架构师提供的文本描述。教堂的奉献结束了长达70年的莱比锡教区的奥德赛之旅。它永久回到市中心的表现是建造了新的特立尼达和提斯教堂。

Text description provided by the architects. The consecration of the church ended the odyssey of the Leipzig parish community that has lasted over seventy years. Its permanent return to the centre of the city is manifested in the construction of the new Trinitatis church.

 © Simon Menges

C.Simon Menges

新的教区教堂从周围城市的有机体中发展出来。它通过它的高教堂大厅、教堂塔和邀请教区庭院的开放来获得它的存在。在一个突出的位置，从新市镇厅对面，Trinitatis教堂定义了一个位置，恭敬地融入其周围环境，沿着城市中心环形成一个清晰可辨的边缘。这个结构现在正与"灌注"教堂大厅和教堂塔楼的电杆在相对两侧的三角形地块和混凝土电杆的混凝土浇筑。教区庭院被切割成两个高点之间的区域，以创建一个新的中央会议地点。新教堂的轮廓标志着进一步发展地下资源不足的邻近城市地区的开始。

The new parish church is develop out of the organism of the surrounding city. It obtains its presence through its high church hall, church tower and inviting openness of the parish courtyard. In a prominent location across from the New Town Hall the Trinitatis church define a site that respectfully integrates into its surroundings and forms a clearly distinguishable edge along the city centre ring. The structure is now being put up with the ‚pouring‘ of the triangular plot of land and the concreting of the poles of the church hall and church tower on opposite sides. The parish courtyard was cut into the area between the two highpoints to create a new central meeting location. The silhouette of the new church marks the beginning of the further development of the underused neighbouring urban area.

 © Simon Menges

C.Simon Menges

特里塔提斯教堂的主要特点是光、空间和材料。教堂大厅的内部高度超过14米，它提供了一种卓越的空间体验，22米高的大天窗进一步强化了这一体验。不同强度的日光从教堂大厅的祭坛后壁落下，定义了大厅的气氛。另一个重要因素是大型地面教堂窗口(由艺术家FalkHaberkorn)，它产生了社区和城市之间的沟通，就像通过一个互动商店窗口。它同时打开和划定教堂大厅，同时作为一个有针对性的开放，作为世俗世界和神圣领域之间的接口。

The Trinitatis church is primarily characterised by light, space and material. With its interior height of over 14 metres, the church hall enables a transcendent spatial experience that is further intensified by the large skylight located in 22 metres high. Daylight of varying intensity falls from this along the rear wall of the altar in the church hall and defines the atmosphere of the hall. Another important element is the large ground-level church window (by artist Falk Haberkorn) that produces communication between the community and the city as if through an interactive store window. It opens and delimits the church hall at the same time while serving as a targeted opening as an interface between the world of the profane and the realm of the sacred.

 Floor plan

教堂大厅位于横向，并创造了足够的空间来安排社区在一个开放的周边地区，其光学和场景中心是机会。分隔社区的分区被消除了，另外，将Chancel作为一个多维空间打开，可用于各种形式的礼拜仪式。仅仅是一个缓缓的斜坡围绕着下颚，并允许最佳的视觉视角。在祭坛后壁的大十字架对面(艺术家豪尔赫·帕尔多)，在画廊上方的大墙面上雕刻了第二个十字架，这是一个负面的印记，它在西方夕阳的照耀下打开了教堂大厅。画廊为这里的风琴、唱诗班和额外的长凳提供了空间。

The church hall is situated crosswise and creates sufficient room for the arrangement of the community in an open surrounding area whose optical and scenographic centre is the chancel. Partitions separating the community were eliminated, additionally opening the chancel as a multidimensional space usable for various forms of liturgy. Merely a gentle slope surrounds the chancel and permitting optimal visual perspectives. Across from the large cross on the rear wall of the altar (by artists Jorge Pardo) is a second cross carved into the large wall area above the gallery as a negative imprint that opens the church hall to the light of the setting sun in the west. The gallery offers room for the organ, the choir and additional pews to be set up here.

 © Simon Menges

C.Simon Menges

产品描述。由罗克利茨斑岩制成的立面。通过使用Rochlitz斑岩，正在继续建设莱比锡城(如旧市政厅)和该地区的传统，如韦彻堡的本笃会圣十字修道院。各种高度的水平分层牢固地将建筑物与地块固定在一起，并使其象征性地从地面上生长出来。层次分明的凸起和凹槽传达着富人。

Product description. Facade made of Rochlitz porphyry. By using Rochlitz porphyry is continuing a tradition of construction of the city of Leipzig, such as with the Old Town Hall, and of the region, such as with the Benedictine Priory of the Holy Cross in Wechselburg. The horizontal layering of the various heights firmly anchors the building with the plot of land and allows it to symbolically grow out of the ground. The projections and recesses in the layering convey the rich

 © Simon Menges

C.Simon Menges

Architects Schulz und Schulz

Location Nonnenmühlgasse 2, 04107 Leipzig, Germany

Category Churches

Architect in Charge Prof. Ansgar Schulz, Prof. Benedikt Schulz

Area 5500.0 m2

Project Year 2015

Photographs Simon Menges

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