© Sun Namgoong

(孙南光)

架构师提供的文本描述。Photoshop裁剪是一种谨慎的裁剪，决定了作为最终图像的图像拼接的完成阶段，另一方面，裁剪的位置可以不断地产生符合和未确定的图像，没有准确的时间、位置和氛围是无法生成的。

Text description provided by the architects. Cropping of Photoshop is careful and determining completion stage of touching up image as a final image, on the other hand, cropping of location can continuously create coincidence and undetermined image which cannot be generated without that exact time, location, and atmosphere.

 © Sun Namgoong

(孙南光)

由于不同的摄影师从同一场景拍摄不同的照片，同一位置在每一种情况下都会产生不同的位置感和不同的无意识识别模式。在这个时刻，裁剪过程消除了个人不必要的部分，这是一个“自我编辑”的过程，它去除了他们想要忘记的记忆，延迟了他们想要保留的时间。在剔除了不必要的元素之后，一个人的记忆第一次暗示了他们自己的故事，并变成了一幅图像。由火山活动创造的新世界。这个与其他地方的气氛不同的地方，面对我们在大自然母亲面前是多么的渺小，让我们感到头晕目眩。当人们沿着名为“奥勒之路”(OlleRoad)的海岸线漫步时，人们感受到了自由，他们的经验是，在非日常的新世界如客房或第二宫中行走，这给人们的生活带来了新的灵感。海伊是一个非常安静和平的村庄，但这是为数不多的时间静止的地方之一，因为它还不是著名的旅游景点。

As different photographer takes different photos from the same scenery, same location creates different sense of place per each situation and different unconscious recognition mode. At this moment, cropping process which eliminates unnecessary part for individual is a process of 'self editing' that takes out memories they want to forget and delaying the time they want to keep. After cropping out the unnecessary elements, one’s memory connotes their own story for the first time and turn into an image. New world which is created by volcanic activity. This place with different atmosphere from other location makes us feel dizzy by facing the fact how insignificant we are in front of the Mother Nature. People feel freedom when they walk along the shoreline called Olle Route with scattered basalt stone and the experience to upstream the speed of world by staying in nondaily new world like guest house or second house presents fresh inspiration to boring lives. Haye is very quiet and peaceful village, but this is one of the few remaining place where time stands still as it is not famous as tourist attraction yet.

 Floor Plan

 © Sun Namgoong

(孙南光)

这座建筑安静地坐在大院子里，提供了海耶的各种景观。除了从建筑内部欣赏自然的一维全景之外，它还包括了海滩、巴苏吉京和村庄入口的景观元素。如果这仍然是常见的，边界的下降坚实的建筑成为一个新的经验的起源，使济州岛的天空，海洋，山，领域更特殊。混凝土框架-通过人工结构提出的具有可塑性的景观，通过场景框架和空间框架提供不同的视图，根据固定的物理框架作为捕捉时刻的姿态，每个个体生成不同的景物。木材作为一种隐蔽的框架，使用比混凝土更灵活的自然材料，使边界变得模糊，成为风景的延伸和编辑工具，创造了景观的新概念(通过编辑)。

The building calmly sitting on large yard provides various views of Haye. Beyond enjoying nature in one dimensional panoramic view from inside of the building, it is achieved by including landscape elements from beach, Baksugijeong, and village entry. If this is still common, the boundary based on descent solidity of the building become an origin of new experience that makes Jeju’s sky, ocean, mountain, filed more special. Concrete Frame – The landscape scenery that is proposed through artificial structure as a fixed screen with plasticity which provides various views through Scene Frame and Space Frame regenerates different scenery per each individual based on fixed physical frame as a gesture of capturing moments. Wood as a Hidden Frame, which uses more flexible natural material than concrete, makes the boundary vague and utilized as extension and editing tool of the scenery and create new concept of landscapes (Passage Editing).

 © Sun Namgoong

(孙南光)

古砖石、石堆、济州岛石板是一种由人类手工提炼而成的天然材料，它成为人类活动的过程，自然地与粗糙的自然进行调节和交流，也成为一个框架，通过创造与地面相连的世界阶层的标准和边界，为人类的生存创造空间。通过利用反射风景的玻璃和镜子的影响，通过冥想框架无限再现大自然的狂喜风景，人们可以体验到超现实的空间，创造出超越偏斜休息的能量。

Antique brick, stone mound, Jeju flagstone is a natural material that is refined by human hand and it becomes a process of human activity that naturally transfer for adjusting and communicating with rough nature, and also become a frame that creates a space for human living by creating standard and boundary as stratum of the world that connected to the ground. By using the effects of glass and mirror that reflects the scenery, unlimitedly reproduced scenery of ecstasy of nature through the Meditate Frame, people can experience the surrealistic space and create energy beyond deviating rest in Jeju.

