架构师提供的文本描述。帕萨杰斯湾是一个优越的自然地理位置，由300米长的河口决定；一条由悬崖构成的天然走廊，通往海港并保护里面的船只，建立了一个特殊的避风港。

Text description provided by the architects. Pasajes Bay is a privileged natural location, determined by a mouth of 300 meters long; a natural corridor flanked by cliffs, which gives access to the seaport and protects the ships inside, setting an exceptional refuge seaport.

 © Aitor Ortiz

C.Aitor Ortiz

多年来，这片土地的历史演变证明，它的伟大美德确实是它的大问题。在工业革命期间，其港口的壮丽海况使其成倍上升，使这片特殊的自然领土变成了一片富有成效的景观。一方面是标志，是该地区工业发展的标志，另一方面是人的转化力量的标志。在这一独特的自然条件下，重金属加工业、大型铁路运输基础设施、煤炭火电厂和无数的物流产业被安置下来，彻底改变了该地区的面貌和经济。

The historical evolution of this territory has verified over the years, that its great virtue was its great problem, indeed. The magnificent sea conditions of its harbor which brought it on exponentially, during the Industrial Revolution, transformed this exceptional natural territory into a productive landscape. On the one hand, emblem, of the industrial development of the region, on the other hand, emblem of the transforming power of Man. In this unique natural setting, heavy metal processing industries, great rail transport infrastructure, coal based thermal power plant and countless logistic industries were settled down, completely transforming both appearance and economy of the region.

 © Aitor Ortiz

C.Aitor Ortiz

生产系统的演变，从重工业到技术工业，以及新社会的逻辑，意识到需要恢复环境，释放了许多地块，现在这些地块被改造成为居民区服务。

The evolution of the productive system, from heavy to technological industry and the logics of a new Society, aware of the need to restore the Environment, released many plots, which now are transformed to serve residential areas.

 Floor Plan

拆除废弃的工业建筑物和清理这些建筑物所占用的土壤，结果留下了月球地形，没有提及过去，没有可辨认的地形，除了其明确界定的边缘：铁路基础设施、环形公路和莫利瑙河之外，没有任何重要的参考点。

The dismantling of abandoned industrial buildings and the decontamination of the soils occupied by these buildings, left as a result, a lunar terrain, with no references to the past, with no recognizable topography, with no significant reference points, apart from its clearly defined edges: railway infrastructure, ring road and Molinao river.

 © Aitor Ortiz

C.Aitor Ortiz

在这个地方，“小张”的结果，第一次干预是建立了一个新的地形。利用所需的挖掘来建造佩洛塔庭院，一座小山被塑造，除了一个强大的木面团之外，它还为这个新的城市地区在环形道路上建造了一个间隔元素。这一要素的进一步支持是，建造了一条沿着场地最高点的运动路径，连接现有路径的两端，此外，该通道还支持一个新的平台，为老年人提供体育设施。

In this place, result of "tabula rasa", the first intervention was setting up a new topography. Taking advantage of the required excavation to build the Pelota Court, a small hill is given shape, which besides is complemented with a powerful wooded dough; this way it's built a spacer element for this new urban area, from the ring road. This element is further supported by the construction of a sports path that runs along the highest point of the site, connecting with both ends of existing paths, which besides serves as a support to a new platform with sports sets for elderly people.

该地方的中间区域由一个与Pelota法院相连的公共广场构成，这使人想起巴斯克佩洛塔法院的典型城市类型，在那里，广场和佩洛塔法院构成一个不可分割的单元。广场被配置成一个“空间，在那里可以举办各种各样的活动，从音乐会、受欢迎的午餐，到区域巡演的马戏团。佩洛塔法院还保持了其多用途精神，并放弃了对佩洛塔游戏的监管措施，因为所有文化和社会事件都可以在其36x14x12米的三面体空旷处发生，露天看台可容纳250名观众。

The intermediate area of the place is configured by a public square, linked to Pelota Court, recalling the classic urban typology of Basque Pelota Courts, where Square and Pelota Court form an indivisible unit. The square is configured as an "empty" space, where it's possible to take place a variety of events, from concerts, popular lunches, to circus on regional tour. The Pelota Court also maintains its multipurpose spirit, and gives up its regulatory measures of the game of Pelota, for all kind of cultural and social events that can take place in the emptiness of its trihedron of 36 x 14 x 12 meters, open to bleachers for a capacity of 250 spectators.

 © Aitor Ortiz

C.Aitor Ortiz

最后一层的干预设置了一条河畔长廊，伴随着莫利瑙河。需要与河岸两侧的水平相匹配的问题是通过预制混凝土墙来解决的，乍一看，新的城市景观就是在原来的水平上出现的。

The last layer of the intervention sets a riverside promenade accompanying the Molinao river. The need to match the levels of both edges of the riversides is solved by a prefabricated concrete wall, revealing at first glance the original level, on which the new urban landscape rises.

 © Aitor Ortiz

C.Aitor Ortiz

佩洛塔法院的建成对象是干预行动中最突出的因素。它的尺寸需要一个大的体积，通过它的部分埋葬，得到一个适当的规模，尊重周围的环境。这种降尺度是通过把建筑作为一个物体的处理来强调的，它把建筑变成了一个几乎是雕塑的元素。一个小“亭”咖啡厅和一个自动厕所，作为中间功能元素之间的使用佩洛塔法院和广场。

The built object of the Pelota Court is the most prominent element of the intervention. Its dimensions require a large volume, which through its partial burial, gets a suitable scale, respectful to the surroundings. This downscaling is emphasized by the treatment of the built piece as an object, turning the building into an almost sculptural element. A little "kiosk" cafe and an automatic toilet, serve as intermediate functional elements between the uses of the Pelota Court and the square.

 © Aitor Ortiz

C.Aitor Ortiz

建筑的几何图形，总是暗示着对作品的雕塑卷的碎片化解读。这样，它的存在，总是变化，是几个观点的结果。由于结构的不同，同样的平面按键读数被放大，因为不同的侧面对每个锌片施加了不同的方向，提供了一种独特设计每一个平面的纹理。这些平面形状的几何图形组织了城市化的适当元素，如扶手和关闭，以及花坛或座位岸，通过几何和物质，不同元素的统一构成一个整体。

The faceted shaped geometry of the building, always suggests a fragmented reading of the sculptural volume of the piece. This way its presence, always changing, is the result to several points of view. This same planes key reading is amplified due to the construction, since the different sides impose different orientations for each zinc sheet, providing a texture that singularly designs each plane. These same patterns of faceted shaped geometries organize the proper elements of urbanization, such as handrails and closings, as well as flowerbeds or seat banks, building through geometry and matter, a unity of different elements thatform a whole.

Architects Vaumm

Location Pasai Antxo, Gipuzkoa, Spain

Category Recreation & Training

Area 8300.0 sqm

Project Year 2015

Photographs Aitor Ortiz