Courtesy of Studio di Architettura Attilio Stocchi

阿蒂利奥·斯托奇工作室提供

架构师提供的文本描述。1960年的石版本的萨维-科斯坦特乌莫(圣人-常人)返回的地方，福斯托梅洛蒂第一次唤起他们在1936年。

Text description provided by the architects. The 1960 stone versions of Savi – Costante Uomo (Sages – Constant Man) return to the place where Fausto Melotti evoked them for the first time in 1936.

 Courtesy of Studio di Architettura Attilio Stocchi

阿蒂利奥·斯托奇工作室提供

在城堡里Sala delle Asse交错的树枝上，受到莱昂纳多彩色阴影的启发，他们在展馆的庇护下，呼吁我们见证一场关于“后”的无声争论：关于已经存在的当代的。

Sheltered by a pavilion inspired by Leonardo’s coloured shadows in the interweaving branches of the Sala delle Asse in the castle, they call upon us to witness a silent dispute about the “after”: about the contemporary that measures up to what already exists.

一场以图像形式出现的关于转化模式的争论-内部、超级、亚和阿普德-来验证克莱恩的理论：当身体相互接触时，就会产生对冒险的某种渴望；如果不这样，他们就必须保持一定的距离，而且距离应该保持和谐。

A dispute, in the form of images, on the patterns of transformation intra, super, sub, and apud to verify Klee’s theory: when bodies touch each other, a certain thirst for adventure arises; if it does not, they must keep at a distance, and the distance should remain harmonious.

 Courtesy of Studio di Architettura Attilio Stocchi

阿蒂利奥·斯托奇工作室提供

米兰和建筑学邀请游客进入一个有趣的冒险之后。因为米兰的建筑是有感染力的。但是传染病并没有带来疾病-只是一种愉快的快感。

Milan and architecture invite visitors into an intriguing adventure After. Because architecture in Milan is contagious. But the contagion does not bring disease – just a pleasant euphoria.

 Courtesy of Studio di Architettura Attilio Stocchi

阿蒂利奥·斯托奇工作室提供

索普任天堂Belle Arti e Percaggio-米兰21世纪米兰三人展2016年

Soprintendenza Belle Arti e Paesaggio – Milan XXI Milan Triennale 2016

Architects Attilio Stocchi

Location Milan, Italy

Category Pavillion

Area 60.0 sqm

Project Year 2016

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