© Kim Jae-Kyeong

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架构师提供的文本描述。宋农丹是一个地方，在那里，国王过去举行祖先的仪式，为下一年的丰收祈祷。经过六、七十年代的日本殖民时代和快速城市化，原有的形象被扭曲成简陋的状态，摆在角落里；通过建筑设计竞赛，宋农丹被指定为历史文化公园，仪式的形式与当地的实际历史文化内涵融为一体。

Text description provided by the architects. Seonnongdan is a place where the king used to perform ancestral rites to pray for the next year of good harvest. Going through Japanese colonial era and rapid urbanization in 60s and 70s, the original figure has been distorted left to be in shabby condition and put a side on a corner. Through an architectural design competition, Seonnongdan was designated to be history and culture park, in which formality of the rituals merges with the actual historical and cultural content of the place.

 © Kim Jae-Kyeong

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游乐场存在的部分覆盖着土壤，以扩大地面水平，最大限度地扩大祭坛的外延，从而有可能在一定程度上恢复原来的形式。祭坛下面的地下空间里有农业展览和活动，游客可以在那里体验。以这种方式，在地面和地下水平的Seonnongdan自然地分开成两个不同的空间层。在展览厅中，法庭被命名为“时间之室”，是两个不同层次的连接点。房间向外开放，引入自然日光，诱导自然通风。房间的四面墙代表着要点和四季(农历24季组)，此外，墙壁表面的丙烯酸棒也最大限度地增加了游客的建筑体验，使自然光源得以渗透。在整个设计过程中，Seonnongdan被精心规划成一个空间，人们可以在那里体验到阳光从内部带来的光线和阴影的变化，这意味着农业与管理时间的行为密切相关。

The section where playground existed is covered with soil to extend the ground level maximizing the denotation of the altar which then made it possible to restore the original form to certain extent. The underground space beneath the altar houses agricultural exhibitions and programs where visitors can experience. In this manner, above ground and underground level of Seonnongdan is naturally separated into two different layers of spaces. Amongst exhibition rooms, the court is named as ‘room of time’ is a connector of the two different levels. The room is open to the outside to bring in the natural daylight and induce natural ventilation. The four walls of the room represent cardinal points and four seasons (24 seasonal groups in lunar calendar), additionally maximizes the architectural experience of the visitors by the acrylic rods on the surface of the wall which allow infiltration of natural light sources. Throughout the design, Seonnongdan was carefully planned to be a space where people can experience the change in light and shadow due to the sun from inside to imply the farming is germane to the act of managing time.

 Floor Plan

此外，时间室的祭坛是中空的浮雕形式，地上的祭坛是浮雕的，因此祭坛的视觉对比意在反思空间所代表的历史意义。以庭院为中心的展览空间，使游客可以通过坡道和楼梯流经空间，享受展览。

Moreover, the altar in the room of time is engraved in hollow relief manner and the one above the ground is engraved in relief so the visual contrast of the altars was intended to ruminate the historical meaning of the spaces represent. The exhibition space, centering around the court, enables the visitors to flow through spaces by ramps and stairs and enjoy the exhibitions.

 © Kim Jae-Kyeong

金

Architects Wooridongin Architects

Location 274-1 Jegi-dong, Dongdaemun-gu, Seoul, South Korea

Category Exhibition Center

Area 1614.0 sqm

Project Year 2015