Miermana Villa NOMENA

2015-11-09 11:00

 © Gonzalo Cáceres

冈萨洛·卡塞雷斯

架构师提供的文本描述。庭院为结构

Text description provided by the architects. Courtyard as structure

庭院或空隙被定义为相等的空间，但没有特定的功能。这个特性使得它对于架构体验来说是非常重要的。歧义可以在不同类型的程序中重用。

The courtyard or void is defined as an equivalent space, but without a specific function. This feature makes it essential for the architectural experience. Ambiguity can be reused in a program of different types.

 Axonometric

我们决定把院子变成组织结构。米尔马纳别墅是利马郊区的永久住所。

We decided to turn the courtyard into the organizing structure. Miermana Villa is a permanent home in the suburbs of Lima.

同样的类型学的几个例子，但在不同的时间和地点，向我们展示了相同的想法是如何在如此不同的结果中结束的。其中，罗马是对称的，殖民的，集中的，现代的，由Sert和Mies Van der Rohe实施。

Several examples of the same typology but in different times and places show us how the same idea may end up in such different results. Among them are: The Roman, which is symmetrical; the colonial, centralized and modern, implemented by Sert and Mies Van der Rohe.

 © Gonzalo Cáceres

冈萨洛·卡塞雷斯

旁边20米的平面图是从标志性的住房条件中提炼出来的。该程序分为两个线性条(一个用于父母，另一个用于儿童)。连接器包含房屋所需的所有服务。这种分裂造成了它们之间的紧张，使虚空能够清晰地表达这两种功能，从而更加重视功能空间之间发生的事情。

A square plan 20 meters on the side abstracts from the symbolic housing conditions. The program is divided into two linear bars (one for the parents and the other for children). A connector contains all the services required for the house. This division creates tension between them, allowing the void to articulate both functions, giving greater importance to what happens between the functional spaces.

 © Gonzalo Cáceres

冈萨洛·卡塞雷斯

院落的结构线是一个方向，而不是静态墙，在古代类型学。这使第一层具有透明度，为大多数社会活动提供场所。第二层是家里最私人的空间。透明度从北到南，从东到西，扩大了内部空间的范围。

The courtyard is set with structural lines in one direction and not with static walls as in the ancient typology. This allows the first level to be transparent, housing the most social activities. While the second level houses the most private spaces of the home. Transparency is achieved from north to south and from east to west, widening the boundaries of the interior space.

 © Gonzalo Cáceres

冈萨洛·卡塞雷斯

该项目有两个非常不同的楼梯：一个快速楼梯(垂直提供服务，没有任何经验，它只是功能)和一个慢楼梯(它允许一个人穿越空间和思考庭院)。

The project has 2 very different staircases: a fast one (which supplies the services vertically, without any experience, it is only functional) and a slow one (it allows one to traverse the space and contemplate the courtyard).

因此，空隙变成了一个没有特殊功能的大空间。它可以根据用户的需要和居住的时间进行转换。这两根吊杆释放地板以寻求透明度。

The void thus becomes a large space with no particular function. It may be transformed according to the needs of the user and the time in which it is inhabited. The two suspended rods release the floor in search of transparency.

体积是失重和悬浮，它提供了一个组合光和阴影整个房子。这一节阐述了失重的重要性。每个部分包含不同的条件和私人活动，这只是由于空间的需要。因此，地面飞机被释放，达到绝对透明。

The volume is weightless and suspended, it provides a composition of light and shadow throughout the house. The section sets the importance of weightlessness. Each section contains different conditions and private activities, this is only due to the space requirements. The ground plane is therefore released, achieving absolute transparency.

 © Gonzalo Cáceres

冈萨洛·卡塞雷斯

楼梯的位置使得它能够参与院子的模糊活动和南北透明。

The staircase is positioned so that it takes part in the ambiguous activity of the courtyard and its north-south transparency.

我们将透明度的概念理解为跨越不透明因素的可能性。我们寻求扩展功能空间。提高不透明体积并释放地面。庭院然后变成一个模糊的空间，没有确定的边界或特定的维度。

We understand the concept of transparency as the possibility of crossing opaque elements. We seek to expand the functional spaces. Raising the opaque volumes and releasing the ground plane. The courtyard then becomes an ambiguous space, without determined boundaries or specific dimensions.

 © Gonzalo Cáceres

冈萨洛·卡塞雷斯

因此，我们实现了从东到西，从北到南，沿线性体积的透明度。不同的空间环境，梯田，双高和封闭的庭院在其两侧被揭示。自然光穿透内部，视野从内部漏出，穿过建筑物。

Thus, we achieve transparency from east to west and from north to south along the linear volume. Different spatial situations, terraces, double heights and enclosed courtyards in its sides are revealed. Natural light penetrates inside and the views leak from within, traversing the building.