 © Sun Namgoong

(孙南光)

定位-在建筑定位方面，在讨论非凡的风景和自然之前，海耶最重要的元素是以海洋和村庄为主体的区位本质。通过沿山脊的主环流的线性定向，使其更自然地成为村庄的一部分，由于考虑到未来相型线性布局的不断扩张，度假村的主建筑位于入口处。以模糊的边界、无墙、无周长的树木融入村庄，使海耶成为一个整体，使之成为一个不枯燥的文化村寨，使之成为可持续发展的社区基础，成为一种新的方法论。

Orientation-In terms of building orientation, before discussing about extraordinary scenery and nature, the most important element of Haye is the essence of location that ocean and village should be considered as main. By linearly orienting the main circulation along the ridge, it became part of the village more naturally and as a result of considering continuous future expansion in linear layout of phase type, the main building of resort is located on the entrance. By the strategy of having vague boundary with no wall or perimeter trees to blend in to village without sense of difference and make Haye to be read as a whole, it became new methodology to make a various culture based village where are not boring and made it function as community base that continuously develop.

 © Sun Namgoong

(孙南光)

以复杂A、B、C为中心，利用地形和复杂D的锯齿形，将各复合体的作用和功能元素融合在一起，形成了令人印象深刻的复合A、B、C对称建筑。与别墅B、C和D不同，复合A是酒店综合体。在服务区有效流通的基础上，认识到景观因高度不同而异，通过区分接受景观的各个露台的接地系统来布置街区(街区住宅)，使每个房间和露台都有不同的色彩。通过这种方法，确定了度假胜地的印象。

Impressive symmetrical building of complex A, B and C with congregated layout which utilize topography and zigzag form of complex D are created by the fusion of role and functional element of each complexes. Different from Villa Complex B, C, and D, complex A is a Hotel Complex. Based on effective circulation of service area, we realized that views are different depending on the height and by differentiating the grounding system of each terrace which accepts views to layout the block (Block Housing), it allows each room and terrace have various colors. Through this method, it determined the impression of the resort.

 © Sun Namgoong

(孙南光)

复B是一种叠加式山庄格式，它采用了反映坡面地形特征的叠加方法。这是一种形式，是可以不断地布局在一个方向，如去或死亡的动作韩国象棋。它还允许有各种形式的集会和应用。两个单元合并为一个综合体，其中一个单元允许使用2个房间，因此，1个建筑群最多可以有3个家庭。

Complex B as a Stacking Villa format, it uses stacking method that reflects the characteristics of sloped topography. It is a form that is possible to continuously layout in one direction like Go or checkmate move of Korean Chess. It also allows to have various forms and application of congregating. 2 units are combined to create 1 complex and one of the 2 units are allows to use 2 rooms and as a result, 1 complex can have maximum 3 households.

 © Sun Namgoong

(孙南光)

复杂C与利用坡度的复杂B具有相同的上下文，复杂C的特点是具有共享元素，可以将隔壁的屋顶用作我的庭院(剪裁别墅)。这可以从济州私人住宅的集合布局中推断出来，这个项目是将济州私人住宅的主题重新解读为共生的和谐是济州私人住宅的矩阵，它有着低石堆的房屋和庭院边界，以分享邻居和我的财产。

Complex C shares the same context as complex B which utilizes the slope, and the characteristics of complex C is having shared element that the roof of next door can be used as my courtyard (Clipping Villa). This can be inferred from the gathered layout of Jeju's private houses, this project is reinterpreting the motif of Jeju’s private houses as symbiosis an harmony was the matrix of Jeju's private houses which has low stone mound for house and courtyard boundary to share neighbor's and my properties.

 © Sun Namgoong

(孙南光)

与复式A、B、C不同，复合D是一种独立的建筑，它是以廊道等松散的空间布局为基础，利用道路和地形的特点，通过坡道形式和多个庭院的定位，形成Z字形循环和形式。所谓的“锯齿形山庄”，利用水平和垂直的错位，在空间之间赋予各自鲜明的特征，保证每个房间的独立性，并诱发偶然的目光交叉，让人们体验丰富的风景框架。作者：金东进

Different from complex A, B, and C, complex D is an independent building and based on loose spatial layout like gallery, z shaped circulation and forms is derived from having ramp format and locating many courtyards by utilizing the characteristics of road and topography. So-called Zigzag Villa utilizes horizontal and vertical dislocation to grant distinct characteristics on each in between spaces, secure each room’s independency, and induce accidental cross of gaze to allow experiencing abundant scenery frame. Written by Kim Dong-jin

Architects Kim Dong-jin, L'EAU design

Location Seogwipo-si, South Korea

Category Housing

Design Team Lee sang-hak, Lee young-sun, Park hae-in, Park Jong-beom , Jung Dong-hui, Ju Ik-hyeon, Yoon Ji-hye

Project Year 2013

Photographs Sun Namgoong