© Hampus Berndtson

(Hampus Berndtson)

架构师提供的文本描述。橘子园位于Gl的正式花园里。位于丹麦西兰北部的Holtegaard艺术画廊。橙色把巴洛克时代和当今世界联系在一起，以一种强大的艺术作品的形式呈现为一个统一的整体。

Text description provided by the architects. The Orangery is situated in formal gardens at Gl. Holtegaard Art gallery in the northern part of sealand, Denmark. The Orangery links the Baroque era to our current day in the form of a strong, artistic work that presents itself as a unified whole.

 © Hampus Berndtson

(Hampus Berndtson)

展馆是对巴洛克时代最具代表性的建筑之一的重新诠释：由建筑师弗朗西斯科·博罗米尼(1599-1667)设计的罗马圣卡洛阿尔勒·夸特特罗·丰塔尼教堂。博罗米尼利用基本的几何图形，圆形和椭圆形创造了一个充满活力的教堂空间，非常美丽。

The pavilion is a reinterpretation of one of the most iconic buildings of the Baroque era: the church of San Carlo alle Quattro Fontane in Rome designed by the architect Francesco Borromini (1599–1667). Borromini used basic geometric shapes, circles and ovals to create a dynamic church space of great beauty.

格勒正式花园里的新橘子。Holtegaard的出发点是博罗米尼的建筑平面图。类似于原始教堂空间的素描，“橙色花园”由一座钢结构组成，上面覆盖着坚固的塑料-特别是一种“收缩包装”，用于保护汽车、船只和其他大型物体。在这片空间里，有一种鲜活的桔黄色植物悬挂在圆顶上。这个重新诠释的橙色融合了一个经典的形状与我们当前的高科技世界；一个充满材料的世界，这些材料不是为了美丽，而是纯粹为了满足特定的功利需求。

The new orangery in the formal gardens at Gl. Holtegaard takes its point of departure in the floor plan of Borromini’s building. Resembling a sketch of the original church space, the Orangery consists of a steel structure that has been covered in strong plastic – specifically a type of ’shrink wrap’ developed to protect cars, boats and other large objects. Inside this space is a living orangery where citrus plants hang from the dome. This reinterpreted orangery fuses a classic shape with our current high-tech world; a world full of materials that are not intended to be beautiful, but purely to meet specific utilitarian needs. 

 © Hampus Berndtson

(Hampus Berndtson)

Architects Lenschow & Pihlmann, Mikael Stenström

Location Attemosevej 170, 2840 Holte, Denmark

Category Small Scale

Architect in Charge Kim Lenschow, Søren Pihlmann and Mikael Stenström.

Project Year 2015

Photographs Hampus Berndtson