© Jesús Granada

(Jesús Granada)

架构师提供的文本描述。“拉斯维加斯阿尔塔”中心生长在一个模糊的外围位置，在一个土地，是城市和农业。占据第一个或最后一个麦田。这一建筑方案旨在强调属于“织女星”的这一永恒的建筑条件，它是一座独立的建筑，漂浮在乡村，像一捆巨大的稻草，地平线平坦。

Text description provided by the architects. The "Vegas Altas" Center grows in an ambiguous peripheral location, in a land that is both urban and agricultural. Occupying the first or last crop field. The architectural proposal is intended to highlight this timeless condition of building belonging to the “Vega” as a free-standing building, floating in the countryside like a giant bale of straw with a flat horizon.

 © Jesús Granada

(Jesús Granada)

一方面，它是一座隐藏着它在地下的地位的建筑物。这个程序是在一个半埋的圆环上绘制的，它适应地形和地块的边界，但是隐藏着他对访客隐藏的状态。另一方面，一个立方体的体积增加了断断续续和大胆。唯一在地面上感觉到的建筑物，既适合能见度，又适合所需的代表性，容纳了吸收舞台盒大小所需的大体积。这座大楼有两个大厅，可容纳800人和275名观众。它们既可以同时使用，也可以独立使用，可以灵活地适应事件的性质。

On one hand, it is a building that hides its status growing underground. The program is drawn on a half-buried ring that adapts to the terrain and to the boundaries of the plot, but hides his condition hiding to visitors. On the other hand, a cubic volume rises categorically and boldness. The only building perceived above ground, appropriate for both the visibility and the representability required, homes the large volume needed to absorb the magnitude of the stage box. The building has 2 halls for 800 and 275 spectators. They can be used either at the same time or independently, flexibly adapted to the nature of the event. 

 © Jesús Granada

(Jesús Granada)

 © Jesús Granada

(Jesús Granada)

它以一个完美立方体的柏拉图式几何图形强化了它的城市特色，但反过来又失去了它的建筑特征，因为它是一块长条形的田野，它的表面被地下空间的天窗撕裂。这座建筑为该镇提供了充足的公共空间，大部分项目都有绿色的覆盖。这个提议延伸到了一个大公园和一个广场，有一个倾斜的地面，用来创建一条通往大楼的通道，并作为另一种室外礼堂进行表演。

It reinforces its urban character, iconic, with a platonic geometry of a perfect cube, but in turn loses its built character as it is a field sown of  strips of vegetation and its surface is ripped with skylights over the underground spaces. The building gives ample public space to the town with a green cover over most of the program. The proposal extends like a large park and a square with a sloped ground serving to create an access to the building and to perform as an alternative outdoor auditorium.

 © Jesús Granada

(Jesús Granada)

入口是流体与外界连接的多价空间。它可以用于多种用途。一种扩大的液体和连续的公共空间，其两端是观众席，与后台的服务和设施区域相反，关闭了为两个礼堂服务的地面下的一个环。该建筑具有较高的热惯性，通过混凝土墙和绿色覆盖，以保持一个恒定的舒适的温度在冬季和夏季。

The entrance is a polyvalent space in fluid connection with the outside. Its can be used for multiple purposes. An expanded liquid and continuous public space with the auditoriums at its ends, which bind on the opposite side by the area of services and facilities serving backstage, closing a ring under the ground serving both auditoriums. The building has a high thermal inertia through the concrete walls and green cover to maintain a constant comfortable temperature in winter and summer.

 © Jesús Granada

(Jesús Granada)

 © Jesús Granada

(Jesús Granada)

建筑物的一般结构、覆盖层的土壤、混凝土的色调和立面的绳索都有材料上的模糊性，模仿自然环境。然而，它的地下和水的内部定义是一种更人工的新鲜度。展览空间有一个白色的，紧张的织物，这扩大了空间，反映了一个虚幻的环境。大厅由绿色聚碳酸酯制成，由于间接照明的影响，变成了一个没有精确尺寸的水世界。

There is a material ambiguity in the general configuration of the building, the soil of the cover, the tone of the concrete and the ropes of the facades mimic the natural environment. However, its underground and watery interior is defined by a more artificial freshness. The exhibition space has a white, tense fabric, which extends the space reflecting an unreal environment. Auditoriums are made with green color polycarbonate that by the effect of indirect lighting becomes a water world without a precise dimension.

 © Jesús Granada

(Jesús Granada)

这座建筑坚持环境的气候条件，同时又不忽视其经济状况。具有功耗低，维护方便的特点。这种性能有效地适应了当前经济的紧缩，特别注意建设，以满足与现有预算的紧密一致和广泛要求的方案的需要。它是一个无声的物体，目的是不被注意，虽然也是埃斯特雷马杜拉海中的灯塔。

The building adheres to the climatic conditions of the environment without losing sight of its economy. Brought with low power consumption and easy maintenance. The performance adapts effectively to the austerity of the current economy, with special attention to construction to meet the tight consistency with existing budget and the needs of the extensive requested program. It is a silent object that aims to go unnoticed, although also is a lighthouse in the sea of the Extremadura’s field.

 © Jesús Granada

(Jesús Granada)

Architects Carlos Chacon, Jose de Villar, Martin Robles, Pancorbo

Location Calle Palacio de Congresos C, 4, 06700, Badajoz, Spain

Category Public Architecture

Author Architects Luis Pancorbo, José de Villar, Carlos Chacón, Inés Martín Robles

Area 6873.26 m2

Project Year 2014

Photographs Jesús Granada

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