LM Residence Marcos Bertoldi Arquitetos

2015-02-17 01:00

 © Alessandra Okazaki

(Alessandra Okazaki)

架构师提供的文本描述。建筑总是为一个时代的娱乐提供机会，揭示特定人口的文化水平、习惯、伟大的文明和发展。

Text description provided by the architects. Architecture always offers the opportunity for recreation of an era, revealing the cultural level, habits and great civilization and development of a certain population.

在这种情况下，该地点，非常崎岖，完全树木和与主要斜坡朝南，一些参数和方法，为我们的未来的决定。因此，整个亭子在钢筋混凝土的庇护下，以房屋为主体，建有六根柱子，保存了更多的本土树木，地形和自然排水线的地形。

In this case the site, very rugged, fully wooded and with the main slope facing south, a number of parameters and approaches are set for our future decisions. Therefore, the entire pavilion in reinforced concrete, sheltering the main program of the house, was built on six pillars, preserving a greater number of native trees, the topography and natural drainage lines of the terrain.

混凝土箱

The concrete box

混凝土箱，平面长方形，充满了巨大的空隙，遮住了房子的社会区域。这一区域也是整合在泳池甲板上，在屋顶上的服务量。私人区域，包括一套客人公寓和四套房，再加上一个美食厨房，也被布置在主盒子里。

The concrete box, rectangular in plan, permeated by the great void, shelters the social area of the house. This area is also integrated into the pool deck, on the roof of the service volume. The private area, consisting of a guest apartment and four suites, plus a gourmet kitchen are also laid out in the main box.

 © Alessandra Okazaki

(Alessandra Okazaki)

其中包括一个大的中央空隙，允许所有的空间向北，解决了社会地区的设施问题，这些设施可以俯瞰风景，只面向南方。金属柱，在框架的线上，支撑屋顶板，在主孔向南和在中央的空隙。

A large central void was included, allowing all spaces to be oriented north, solving the problem of facilities in the social area, which overlooking the scenery, would only face to the south. Metal pillars, on the lines of the frames, support the roof slab in the main opening to the south and in the central void.

 First Floor Plan

一层平面图

裸露混凝土是该项目的主要材料，目的是恢复与裸露混凝土房屋的对话，70年代渗透到库里提巴市，在随后的几十年里没有连续性。

The exposed concrete is the main material of the project, seeking to restore a dialogue with the exposed concrete houses, that permeate the city of Curitiba in the 70s, and have no continuity in the following decades.

服务量

The service volume

主音量由一个横向块支撑，这是在通路楼梯上暗示的，它连接着街道和房子，并继续在白色砖石的服务块上使用一系列住宅的支持程序，如：学术界、水疗中心、演播室、音像室和洗衣设施。通过这个块，用户下降到站点的较低区域。

The main volume is supported by a transverse block, which is hinted at in the access staircase, which connects the street to the house and continues on the service block of white masonry with a range of support program for the residence such as: academia, spa, studio, sound and video room, and laundry facilities. Through this block the user descends to the lower areas of the site.

 © Alessandra Okazaki

(Alessandra Okazaki)

金属网格地板

Metal grid flooring

行人和车辆出入口的地板，以及车库里的地板，都是在金属结构上高架的，离自然的地面很远。金属格栅地板确保当地动植物的再生。

The flooring in the pedestrian and vehicle access, and in the garages, is elevated on a metal structure, distant from the natural ground. The metal grid flooring ensures the regeneration of local fauna and flora.

 © Alessandra Okazaki

(Alessandra Okazaki)

Interior design

家具和艺术品强调了建筑空间对室内设计的支持。每个项目分别对其形状、比例、材料、技术、时间和相关性进行分析。我们通过参考的国际和巴西现代家具和当代家具，在不忽视平衡与和谐的情况下，寻求一批单独工作的作品。不忘平衡的构图是工程的和谐。家具的不对称构成成为流动和动态的空间，空隙将家具从一种环境无缝地整合到另一种环境中，并伴随着眼睛的持续运动。自由空间和占用空间之间的平衡。构图是从用户的移动或旅行中设计的，始终关注于作品中包含的每个项目的完整和虚空、形状、比例、颜色和纹理所产生的无限透视图。

The support for the interior design given by the architectural space is underlined by the furniture and artwork. Each item is individually analyzed for their shape, proportions, materials, technique, time and relevance. We seek a selection of pieces that work individually, through referential pieces of international and Brazilian modernist and contemporary furniture, without losing sight of the balance and harmony. The composition without losing sight of the balance is the harmony of the project. The asymmetrical composition of furniture becomes the fluid and dynamic space, and the void seamlessly integrates furniture from one environment to the other, with continuous movement of the eye. A balance between free and occupied spaces. The composition is designed from the user's movement or travel, always attentive to the infinite perspectives generated by full and void, shapes, proportions, colors and textures of each item included in the composition.