© Städtische Museen Freiburg - Photographer Markus Frietsch

(C)St dtische Museen Freiburg-摄影师Markus Frietsch

架构师提供的文本描述。“ZKD”是一个两层楼的艺术宝库，由德国弗赖堡市的几家博物馆和不同的基金会使用。它包含了各种各样的艺术和博物馆的物品，对气候和温度有着非常不同但持续的保护要求。这些养护要求必须以对防火和安全的高要求为基础，而客户则要求非常低的能源消耗和可持续性，以获得非常适度的预算。这座建筑应该是作为“帕西夫豪斯”建造的第一个艺术保存库。

Text description provided by the architects. The "ZKD" is a two story art depository used by several museums of the city of Freiburg (Germany) and by different foundations. It contains various art and museum objects with very different but constant conservational requirements on climate an temperature. Those conservational requirements had to be harmozied with high demands on fire protection and safety and the clients request on very low energy comsumption and sustainability for a very moderate budget. The building should be the First Art-Depository built as a „Passivhaus“.

 © Claudius Pfeifer

克劳迪乌斯·普菲弗

该建筑的主要功能是保存作为社会文化遗产和子孙后代特性的一部分的文物。它位于弗赖堡的一个工业区。

The main function of the building is preserving cultural objects which are part of the societies cultural heritage and identity for future generations. It is located in an industrial area in Freiburg.

 © Städtische Museen Freiburg - Photographer Markus Frietsch

(C)St dtische Museen Freiburg-摄影师Markus Frietsch

这座建筑是在两层楼组织起来的。当上层完全规划为仓库时，底层被划分为一个存放空间和一个功能空间，其中包括所有条目、后勤、技术房和恢复工作室等辅助工作区。不对称双斜屋面导致上部楼高变高，并给出了建筑物的特征形状。它在南侧的平坦斜坡上完全覆盖着光伏板。

The building is organized on two floors. Where the upper Floor is fully planned as depository, the ground floor is devided into a deposit space and a functional space which contains all the entries, logistics, technical rooms, and supporting workspaces such as restoration studios. The asymmetric double pitched roof leads to variable ceiling heigts in the upper floor and also gives the building its characteristic shape. Its flat slope on the southern side is completely cladded with photovoltaic panels.

 © Kuhn und Lehmann

库恩和莱曼

主要结构为实心砂石灰砖和混凝土，以防止温度的迅速变化.砂石灰砖由于其最小的环境金属足迹而被使用.由于安全原因，混凝土只在需要的地方使用。由于达到Passivhaus标准所需的厚度，保温层的建造就像传统的木结构，它附着在实心墙和屋顶层上，上面覆盖着一个木质纤维板，可以通过栅栏的透明部分看到。最外层是后叶栅。它的包层由聚碳酸酯波板组成，由于天气和太阳的位置以及玻璃纤维基材的位置而改变了它们的不透明度，这与光亮的聚碳酸酯形成了不透明的对比。整个绝缘层和防尘层都可以很容易地维护、修复或拆卸，以便回收利用。

The main construction is of solid sand-lime bricks and concrete to preserve against quick temperature changes. Sand-lime bricks are used due to their minimum environmetal footprint. Concrete is only used, where its needed because of security reasons. Because of its required thickness for reaching teh Passivhaus-standard the insulation layer is built like a traditional timber construction which is attached to the solid wall and roof layer and covered with a wooden fibreboard Panel, which can be seen through the transparent parts of the fassade. The outermost layer is the rear vetilated fassade. Its cladding consists of polycarbonate wave panels, that change their opacity appearance due to the weather and the position of the sun and the base material of fibrecement which gives an opaque contrast to the shiny Polycarbonate. The entire insulation and fassade layers can be easily maintained, repaired or deassembled for recycling .

表面上“差”的包层材料符合工业环境，另一方面又使建筑外观模糊不清。因此，它可以被解读为一个超大的谷仓和一个闪闪发亮的工业棚。这种模棱两可的效果，起到了伪装这种“国库”建设的主题。它是高度安全的，符合所有的安全要求，但它不应该出现在一个堡垒-诺克斯。我们建造的比这更复杂，这反映在建筑的外观上，这甚至向路人展示了这一点。

The seemingly "poor" cladding materials fit to the industrial context and on the other hand give the building an outward appearance of ambiguity. So it can be read as an oversized barn as well as a shiny industrial shed. This ambiguity effect plays with the theme of camouflage of the kind of "treasury"-building. It is highly secure and fulfils all the safety requirements but it shouldn't appear as a fort-knox. We build more complex than that and this is reflected by the appearence of the building which even shows that literally to the passer by.

 © Städtische Museen Freiburg - Photographer Markus Frietsch

(C)St dtische Museen Freiburg-摄影师Markus Frietsch

Architects Pfeifer Kuhn Architekten

Location Freiburg, Germany

Category Industrial Architecture

Architect in Charge Prof. Günter Pfeifer, Prof. Christoph Kuhn

Design Team Daniel Lenz, Alexander Unsin, Klaus Dömer

Area 5690.0 sqm

Project Year 2012

Photographs Claudius Pfeifer, Städtische Museen Freiburg - Photographer Markus Frietsch, Kuhn und Lehmann, Hannelore Pfeifer