Urban Restaurant

2017-04-07 15:00

 © KLIWADENKONOVAS Fotografía

KLIWADENKONOVAS Fotografía

架构师提供的文本描述。La Pesca是在厄瓜多尔河流省Babahoyo市的商业和社会生活中非常重要的一个中心部门中构思的。塔尼娅女士试图扩大和提高一家已经有20年经验的海鲜企业的地位：她需要一家本地企业来投资和调整，以便为他们的客户提供更好的服务。

Text description provided by the architects. La Pesca was conceived in what is a central sector very important in the commercial and social life of the city of Babahoyo, province of the rivers in Ecuador. Ms. Tania sought to expand and to dignify a seafood business that already had 20 years of experience: She needed a local own that she could invest and adapt to generate a better service to their customers.

 © KLIWADENKONOVAS Fotografía

KLIWADENKONOVAS Fotografía

 © KLIWADENKONOVAS Fotografía

KLIWADENKONOVAS Fotografía

当地购置的住房位于集体住房公寓楼的底层(佛朗哥废弃的建筑是脱衣舞者指令的产物)，在到达街道之前毗邻一个小的社会区域。这是一个社区使用的场所，根据法律，建筑物的所有使用者都有权使用它，而当地市政当局也有干预城市空间的权利，这是一种所有权意识，促使项目必须与财产的居民进行社会化，这样项目才能成为并获得成功的最终抵押品。

The local acquired is located on the ground floor of an apartment building of collective housing, (building in franco abandonment product of descoordinaciones directives), and is adjacent to a small social area prior to arriving at the street. This is a place of community use, by law all the users of the building have a right over it, as well as urban space the local municipality also has interference.  It was the sense of ownership, which promoted the need to socialize the project with the inhabitants of the property so that the project can be and reach a successful end collateral.

 © KLIWADENKONOVAS Fotografía

KLIWADENKONOVAS Fotografía

 © KLIWADENKONOVAS Fotografía

KLIWADENKONOVAS Fotografía

将公共部门和私营部门的界限联系起来，这种界限开始消失，空间开始融合各种情况和共同的经验，这并不总是容易和愉快的。必须记住，建筑物的底部是居民的社会生活；孩子们玩耍并使他们诗意十足的个人，人们流动，社会互动，甚至可能被那些要适当利用照明不足所覆盖的人入侵。迫使我们进行对话和谈判以避免冲突的各种因素汇合在一起。

Associate the line of the public and private sectors where the limit begins to disappear and the space begins to be an amalgam of circumstances and shared experiences, it is not always easy and pleasant. It must be borne in mind that in the underside of a building is the social life of its inhabitants; the children play and make their poetic individuals, the people flows, social interactions, or may even be invaded by people who are going to give the proper use covered by the lack of lighting. Converging factors that forced us to generate dialog and negotiations to avoid conflicts.

 © KLIWADENKONOVAS Fotografía

KLIWADENKONOVAS Fotografía

由当地工人和现场施工而成。木材多年来一直是城市、河流和渔业中使用的材料，在所有工作中都是经常使用的材料，是一种统一的元素和环境的活化剂。墙壁的缺失使空间得以融合，成为城市景观的一部分。

Made with local labor and on-site construction. The wood, which was for years the material used in the city river and fisheries, is the recurrent material in all the work as a unifying element and activator of the context. The absence of walls allows the space is merged, becoming part of the urban landscape.

 © KLIWADENKONOVAS Fotografía

KLIWADENKONOVAS Fotografía

其目标是产生对当地现实作出反应的干预措施，这是一种更具参与性和开放性的建筑，使城市变得更轻、更有人情味。

The goal is to generate interventions which respond to a local reality, a more participatory and open architecture where the city becomes lighter, more human.