
Category Houses
Lead Architects Shawn Godwin, Chris Kolka
Area 470.0 m2
Project Year 2016
Photographs Christopher Frederick Jones
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