架构师提供的文本描述。导言“罗尔夫之家”是一个雄心勃勃的转变，十九世纪后期的教练房子变成了一个壮观的家和工作空间。这个项目真正的独特之处在于，所有用于进行这一改造的材料都来自于一座被拆除的办公楼，就在客车房旁边。这些材料被重新应用的谨慎和细致的方式可以在最终的结果中看到。“罗尔夫之家”证明了废物可以变成美丽的东西。

Text description provided by the architects. Introduction ‘House of Rolf’ is an ambitious transformation of a late nineteenth century coach house into a spectacular home and workspace. What is truly unique about this project is that all the materials used to carry out this transformation originated from a demolished office building that was located next to the coach house. The care and meticulous way in which these materials were reapplied can be witnessed in the end result. ‘House of Rolf’ is proof that waste can be turned into something beautiful.

 © Christel Derksen & Rolf Bruggink

C.ChristelDerksen

从办公楼到雕塑家和工作室，这座组成“罗尔夫之家”外壳的前教练屋，最初建于1895年，当时位于荷兰乌得勒支富家马利班恩(Maliebaan)的后花园里。1955年，马利班河上的住宅和长途汽车屋之间用木头建造了一座外建筑。虽然最初打算作为临时建筑，但这座建筑已经建了57年。2008年，当马利班河上庄严的办公楼变成私人住宅时，这座一层的木结构办公大楼仍未使用、废弃。2011年，RolfBruggink收购了这座建筑、客车屋和周围的地形，目的是拆除前一栋建筑。拆除过程是Bruggink利用回收材料在客车屋壳内建造新的雕塑和功能结构的触发因素。

From office building to sculptural home and studio The former coach house that makes up the shell of ‘House of Rolf’ was originally built in 1895 in the back garden of a wealthy aristocrat’s home located on the stately Maliebaan in Utrecht, the Netherlands. In 1955 an outbuilding was constructed in wood between the residences on the Maliebaan and the coach house. Although initially intended as a temporary structure the building stood for 57 years. In 2008, when the stately office buildings on the Maliebaan were being turned into private homes, this wooden one storey office building remained, abandoned and unused. In 2011 Rolf Bruggink acquired this building, the coach house and the surrounding terrain with the intention of demolishing the former building. The demolition process was the trigger for Bruggink to use recovered materials to construct a new sculptural and functional structure within the shell of the coach house.

 © Christel Derksen & Rolf Bruggink

C.ChristelDerksen

空间设计-“罗尔夫之家”的空间设计，前教练屋和它所包含的雕塑和功能对象，是由罗尔夫·布鲁金与女友伊菲·范登伯格协商后完成的。客车屋本身是一座15×7米和5.5米高的长方形砖建筑。5根桁架支撑屋顶，将空间整齐地划分为6个相等的海湾。这个空间的设计是基于这个简单的结构，房子分为三个区域，每个区域由两个海湾组成。第一个区域完全是空的，这样才能充分体验原来的教练室。中间区域包含一个结构，它完全不受马车外壳的影响，这样你就可以很容易地从第一个区域看到它以外的地方。这个空间的第二部分包括厨房、卧室、卫生间、淋浴、浴缸和办公室。通过将这座雕塑结构放置在房子的中间，形成了前、中、后三部分。这样，这个功能对象就可以同时分割和连接空间。在第三个区域，第二个结构与中间地带的结构一起构成了罗尔夫雕塑生活空间的殿堂。第二种结构与第一种不同，因为它有意识地附着在车厢的外壳上，与之融合在一起。后面的区域包含了更亲密的生活空间。一个新的大格式的全景窗口已被削减，从后面的墙壁，让光线涌入空间。这是唯一对原建筑进行干预的地方。

Spatial design The spatial design of ‘House of Rolf’, the former coach house and the sculptural and functional object it contains, was carried out by Rolf Bruggink in consultation with his girlfriend Yffi van den Berg. The coach house itself is a rectangular brick building of 15 by 7 meters and 5.5 meters tall. 5 trusses carry the roof, which neatly divide the space into 6 equal bays. The design of the space is based on this simple structure with the house divided into 3 zones each consisting of 2 bays. The first zone is left completely empty so that the original coach house can be fully experienced. The middle zone contains a structure that stands completely free from the coach house shell so that you can easily look beyond it from the first zone. This second sections of the space houses the kitchen, bedroom, toilet, shower, bath and office. By positioning this sculptural structure in the middle of the house a front, middle and back division is created. This functional object thus simultaneously divides as well as connects the space. In the third zone, a second structure is located which together with the structure in the middle zone, form ‘House of Rolf’s sculptural living space. This second structure differs from the first, in the way that it is consciously attached to the shell of the coach house, merging with it. This back zone contains more intimate living spaces. A new large format panoramic window has been cut out of the back wall of the coach house allowing light to flood into the space. This is the only intervention made into the original building.

