© Tim Soar

(C)蒂姆·索亚(Tim Soar)

架构师提供的文本描述。标志着巴菲尔德建筑师的门户馆(Gateway Pavilions)是“骑士龙”雄心勃勃、不断演变的格林威治半岛愿景中的首个完工项目。它标志着一份意向书，表明了他们希望半岛成为的地方的质量和特征。(鼓掌)

Text description provided by the architects. Marks Barfield Architect’s Gateway Pavilions are the first completed project in Knight Dragon’s ambitious and evolving vision for the Greenwich Peninsula.  They mark a statement of intent, signalling the quality and character of the place they intend the Peninsula to become.  

 © Tim Soar

(C)蒂姆·索亚(Tim Soar)

这些结合在一起的建筑定义了半岛广场的南缘，并充当通往缆车和中央公园的通道。一对弯曲的玻璃展馆，由一个清晰的跨度的天篷连接起来，灵感来自地磁石碑。地磁石被用作早期的圆规，使人们能够进行伟大的发现之旅。这是格林威治著名的海洋遗产。冠层松软追踪一个“磁场”模式，连接并创造一个虚拟的力场之间的吸引力。(鼓掌)

The combined buildings define the southern edge of Peninsula Square and act as a gateway leading south to the cable car and Central Park.  A pair of curved glass pavilions, linked by a clear-span canopy, are inspired by geomagnetic lodestones which were used as early compasses enabling the great world voyages of discovery.- the maritime heritage for which Greenwich is famous. The canopy soffit traces a ‘magnetic field’ pattern linking and creating a virtual forcefield between the poles of attraction.                                         

展馆里有一座当代艺术画廊、办公室、一家咖啡馆、餐厅、夜店、魅力和营销设施。82m长的铜质边缘檐篷-比空客A 380的机翼跨度还长-轻轻弯曲，形成了从穹顶几何形状发出的最后“涟漪”，为特殊的艺术和社区活动以及弹出式市场提供了庇护所。当游客从北格林威治地铁站出来，向右看时，他们会看到展馆，也可以通过它们看到沿着纬度的缆车。

The pavilions contain a contemporary art gallery, offices, a cafe, restaurant, sky bar, charcuterie and marketing facilities.  The 82m long patinated brass edge canopy - longer than the wing span of an Airbus A380 - is gently curved forming the last ‘ripple’ emanating from the geometry of the Dome and provides shelter for special artistic and community events as well as pop up markets. As visitors emerge from North Greenwich tube station and look to the right they will see the pavilions and also through them to the cable car along a line of latitude.

 © Tim Soar

(C)蒂姆·索亚(Tim Soar)

该项目是在2013年春季应邀参加的一次竞赛中获得的。材料的选择受到半岛强劲多样的工业遗产的影响。海底电缆、船只、钢铁、油毡、水泥、青铜、铜和黄铜都是在半岛上制造的。黄铜、铜和其他金属组合，特别是在可能的情况下，已与钢和混凝土结合在一起。

The project was won as the result of an invited competition in Spring 2013.  The choice of materials is influenced by the peninsula’s robust and varied industrial heritage. Submarine cables, ships, iron, steel, linoleum, cement, bronze, copper and brass were all made on the Peninsula. Brass, copper and other metal combinations, in particular, have been incorporated where possible as well as steel and concrete.

 © Tim Soar

(C)蒂姆·索亚(Tim Soar)

高性能，弯曲玻璃已被指定创造一个丰富的相互作用的透明度和反射火花-取决于光照条件，地点和时间的一天。玻璃规格符合其定位和位置的环境和功能要求。例如，间隙太阳能控制涂层主要是在南面玻璃与更清晰的玻璃北部。

The high performance, curved glass has been specified to create a rich interplay of transparency and reflective sparkle – depending on light conditions, location on the building  and time of day. The glass specification responds to the environmental and functional requirements of its orientation and location. For example the interstitial solar control coating is predominantly in the southern facing glass with clearer glass to the north.

 Ground Floor Plan

 © Tim Soar

(C)蒂姆·索亚(Tim Soar)

 Second Floor Plan

二层平面图

包层的底层入口区域被指定为非常透明，可以邀请和欢迎人们进入。这两个主要立面的角度都打开了半岛广场，同时也创造了建筑入口之间的对话。在其他地方，玻璃成为高度反光镜周围的景观，天空和建筑物，并创造内部隐私。

The ground floor entrance areas of the cladding are specified to be very transparent to invite and welcome people in. The angle of the two principal facades both open onto and address Peninsula Square while also creating a dialogue between the building entrances under the canopy.  Elsewhere the glass becomes highly reflective mirroring the surrounding landscape, sky and buildings and creating internal privacy.

 © Tim Soar

(C)蒂姆·索亚(Tim Soar)

楼阁的顶楼设计是为了让游客们能够在格林威治北站上空俯瞰金丝雀码头、伦敦金融城、泰晤士河河口等360度的景致。

Roof top levels of the pavilions have been conceived to take visitors up high enough to have 360 degree views over North Greenwich Station towards Canary Wharf, the City of London, the Thames Estuary and beyond.

Architects Marks Barfield Architects

Location Greenwich, London SE10, United Kingdom

Category Offices

Area 2648.0 sqm

Project Year 2014

Photographs Tim Soar