La Héronnière Alain Carle Architecte

2015-12-07 04:00
 © Adrien Williams
阿德里安·威廉姆斯
架构师提供的文本描述。La HéRonnière的概念方法提出了对回收概念的解释。
Text description provided by the architects. La Héronnière’s conceptual approach proposes an interpretation of the notion of recycling.
我们反思在我们的实践中保持一个理论问题的重要性,这似乎因为公众今天在技术层面上的唯一利益而受到损害:“可持续发展”。
We offer a reflection on the importance of maintaining a theoretical issue in our practice, which seems undermined by the public’s sole interest today in the technical dimension: “sustainable development”.
 
La HéRonnière是根据一种与提升循环有关的方法设计的(这包括通过艺术家的诗意干预将废物回收为有价值的对象。这一潮流的根源一方面来自艺术的反体制“态度”,通过流行艺术,最近媚俗艺术的杰夫昆斯),恢复旧的概念参考“回收”成一个新的项目远景,另一方面,发展项目的技术方面与回收和可再生能源。
La Héronnière was designed according to an approach related to upcycling (which consists of reclaiming waste into an object of value by the artist’s poetic intervention. This current derives its origins, on the one hand, from the anti-establishment “attitudes” of Arte Povera, through Pop Art to the recent kitsch art of a Jeff Koons), recovering old conceptual references “recycled” into a new project vision, and on the other hand, by developing the project based on technical aspects related to recycling and renewable energy.
 