 © Christel Derksen & Rolf Bruggink

C.ChristelDerksen

 © Christel Derksen & Rolf Bruggink

C.ChristelDerksen

在一楼的布局上，雕塑生活空间内有独立的厨房、卫生间和技术空间。一楼设有淋浴房、卧室、步入式壁橱和带浴室的办公室。一楼的所有房间都可以从一条高架走廊进入，这条走廊与一座客车屋的墙壁相连。在一楼，这个结构完全不受车厢外壳的影响，这样你就可以畅通无阻地绕着它走。

Layout On the ground floor, the sculptural living space houses a separate kitchen, toilet and technical space. The first floor contains a shower room, bedroom, walk-in closet and an office with bath. All the rooms on the first floor are accessible from an elevated corridor that is connected to one of the coach house walls. On the ground floor the structure stands completely free from the coach house shell so that one can walk around it unimpeded.

 Floor Plan 02

平面图02

 © Christel Derksen & Rolf Bruggink

C.ChristelDerksen

 Floor Plan 01

楼层图01

已经确定了原理空间设计的构建罗尔夫之家"RolfBruggink请NiekWagemans更详细地帮助设计该项目，以作为唯一的建筑材料。没有详细的构建技术图纸，只是给出了空间设计的比例模型。以该模型为出发点，罗尔夫和尼克开始在施工过程中进一步开发设计。正是这种工作方式导致了雕塑作品的最终形式。

The Build Having determined the principle spatial design of ‘House of Rolf’, Rolf Bruggink invited Niek Wagemans to help design the project in more detail with the materials of the former office block as the sole construction material. There are no detailed technical drawings of the build, just a scale model in which the spatial design is presented. Using this model as a starting point, Rolf and Nick commenced the build developing the design further during the construction process. It was this mode of working that led to the ultimate form of the sculptural object.

 © Christel Derksen & Rolf Bruggink

C.ChristelDerksen

该项目的目标是使用办公大楼的所有材料，不要浪费任何东西。为了实现这一目标，Niek Wagemans作为一名设计师的技能特别有用。瓦格曼的专长是利用二手材料设计和建造建筑结构和家具。他发现了巧妙的方法来重复使用那些准备好用手来创造新功能对象的材料。这座建筑的出发点是竖起两堵墙，这两堵墙是从办公楼里打捞出来的许多散热器建造的。在这一初期阶段，办公楼尚未拆除。然而，在这部分工作完成后不久，大楼就不得不拆除，以便腾出继续建造所需的材料。这产生了大量的材料，导致了一个巨大的任务，那就是计算出哪一种材料分配给设计的哪个特定部分。在这个过程中，Niek敏锐的眼光在寻找和挑选最适合建造的特定部分的材料时是非常重要的。一个重大的相关挑战是储存和保存这些大量的材料。一个部分被安置在建筑工地的旧平房帐篷里。由于缺乏其他的存储选择，剩下的部分必须包含在教练的房子里。所有这些都构成了一个重大的后勤挑战。

The self-formulated goal of the project was to use all the materials of the office building, leaving nothing to waste. To achieve this objective, Niek Wagemans’ skills as a designer were particularly useful. Wagemans’ expertise is in designing and building architectural structures and furniture pieces using second hand materials. He finds ingenious ways to re-use materials that are ready to hand to create new functional objects. The staring point of the build was to erect two walls constructed from the numerous radiators salvaged from the office building. In this initial phase the office building had not yet been demolished. Shortly after this part of the job however, the building had to be dismantled in order to free up the materials necessary to continue the build. The vast quantities of materials that this generated, led to a giant task of working out which materials to allocate to which specific section of the design. Niek’s discerning eye in looking for and picking out the most well suited material for a particular part of the construction was very important in this process. A large related challenge was to store and conserve these large quantities of materials. A part was housed in old bungalow tents on the building site. The remainder had to be contained in the coach house itself for want of other storage options. All of this amounted to a big logistical challenge.

 © Christel Derksen & Rolf Bruggink

C.ChristelDerksen

这个项目的一个引人入胜的方面是，最初有大量的可用材料。这是因为办公楼的面积仅为200平方米，客车房仅为50平方米。这意味着材料可以广泛应用。例如，房子包括一个坚固的木制隔墙，由桁架和小腿构成。一个实心木地板也是由地板梁建造的。然而，这种慷慨的材料应用意味着，在建造接近尾声的时候，几乎所有的材料都被使用了。

A fascinating aspect of this project was that initially there was a wealth of available materials. This being so as the office building presided over a 200 square meter surface area and the coach house a mere 50 square meters. This meant that materials could be applied liberally. For example the house includes a solid wooden partition wall constructed from trusses and purlins. A solid wooden floor was also constructed from floor beams. This generous application of materials meant however that towards the end of the build nearly the entire supply of materials had been used

Architects Studio Rolf.fr + Niek Wagemans

Location Utrecht, The Netherlands

Category Adaptive Reuse

Area 230.0 m2

Project Year 2016

Photographs Christel Derksen & Rolf Bruggink