© Filippo Poli

菲力波·波利

架构师提供的文本描述。工作室Arthur Casas和Atelier Marko Brajovic赢得了由APEX-Brasil委托创建2015年米兰世博会巴西馆的比赛。我们的目标是将建筑和景观结合起来，为游客提供一种经验，根据“向世界提供解决方案”的主题，传播巴西的价值观及其农业和畜牧业的愿望。感觉沉浸不仅仅是一座临时建筑，它包括休闲、高科技信息、互动和学习。(鼓掌)

Text description provided by the architects. Studio Arthur Casas and Atelier Marko Brajovic won the competition to create the Brazilian Pavilion for Expo Milan 2015, commissioned by APEX-Brasil. We aimed to combine architecture and scenography in order to provide visitors with an experience that would transmit Brazilian values and the aspirations of its agriculture and livestock farming according to the theme “Feeding the world with solutions”. More than a temporary building, the sensorial immersion includes leisure, high technology information, interaction and learning.  

 © Raphael Azevedo França

c.Raphael Azevedo Fran a

一个灵活、顺利和分散的网络的鼓舞人心的思想体现在建筑的各个方面，代表着国家的多元化。在130多座建筑中，巴西馆提议暂停，其意图是创建一个公共广场，将人们聚集在一起，激发人们的好奇心。由于巴西文化的多孔性，大量的游客可以参观，并在我国栽培的几种植物中开辟了一条道路。金属结构的尘世色彩突出了这一“巴西式”，内外之间的逐渐过渡抹去了界限、分界、建筑和场景。网络的隐喻是通过一种拉伸的结构来实现的，这种结构为休闲和休息创造了意想不到的场所。按照巴西现代主义的传统和它的展馆，大型的跑道加强了不同空间之间的联系。

The inspiring idea of a flexible, smooth and decentralized network is present in every aspect of the building and represents the country’s pluralism. Amidst more than 130 constructions, the Brazilian Pavilion proposes a pause, the intention of creating a public square that draws people together and engenders curiosity. As porous as the Brazilian culture, a large volume is open to visitors and establishes a pathway among several plant species cultivated in our country. The earthly colors of the metal structure highlight this “Brazilianess” and the gradual transition between inside and outside erase the boundaries dividing architecture and scenography. The metaphor of the net is materialized by a tensile structure that creates unexpected places for leisure and rest. Following the tradition of Brazilian modernism and its pavilions, large runways reinforce the connection between the different spaces.

 © Raphael Azevedo França

c.Raphael Azevedo Fran a

不同的主题启发了分布在展馆底层的集群。它们是根据营养、家庭农业、林业和农牧业一体化等理念组织的。包含植物的盒子是按照正交网格组织的，在亚马逊河曲线的启发下，形成了曲折的路径。这种笛卡儿式的格栅与有机的景观，在人的手和自然的力量之间的叠加和对话的游戏中玩。当走在这条路上时，访问者会发现互动的桌子，并看到网络是如何参与到不同主题之间的流动划分中来的。

Different themes inspired the clusters distributed along the ground floor of the pavilion. They are organized according to ideas such as nutrition, family agriculture, forestry and integration between farming and livestock. Box containing plants were organized according an orthogonal grid, creating sinuous paths, inspired by the curves of the Amazon River. This Cartesian grid plays with organic landscapes, in a game of superposition and dialogue between the hand of man and the forces of nature. While walking through this path, visitors will find interactive tables and see how the net takes part in this fluid demarcation between themes.

 Concept Axonometric

概念轴测

放置在地块后方的展厅、礼堂、弹出式商店、咖啡馆、休息室、餐厅和办公设施，由一个大的中庭连接，带来自然光。巴西艺术家和设计师被邀请展示我们的发明创造能力的作品，与互动装置并排，解释巴西食品工业的技术革命，主要是由于EMBRAPA等公司的研究。

The volume placed in the rear of the plot houses exhibition spaces, an auditorium, a pop-up store, a café, a lounge, a restaurant and office facilities, interconnected by a large atrium that brings in natural light. Brazilian artists and designers were invited to exhibit works that showcase our inventiveness, side by side with interactive installations that explain the technical revolution in course in Brazilian food industry, largely due to the research of companies such as EMBRAPA.

 © Filippo Poli

菲力波·波利

可持续性随处可见，从由预制模块组成的建筑/解构系统，到水再利用机制，以及使用经认证和可回收的材料。这种短暂建筑的合理性是这一经验的一个基本部分，它表明，在资源少、环境影响低的情况下，创造意义和内容是可能的。

Sustainability is everywhere, from the construction/deconstruction system made up with prefabricated modules, to the water reuse mechanisms and the employment of certified and recyclable materials. A fundamental part of the experience, the rationality of this ephemeral architecture demonstrates that it is possible to create meaning and content with few resources and low environmental impact

 © Filippo Poli

菲力波·波利

2015年米兰世博会上的巴西展馆旨在为巴西参加这类活动带来新的元素。展望未来，它旨在表明，巴西在农业和畜牧业等人类关键领域取得了卓越成就，为我们的社会与环境的关系创造了新的范例，这是一种能够追踪我国新战略的共生变革。巴西馆不仅试图在这么多国家中脱颖而出，还表达了激发人们对我国领土和人民好奇心的愿望，希望在活动结束后产生新的关系。它应该证明，有可能将乌托邦的想法转化为现实，并激励人们解决世博主题：为地球提供食物，为生命提供能源。

The Brazilian pavilion in Expo Milan 2015 aims to bring new elements to the traditional attendance of the country to this type of event. Looking at the future, it aims to demonstrate that Brazil achieved excellence in crucial areas for mankind, such as agriculture and livestock farming, in a permanent movement to create new paradigms for the way our society relates to the environment, a symbiotic transformation, capable of tracing new strategies for our country. More than trying to stand out among so many nations, the Brazilian pavilion translates the desire for inspiring curiosity towards our territory and people to engender new relations that take place beyond the period of the event. It should demonstrate that it is possible to transform into reality utopian ideas and to inspire solutions that follow the Expo theme: Feeding the planet, energy for life.

 © Filippo Poli

菲力波·波利

Architects Studio Arthur Casas, Atelier Marko Brajovic

Location Ingresso EXpo, Via Giorgio Stephenson, 107, 20157 Milano, Italy

Category Pavillion

Architecture Author Arthur Casas

Architecture Co-authors Alexandra Kayat, Gabriel Ranieri, Alessandra Mattar, Eduardo Mikowski, Nara Telles, Pedro Ribeiro and Raul Cano

Architecture Project Coordination Alexandra Kayat

Architecture Co-author and interior design coordination Renata Adoni

Architecture Studio director Marilia Pellegrini

Architecture Collaborators Arnault Weber, Rodrigo Tamburus, Fernanda Müller, Daniel Vianna and Juliana Matalon.

Area 3674.0 sqm

Project Year 2015

Photographs Filippo Poli, Raphael Azevedo França