架构师提供的文本描述。在2013年赢得比赛后，经过一个短暂而紧张的规划阶段，2014年夏天，在皇家城市的水疗花园(KurPark)的馆舍里建立了音乐馆。多年来，总经理克里斯蒂安·斯塔默和安德烈亚斯·菲雷德一直在处理现代木材建筑的各个方面，所有的努力都得到了回报，这导致了这一非同寻常的项目。

Text description provided by the architects. Having won a competition in 2013 and following a brief, intense planning phase, the Music Pavilion was erected in the summer of 2014 on the premises of the Spa Gardens (Kurpark) in the imperial city. For years both general managers Christian Stummer and Andreas Fiereder have been dealing with aspects of modern timber construction and all the efforts have paid off resulting in this extraordinary project.

 Floor Plan

在建筑使用木材时，不可争辩的方面是生活质量和可持续性。安德烈亚斯·菲雷德(AndreasFiereder)说：“用可再生木材建造的小型建筑项目，需要对细节设计进行非常密集的“它不一定非得是玻璃和混凝土。

Indisputable are the aspects quality of life and sustainability when using wood for construction. "Smaller construction projects made from renewable wood require exceptionally intense studies of detail design", says Andreas Fiereder. "It doesn't always have to be only glass and concrete.

 © Simon Bauer

西蒙·鲍尔

音乐亭向我们展示了个性、设计和生态的兼容性。这可以通过大约的使用来证明。70m3家用可再生木材。在这个项目中，我们重视将设计和建筑结合起来，我们成功地做到了这一点，因为当地一家建筑公司执行了非常精确的细节执行。“

The Music Pavilion shows us the compatibility between individuality, design and ecology. This is demonstrated by the use of approx. 70m3 domestic renewable wood. In this project importance was attached to combining design and architecture and we succeeded in doing so due to the very precise detail execution performed by a local building firm."

音乐亭的建筑细节：展馆的基本椭圆形是由水疗园的城市规划状况决定的，并与周围环境和谐地融合在一起。艺术家的入口处是第二个椭圆，与主椭圆切线相连。为了达到最有利的声传播条件，主屋面选择了向后倾斜的屋面形状，进一步突出了结构的动态形状。

Architectural details on the Music Pavilion: The basic elliptical shape of the pavilion results from the urban planning situation of the Spa Gardens and blends in harmoniously with the surroundings. The artist's entrance consists of a second ellipse connected tangentially to the main ellipse. In order to achieve the most favorable sound propagation conditions, a roof shape that inclines to the rear was selected for the main roof which further underscores the dynamic shape of the construction.

 © Simon Bauer

西蒙·鲍尔

在材料和建筑方面，有机形态需要一种非常纯粹的方法。考虑到周围的环境，音乐馆最终被设计成一个木制建筑，由银杉制成，放在一个几乎看不见的混凝土基座上。底部实际上消失在木结构的阴影中，从而允许展馆漂浮在砾石之上，增强了设计的通风外观。

The organic shape required a very puristic approach with regard to materials and construction. Taking into account the surrounding environment, the Music Pavilion was finally designed as a wooden construction made from silver fir placed on a virtually invisible concrete base. The base practically disappears in the shadow of the wooden construction and thereby allows the pavilion to float above the gravel enhancing the airy appearance of the design.

Architects Two in a Box Architekten

Location 4820 Bad Ischl, Austria

Category Pavillion

Architects in Charge Christian Stummer, Andreas Fiereder

Project Year 2015

Photographs Simon Bauer