架构师提供的文本描述。下面的修复项目旨在将位于哈肯地区阿什湖附近的植物园改造成博物馆/多用途空间。

Text description provided by the architects. The following renovation project aimed to transform a botanical garden located near Lake Ashi in the Hakone area, into a museum / a multi-purpose space.

该场地周围有一个丰富的自然环境，围绕着一个湖泊（石湖）和一座山（MT.Hakone）。一棵大树，是植物园的象征，用来站在用作现有建筑物入口的玻璃圆顶的中心。在这种环境中，来自该区域的沉淀(水分)将渗滤液通过场地的土壤，并收集在根部周围，从而产生填充有原始水的天然弹簧。

The site is surrounded by a rich natural environment centering around a lake (Lake Ashi) and a mountain (Mt. Hakone). A large banyan tree, a tree emblematic of the botanical garden, used to stand at the centre of the glass dome serving as the entrance to the existing building. In this environment, precipitation(moisture) from the area would percolate through the site's soil and collect around the roots , thus creating a natural spring filled with pristine waters.

 © Takumi Ota

(小田隆美)

为了博物馆的翻新工程，我们的任务是在这个入口处设计一个空间，可以容纳厨房，餐厅，以及一个临时展览和表演的舞台，比如音乐会和戏剧。

For the purpose of the museum renovation project, we were tasked with designing a space inside this entrance that could accommodate a kitchen, a dining space, and a stage for temporary exhibitions and performances, such as concerts and plays.

我们设想了一个能够通过各种活动来适应博物馆需要的地方。

We envisioned a place that would adapt to the museum's needs by enabling a variety of activities.

 © Takumi Ota

(小田隆美)

首先，我们在整个地板上浇筑了新的混凝土，并在入口穹顶中心建造了一个八角形圆形剧场，这是榕树曾经存在的地方。一种透明的树脂被铺在圆形剧场地板的底部，通过确认植物园自然存在的水体以及哈肯地标阿什湖的记忆，形成了一个充满深邃的宁静和神秘的泉水。

First, we poured new concrete over the entire floor and created an octagonal amphitheater at the center of the entrance dome where the banyan tree used to be. A transparent resin was then spread at the bottom of the amphitheater floor to form a spring filled with the profound serenity and mystery surrounding water by acknowledging the memory of the botanical garden's naturally occurring body of water, as well as the Hakone landmark that is Lake Ashi.

 © Takumi Ota

(小田隆美)

八角形圆形剧场的功能是一个多用途的场地，可以用作就餐的座位，也可以作为中央表演区，周围是音乐会或戏剧的分层座位，也可以作为临时展览的展区。我们认为，在闪烁的运动和充满记忆的水的变化中，对场地日常配置的不断变化的图像进行分层将是这个位置的最佳方法。

The octagonal amphitheater functions as a multi-purpose venue that can be used as seating for dinning, as a central performance area surrounded by tiered seating for concerts or plays, or as a display area for a temporary exhibition. We considered that layering the ever-changing image of the venue's daily configurations over the shimmering movement and changing appearance of water filled with memories would be the best approach for this location.

 Floor Plan

就像湖泊是从各种水源带来的水滴的堆积一样，透明的树脂地板上充斥着优雅而活泼的元素，使用不同的反射材料，如镜子、玻璃片和金属碎片，使水面产生各种光线。

In the same way that a lake is the accumulation of water droplets brought from various water sources, the transparent resin floor was flooded with elegant and lively elements using different reflective materials, such as mirrors, pieces of glass and fragments of metal, to produce a variety of light shining off the water surface.

就像当一条小溪遇到另一条溪流时，水流中的水会发生变化一样，物质的流动也会相互交融和相互作用，因为单个的光束获得了动量，并在表面上传播着美丽的涟漪。

Just as changes occur in the flow of water when one stream meets another, the flow of materials blend and interact with each other as individual bundles of light gain momentum and send beautiful ripples traveling across the surface.

 © Takumi Ota

(小田隆美)

这些反光材料所产生的变化赋予了发光以水的有机生命力的丰富的表现力，从而深化了它的诗意，同时给水的记忆带来了美和神秘。

The changes created by these reflective materials confer abundant expressivity to the light which glows with the organic vitality of water, thus deepening its poetry while imparting beauty and mystery to the memory of water.

就像反映不断演变的景观的湖面一样，自然光的变化，如早晨或傍晚的阳光，树木颜色的季节性变化，如春天新鲜的绿叶或红色的秋叶，所有这些都聚集在一起，一个标志性的等级，蔓延到整个新建的混凝土和透明树脂表面，就像一波色彩充满了活泼的运动。

Like the surface of a lake that mirrors the evolving landscape, the changes in natural light, such as that from the morning or evening sun, the seasonal variations in the color of the trees, such as the fresh green leaves of spring or the red autumn leaves, all come together in a signature gradation that spreads throughout the newly built concrete and transparent resin surfaces like a wave of color filled with lively movement.

 © Takumi Ota

(小田隆美)

此外，我们在钢框架(柱和梁)和穹顶墙的混凝土部分上涂上了鲜艳的颜色，如紫色和浅蓝色，仿佛湖面上所含的鲜艳色彩被溅到了周围环境中，为整个空间增添了水的光泽和新鲜度。

Furthermore, we applied vivid colors, such as purple and light blue to the steel frame(column and beam) and concrete parts of the dome walls, as if the vibrant colors contained in the lake surface were splashed onto its surroundings, to lend the gloss and freshness of water to the entire space.

厨房摊位的棕色墙壁上铺满了木盘子，形状就像春天发出的舞动的光碎片。此外，每一个板块的粗粒图案可以被看作是瀑布的流动，从而赋予空间以水的能量和周围山脉中的树木之间的共振所产生的活力。

The brown walls of the kitchen booth are covered with wood plates shaped like dancing shards of light from the spring. Moreover, the rough grain motif of each of the plates can be perceived as the flow of a waterfall, thus infusing the space with the vitality produced by the resonance between the energy of water, and the trees found in the surrounding mountains. 

 © Takumi Ota

(小田隆美)

通过给空间带来统一，并在其自然环境中反映微小的变化，这个记忆之泉将水的形象传播到整个景观中，创造了一个既能体验自然现象的奇迹和神秘，又能增强人类活动带来的乐趣和欢乐的环境。

By bringing unity to the space and reflecting minute changes in its natural surroundings, this spring of memories spreads the image of water to the entire landscape and creates an environment where one can experience the wonder and mystery of natural phenomena while enhancing the fun and joy derived from human activities.

当这座建筑经历了从植物园到博物馆的转变时，春天的记忆所带来的世界，随着流水的光芒，铭刻在我们的心中，它的叙事被旋转到未来。

As the building undergoes a transformation from botanical garden to museum, the world ushered by the memory of the spring becomes engraved in our hearts along with the sparkle of flowing water, and its narrative is spun into the future.