© Jatinder Marwaha

c.Jatider Marwaha

架构师提供的文本描述。通过Artisan House项目，形态发生寻求复兴并重新建立起对印度传统手工技能的支持。印度以其艺术和文化的多样性为象征，但随着范式的改变，极有必要保护这些正面临日益严重的忽视威胁的符号。手工艺是印度文化中与生俱来的技术和传统，它有力地代表了当今世界对奢侈品的理解-手工定制的奢侈品，也就是它的起源。此外，本项目的奢华是通过空间配置的灵巧和美丽来表达的，通过工艺、材料、方法和设计的结合，给空间提供了一种体验性的品质。

Text description provided by the architects. Through the Artisan House project, Morphogenesis looks to revive and re-establish a patronage for traditional Indian artisanal skills. India is symbolized by the diversity of its art and culture, yet with the changing paradigm there is a great need to conserve these symbols that are under a growing threat of neglect. Craft, emergent from skill and handed-down traditions is inherent in Indian culture, and is strongly representative of the global understanding of luxury today- that of the hand-made, bespoke, one that speaks of its provenance. Additionally, luxury in this project is expressed through the dexterity and beauty of spatial configurations, lending the space an experiential quality through the incorporation of craft, material, method and design.

 © Jatinder Marwaha

c.Jatider Marwaha

该设计利用项目所在的地形，创建两个有助于隔离功能的不同级别。一所大房子，打算在庆祝和庆祝的时候包括一个大家庭，私人空间被放置在地库较低的层，更多的公共区域被指定到上层。按照传统的印度模式，私人生活被安排在一个包含寺庙的中央庭院周围，赋予了一种精神上的无所不在的存在。一个强大的条纹图形语言是组织原则的设计，以保持规模在这个非常大的体积。这些乐队转化成一系列的垂直表面，不同的故事揭示在每一卷之间的两个表面。这座房子的独特之处在于，当你看到这些空间背后的规划和哲学时，很难把任何东西称为房间。这座房子在其游戏中以物质和细节的形式唤起了奢华的气息。在一个区域有石头工艺，在另一个区域有金属工艺，下一个区域有纺织品。带状策略允许使用不同的工艺和50多个材料，而不影响建筑的敏感性或破坏连贯的叙事。

The design exploits the terrain on which the project is located, to create two different levels that are instrumental in segregating functions. A large house intended to include a large extended family at times of celebration and festivity, the private spaces are placed in the earth-banked lower level, and the more public areas are designated to the upper level. In keeping with traditional Indian schema, the private living is organized around a central courtyard which contains a temple, imparting a spiritual omnipresence. A strong graphic language of striation is the organizing principle of the design, to retain scale within this very large volume. These bands translate into a series of vertical surfaces, with a different story unveiling in each volume subtended between two surfaces. What is unique about this house is that it’s hard to call anything a room when looking at the planning and philosophy behind the spaces. The house evokes luxury in its play with materiality and detail. There is stone craft in one zone, metal craft in another, textiles in the next. The strategy of banding allows for the use of distinct crafts and over 50 materials without impacting the architectural sensibility or destroying the cohesive narrative.

条纹平面从名义上延伸到建筑形式的边缘之外，延伸到景观和种植中。因此，我们很可能是在一个非常精心制作的区域内，延伸到一个岩石花园，然后进入另一个区域，墙上有一个雕塑浮雕，再延伸到一个水上花园。有多个连续暴露和经验的感官，所以在某种程度上，也有一个奢侈的经验，这个项目提供。所创造的经验类似于在博物馆里一次又一次地展开空间。

 The striated planes notionally extend themselves beyond the edges of the built form, into the landscape and planting. So one could well be within a very stone crafted zone that extends out into a rock garden which then leads into another zone with a sculpture relief on the wall, with further leads into a water garden. There are multiple sequential exposures and experiences for the senses, so in a way there is also a luxury of experiences that this project affords. The experience created is akin to unfolding of space after space in a museum.

 © Jatinder Marwaha

c.Jatider Marwaha

 Floor Plan

 © Edmund Sumner

c.埃德蒙·萨姆纳

总之，该项目容纳了一个传统的印度家庭，传统的生活原则和传统的工艺和材料，但同时，它被认为是一个极其现代和现代的房子。这所房子代表的是被重新定义的奢华：手工艺品的奢侈，客户允许的实验的自由的奢侈，最后是不同体验的奢侈。

In nutshell, this project accommodates a traditional Indian family, traditional living principles and traditional craft and materials, but at the same time it was conceived as an extremely contemporary and modern house. This house represents luxury that is redefined: the luxury of handcraft, luxury in terms of freedom with experimentation which the client allowed, and finally, the luxury of different experiences.

 © Edmund Sumner

c.埃德蒙·萨姆纳

Architects Morphogenesis

Location India

Category Houses

Design Team Sonali Rastogi, Neelu Dhar, Harleen Singh, Aditya Yadav, Anika Mittal, Elis Mendoza, Prairna Gupta, Silambarasan G

Area 29800.0 ft2

Project Year 2015

Photographs Edmund Sumner , Jatinder Marwaha

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