四个方案构成部分界定了这一探索的框架:职业、供应、重用和区别,显然这不是来自未来使用者的“方案”本身,而是产生于项目的概念方面。这是我们工作中反复出现的一种做法,在这种做法中,对形式和地点的质疑先于方案问题。
Four programmatic components define the framework of this exploration: Occupation, Supply,  Reuse and Distinction, which obviously do not come from the “program” of the future occupants as such, but arise from the conceptual aspects of the project. This is a recurring approach in our work, in which the questioning of form and place precedes the programmatic issues.
 © Adrien Williams
阿德里安·威廉姆斯
职业,工作.
Occupation.
这个项目很常见:一个有两个孩子的年轻家庭想要建造一座代表他们价值观的房子,他们渴望和谐地、“共生地”地居住在自然环境中,网站被视为“主人”。环境要求不容商榷:无人居住空间无磁场,无线通信协议,能源自给自足,不含挥发性有机化合物,回收工程残留物,电动汽车等。
The program was common: a young family with two children wanted to build a house representing their values, their desire to occupy a natural setting harmoniously and “symbiotically”, with the site perceived as “the host”. Environmental requirements were non-negotiable: no magnetic field in the inhabited space, no wireless communication protocol, energy self-sufficiency, materials free of volatile organic compounds, recovery of project residues, electric car, etc. 
 © Adrien Williams
阿德里安·威廉姆斯
面对所有这些善意和技术要求,即Y代价值观的特点,我们只介绍了一个,似乎优先于这些新媒体-推动者的价值观:场所的价值,与环境有关的生存品质。相对于绩效质量的理念,我们提升了建筑工程的概念价值和感性价值,作为对当前可持续发展理念的现实反证。
Faced with all these good intentions and technical requirements, characteristic of the values of Generation Y, we introduced just one more, which seemed to take precedence over these new media-promoter values: the value of the place, the existential quality related to the environment. In contrast to the idea of performance quality, we promoted the conceptual and perceptual value of the architectural project, as a real counterpoint to the current concept of sustainable development.
 © Adrien Williams
阿德里安·威廉姆斯
因此,干预的地点,特别是其内在结构的转变方式,是这两种对立的土地利用规划愿景的交汇点。土地呈现陡峭的坡度,一种对角线面,不利于住宅的开垦。为了响应这个对角线产生的空间质量,我们在景观中安装了一个水平平面,它是由三个神秘的相同的测地线点产生的,位于现场的三个巨石的顶部。
The place of intervention, but especially the way its intrinsic structures were transformed, was therefore the meeting point of these two antagonistic visions of land use planning. The land presented a steep slope, a sort of diagonal plane, not conducive to residential appropriation. In response to the spatial quality generated by this diagonal, we installed a horizontal plane in the landscape, generated from three mysteriously identical geodesic points, located at the top of three boulders present on the site.
 First Floor Plan
一层平面图
从那时起,这个项目是根据一个简单的等级原则设计的:在这条地平线之上或下面。下面是有矿物环境的居住空间,上面是带有较轻材料的睡眠区。
From that time on, the project was designed on a simple hierarchical principle of occupation: being above or below this horizon line...  Below are living spaces with mineral ambiences and above are sleeping areas with lighter materials.
在这个平面下面,它被决定重新组织这个地点,以便建造一个高原,成为户外生活的平面。爆破残留物被压实后,在工地上被拒绝,以创造该项目的新地面:一个扰动的表面,而不是一个从该领土上提取的地表。在挖掘过程中,对现场暴力行为的一种“姑息处理”。
Below this horizontal plane, it was decided to reorganize the site in order to architecture a plateau that would become the outdoor living plane. The blasting residues were compacted and refused on the site to create the project’s new ground: a disturbed surface rather than one extracted from the territory.  A sort of “palliative treatment” of the violence done to the site during the act of excavation.
 © Adrien Williams
阿德里安·威廉姆斯
随后的阶段定位了连接三个现存岩石的水平平面的承重壁(图15)。这架飞机相对于住所的周长来说太大了,以创造出室外区域,使其免受恶劣天气和夏季太阳辐射的影响。用于建造承重墙的混凝土与岩石相连,在较低的水平上保持了矿质。
The subsequent stage positions the bearing walls of the horizontal plane linking the three existing rocks (Fig. 15). This plane is oversized relative to the residence’s perimeter to create outdoor areas protected from bad weather and from solar radiation in summer. The concrete used for construction of the bearing walls is conjoined with the rocks, retaining a mineral quality on the lower level of the residence.
墙壁的位置垂直于空间的展开轴,特别是相对于太阳的路径,以便在一定时间内捕捉能量并储存起来以节省热量。地面也是混凝土的,起着同样的被动作用,在一天结束时产生热量和质量的传递。
The walls are positioned perpendicular to the axis of deployment of the spaces, but especially relative to the path of the sun, in order to capture its energy during certain hours and store it to save on heating. The ground is also concrete and plays the same role of passive component producing a heat and mass transfer at the end of the day.
 © Adrien Williams
阿德里安·威廉姆斯
这家人担心在住宅项目中引入“行动”的概念。做饭成为少有的“在家”活动之一,带来运动和社交能力。
The family was concerned about introducing a notion of “action” into the residence’s program. Meal preparation became one of the rare “at home” activities, bringing movement and sociability.
为了开发项目核心的饮食空间,我们在西南面的大海湾窗户上安装了一个小温室,在秋季保存户外作物的种子,为冬季播种做准备。一些芳香植物也整年保存在温室里,并开发了一个排水系统,以促进生长和维护。
To the development of the eating space at the heart of the project, we adjoined a small greenhouse, in continuity with the big bay window on the southwest side, for conservation of seeds from outdoor crops during the fall to prepare for sowing during the winter. Some aromatic plants are also kept in the greenhouse all year round, with a drainage system developed to facilitate growing and maintenance.
 © Adrien Williams
阿德里安·威廉姆斯
在夏季,该遗址的残坡,面向正南,成为提供理想排水品质的生长之地。因此,这座住宅的“市场花园”提供了一种自给自足、活跃的生活模式,而不是婴儿潮一代懒散的下午。
During the summer, the site’s residual slope, facing due south, becomes the growing place that offers ideal drainage qualities. This “market garden” vocation of the residence therefore offers a self-sufficient, active living model, far from the lazy afternoons of the Baby Boomer generation.
 © Adrien Williams
阿德里安·威廉姆斯
在平行轨道上,住宅“自给”再生能源。漏掉的能源系统具有一定的复杂性,其设计目的是确保家庭在水电能源方面几乎完全自给自足。主要以生物质为燃料,它也从光伏电池板系统中获得能量。在夏季天气晴朗的情况下,该系统将向该地区的配电网提供能量过剩,并计入冬季消费信贷。
On a parallel track, the residence “supplies itself” with recycled energy. The missed energy system, of some complexity, is designed to ensure the home operates in almost total self-sufficiency in terms of hydroelectric energy. Mainly fueled by biomass, it also derives its energy from a system of photovoltaic panels. In fine summer weather, the system offers an energy surplus that will be rerouted to the region’s power distribution grid and accounted for in winter consumption credits.
最终,当经济协议将适用于当地的配电网时,家庭应该达到零的消费比率。
Ultimately, the home should achieve a zero consumption ratio when the economic agreements will be applied with the local distribution grid.
 Elevation 2
抬高术 2
对于La HéRonnière,我们与未来的居住者密切合作,根据旧的或回收的建筑对象等建造空间。这种方法,在项目设计的同时出现对象,请在专业背景之外进行研究。
For La Héronnière, we collaborated closely with the future occupants to architecture the spaces based on old or recovered construction objects, etc. This approach, in which the object appears at the same time as the project is designed, invites research outside the professional context.
为了回收旧车库的木门,设置了一个可移动的栅栏,将主起居区与底层隔开,主要是用一个燃烧缓慢的壁炉加热。这样可以在寒冷的冬季夜晚更好地保存底层的热量,防止热量通过底层的楼梯井上升到上层。
To recycle the wood doors of a former garage, a removable fence was set up, separating the main living area from the ground floor, heated mainly with a slow-burning fireplace. This allows better preservation of heat on the ground floor during cold winter evenings, preventing heat from rising to the upper floor through the stairwell on the ground floor.
 © Adrien Williams
阿德里安·威廉姆斯
区别.
Distinction.
从项目的意向书中可以理解,这涉及到通常利益的转变:不是对显示财富和权力的“理想家园”的陈规定型设置,而是通过对该地点的特定占领而进行的意识形态展示。这是态度转变的标志,还是先进资本主义的终极标志?
As can be understood from the project’s statement of intent, this involved a shift of the usual interests: not a stereotyped setting of the “ideal home” displaying wealth and power, but an act of ideological demonstration through a specific occupation of the site. Is this a sign of a change of attitude or the ultimate sign of advanced capitalism?
然而,这一概念方法的结果却是独特的,甚至是独特的:我们认识到某些群体的新生态原则的重要性,以及与这些原则有关的新的社会价值,这些原则提供了杠杆,反映了居住者对建筑区分的愿望。
However, the result of this conceptual approach turned out to be unique, even distinctive: We recognized the importance of the new ecological principles of a certain segment of the population, and the new social values related to these principles, which provide leverage and reflect the occupant’s desire for architectural distinction.
 © Adrien Williams
阿德里安·威廉姆斯
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Alain Carle Architecte
Location Wentworth, Canada
Category Houses
Area 465.0 m2
Project Year 2014
Photographs Adrien Williams
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