A Garden Pavilion in Zurich Oliv Brunner Volk Architekten
2017-05-25 02:00
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© Christian Brunner
克里斯蒂安·布伦纳
架构师提供的文本描述。这座亭子坐落在20世纪20年代的一座别墅的花园里,四周环绕着古树和茂密的树叶。这座两层楼的建筑留下了最小的脚印,其更大的上一层位于较小的底层,四面都有悬臂。在计划中,它的形状是不规则的五边形,安装在场地的角落,尽量减少展馆的外观,并最大限度地从内部观看。
Text description provided by the architects. The pavilion is situated in the garden of a villa from the 1920s, surrounded by old trees and dense foliage. The two-storey structure leaves a minimal footprint, with its larger upper floor sitting on the smaller ground floor, cantilevering on all sides. In plan it takes the shape of an irregular pentagon, fitting into the corner of the site, minimizing the appearance of the pavilion and maximizing the views from inside.
© Eliane Rutishauser
c.Eliane Rutishause
一楼是一个开放式的厨房和就餐区,可以通过折叠滑动玻璃门向周围花园的四面八方开放。
The ground floor is an open-plan kitchen and dining area which can be opened on all sides to the surrounding garden with folding sliding glass doors.
Ground Floor Plan
结构中唯一的墙壁就像一棵空心树干,里面有厕所、储藏室和附属空间。沿着这堵墙,一段楼梯通向楼上,这是一个开放式的居住空间,向四面八方开放,从地板到天花板都有玻璃,使周围的树木和花园的景色最大化。展馆变成了树屋。
The only wall of the structure acts like a hollow tree trunk and contains a toilet, storage and ancillary space. Along this wall a flight of stairs leads to the upper floor which is used as an open-plan living space, open to all sides with floor to ceiling glazing, maximizing the views into the surrounding trees and garden. The pavilion becomes a treehouse.
© Eliane Rutishauser
c.Eliane Rutishause
墙的不对称位置允许在大空间内有不同的深度。从楼梯着陆开始,逆时针方向移动,空间先变宽,然后逐渐变窄,变得更加亲密,从工作和起居区移动到睡眠和洗澡区。
The asymmetrical position of the wall allows for varying depths within the large space. Starting from the stair landing and moving counter-clockwise the space first widens and then gradually becomes narrower and more intimate, moving from a working and living area to the sleeping and bathing area.
对比一楼折叠滑动玻璃门的狭窄垂直框架,上层的大滑动“天框”窗户使周围的树梢和花园的视野最大化。滑动的窗户打开了楼上所有的五个角落,把角落变成了室外的门廊,停在树叶中间。
Contrasting the narrow vertical frames of the folding sliding glass doors on the ground floor, the large sliding "Sky-Frame" windows on the upper floor maximize the views into the surrounding treetops and the garden. The sliding windows open up all five corners of the upper floor, turning the corners into outdoor loggias, perched among the foliage.
© Eliane Rutishauser
c.Eliane Rutishause
展馆与周围环境、天气和季节相适应,相互作用,使其得以不同程度地开放,并将周围花园的不同层次连接起来,从草地到树梢。
The pavilion adapts to and interacts with its surroundings, the weather and the seasons, allowing it to be opened in varying degrees and connecting the different levels of the surrounding garden, from the grass to the treetops.
Upper Floor
展馆的结构完全是用现浇混凝土建造的.上层由树干墙和五根薄钢柱支撑。折叠板混凝土屋顶仅由树干墙支撑,两侧不对称地悬臂,遮住上层楼层,并将空间从任何进一步的结构元素中解放出来。
The structure of the pavilion is built entirely of exposed in-situ concrete. The upper floor is supported by the trunk wall and five thin steel columns. The folded plate concrete roof is held only by the trunk wall, asymmetrically cantilevered on all sides, sheltering the upper floor and freeing the space from any further structural elements.
展馆提供了一个非常开放,非正式和不寻常的生活空间,与周围的环境,天气和季节进行协调和对话。
The pavilion provides a very open, informal and unusual living space in tune and in dialogue with its surroundings, the weather and the seasons.
© Christian Brunner
克里斯蒂安·布伦纳
产品描述-天空框架的地面到天花板滑动玻璃窗口系统,其最小的轮廓框架提供了所需的开放性和不受限制的看法,整个楼的展馆。玻璃与Glas Troesch(欧洲玻璃)高效的三层隔热玻璃“银星EN2plus”,反射率降低,它提高了视野,同时保护周围的树木鸟类,防止他们撞到大窗玻璃。
Product Description.- Sky-Frame’s floor to ceiling sliding glass window system with its minimal profile frames provides the required openness and unrestricted view for the entire upper floor of the pavilion. Glazed with Glas Troesch’s (Euroglas) highly efficient triple heat insulating glass "Silverstar EN2plus” with reduced reflectance, it enhances the views while simultaneously protecting birds in the surrounding trees, preventing them from crashing into the large window panes.
Architects Oliv Brunner Volk Architekten
Location Zürich, Switzerland
Category Houses
Architects in Charge Christian Brunner, Shervin Taghavi, Luca Schmid, Andrej Volk
Area 130.0 m2
Project Year 2013
Photographs Eliane Rutishauser, Christian Brunner
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