The Concrete Cut Pitsou Kedem Architects

2015-09-18 02:00

 © Amit Geron

阿米特·杰龙(Amit Geron)

架构师提供的文本描述。创造一条线，这一视觉行为的诞生，一直是艺术史、科学技术史上的一个交汇点，从写作之初到洞穴绘画的抽象，以及数学公式的书写，所有这些都是利用图形来表达一种新颖的想法。黑色背景上的一条线-短的或长的，薄的或厚的-有时表示方向或运动，有时表示趋同或发散，有时表示痛苦和自由，表示联系或物理排斥。这是它最迷人的属性之一，一条线所画的边框也永久地将世界分割成两半。一条单线同时将不同的世界分开并连接到自己身上。

Text description provided by the architects. The creation of a line, this birth of the visual act, has been a meeting point throughout history of art, science and technology from the dawn of writing to the abstractness of cave drawings and the penning of mathematical formulas  all of them make use of graphics to express a novel idea. A line on a dark background short or long, thin or thick  sometimes expresses orientation or movement, at times convergence or divergence, pain and freedom, connection or physical repulsion. It is one of the most fascinating of its properties  that the very border, which a line draws also permanently breaks worlds in two. A single lines simultaneously divides and connects separate worlds each one onto himself.

 © Amit Geron

阿米特·杰龙(Amit Geron)

从正面看，它看起来像是一种单一的材料操作，颜色范围很深，单色范围很广。三个长方形棱镜，互相躺在一起，组成一个和平的组合，稳定而柔和，看上去像沉重的群众。

Viewed from the front it looks like a monolithic operation of materials with a deep, monochromatic range of colors. Three rectangular prisms, lain upon one another, into a peaceful composition, stable and subdued, appearing as heavy masses.

 © Amit Geron

阿米特·杰龙(Amit Geron)

第二次，敏锐的一瞥揭示了一个戏剧性的遭遇，从两个不同的世界浇注的材料，巨大的混凝土和玻璃面板，创造了一个半透明的墙，并有一条决定性的线贯穿其中。

A second, discerning glance reveals a dramatic encounter of materials taken from two separate worlds  poured, massive concrete and glass panels, creating a semitransparent wall with a decisive line running through it.

 © Amit Geron

阿米特·杰龙(Amit Geron)

不透明玻璃的变化产生了一种更加具体的巨大外观，统一了建筑的结构，但仍然是自然的。玻璃的作用是拥抱光线，让它倾泻进来，控制它的一举一动。因此，光的屏幕是以最字面的方式呈现的，它是一幅变化多端、深邃而充满活力的接受画布，适合那些穿过光线的人。

The variations of opaque glass yields a colossal appearance of yet more concreteness unifying the building’s construction yet still natural. The glass acts to embrace the light  allowing it to pour in, controlling its every move. Thus a screen of light is rendered in the most literal way a receptive canvas of variation, deep and dynamic, adapting to those who pass through its rays of light.

 © Amit Geron

阿米特·杰龙(Amit Geron)

在结构剩余的玻璃内部，线条带着强调东面运动的一支羽毛笔的力量返回，画了一层暴露的、清晰的薄片，在南面进行了透明窗户的使用。因此，正面是一种抽象的创造，在概念上保证了同一性和功能的交融，而后立面则以图形的方式表达了三维性、深度探索以及光明和自由的感觉。

Within the remaining glass of the structure the line returns with the force of a quill emphasizing the movements of the eastern facade, painting an exposed, clear slice withing the southern facade in which the utilization of transparent windows has been executed. Thus while the front facade is an abstract creation conceptually assuring the blending of identity and function, the rear facade graphically expresses threedimensionality, the probing of depth and the feeling of brightness and freedom.

 © Amit Geron

阿米特·杰龙(Amit Geron)

从侧面的正面看一看，就说明了曝光和照明的过程，从面向道路的不透明的正面开始，到面对院子和游泳池的正面。由同一块基石组成的不同外观之间相互变化的透明度的梯度。

A glance at the side facades explains the process of exposure and illumination beginning at the opaque facade facing the road and leading to the facades facing the yard and pool. A gradient of interchanging levels of transparency between characteristically different facades made of the same foundation stones.

 © Amit Geron

阿米特·杰龙(Amit Geron)

入口处位于西侧的庭院花园，从地下室通往起居室，伴随着游客从外部到内心世界。

The entrance to the home occurs on the western side at the patio garden starting from the basement leading to the living rooms, accompanying visitors by degrees from the outer to the inner worlds.

 Floor Plan

客厅是两倍的大小，面向南方花园，从图书馆入口处可以看到在同一水平的私人房间。两个楼梯通向起居室，一个下降到儿童区域，另一个上升到另外两个层次-一个是孩子的客厅，另一个是父母的房间。

The living rooms are double in size and face the southern gardens visible from a library entrance on the same level as the private rooms. Two staircases lead to the living areas, one descending to the children’s area and another ascending to two additional levels one containing the children’s living rooms and another with the parents rooms.

 © Amit Geron

阿米特·杰龙(Amit Geron)

沿着孩子们的住处跑了两码，一个是通往入口处的露台，另一个是沿着东边奔跑，提供光线、空气和丰富的隐私。坐的角落、私人庭院和私人健身房的功能证明了孩子们的私人世界。

Two yards run along the children’s quarters, one is a patio ascending to the entrance and the other runs along the eastern side providing light, air, and an abundance of privacy. The function of the floor corners for sitting, a private yard, and personal gym attest to the private world of children.

 © Amit Geron

阿米特·杰龙(Amit Geron)

空间的设计及其在四个平面上的分散，在每一个平面上都创造了一种最大的隐私感，尽管没有一个完全暴露出来，但每个平面都能舒适地进入外部。因此，一种由混凝土和玻璃组成的各种透明结构被创造出来，当参观者在结构本身之间迷失时，材料就会在彼此之间偏离。

The design of the space and their dispersal upon four planes creates in each one a sense of maximal privacy and although none is entirely exposed each of them comfortably access the exterior. Thus a structure of concrete and glass of various transparencies is created, the materials stray between one another as the visitor strays between the structure itself.