架构师提供的文本描述。PXATHENS，倡议

Text description provided by the architects. PXATHENS, the initiative

该项目是非盈利组织‘Paradeigmatos Harin’与雅典市政府合作开发的第一个项目。该倡议努力使捐助者、赞助者和公民进行创造性接触，以便将团结的责任与个人参与和进步的努力联系起来。

The project is the first initiative of the non-profit organisation ‘Paradeigmatos Harin’- developed in collaboration with the Municipality of Athens. The initiative strives to bring into creative contact donors, sponsors and citizens aiming to associate the responsibility for solidarity and offering with individual effort for participation and progress.

 © Yiorgis Yerolymbos

Yerolymbos

从试点项目开始，正在雅典中心居民区建立一个可扩展的网络。在项目的第一阶段实施了两个游乐空间，为城市游乐场的主要改造计划建立了一个原型。

Starting with the pilot project, an expandable network in the central neighbourhoods of Athens is being established. Two spaces for play were implemented in the first phase of the project setting a prototype for a major renovation plan for the playgrounds of the city.

 Floor Plan

PXATHENS，上下文

PXATHENS, the context

现代都市游乐空间是增强青少年社会发展、运动技能和团队精神的基本公共空间。

In the contemporary metropolis spaces for play are the fundamental public spaces in which social development, movement skills and team spirit of the youth are enhanced.

 © Yiorgis Yerolymbos

Yerolymbos

雅典的游戏空间是重复的和标准化的。它们反映出设计中完全缺乏想象力，它们构成了一个随机实施过程的样本。虽然有些符合安全要求，但总的来说，它们不具备任何教学质量或价值。在他们的大多数空间被降级到甚至是危险的程度。

Athens’ spaces for play are repetitive and standardised. They reflect the utter lack of imaginative perception in design and they constitute a sample of a random implementation process. Even though some meet the safety requirements, overall they do not possess any pedagogical quality or value. In their majority the spaces are degraded to the degree of even being dangerous.

 © Yiorgis Yerolymbos

Yerolymbos

设想中的PXATHENS游戏空间不仅为发现自然、确认身体技能、观察和探索、在一个自主、熟悉、安全的环境中的社会共存提供了“就地”的乐趣，相反，它们之间的相互联系将定义一个物理和数字游戏网络，每个人都可以这样做，-年轻人和老年人-将有无限的-真实的，但也数字-访问。

The envisioned PXATHENS’ spaces for play will not only offer the ‘in-situ’ joy of the discovery of nature, confirmation of physical skills, observation and exploration, social coexistence in an autonomous, familiar, safe environment, in contrast, their interconnection will define a physical and digital network of play, to which everyone, -young and old- will have unlimited -real but also digital- access.

 © Yiorgis Yerolymbos

Yerolymbos

PXATHENS-六个阈值，干预

PXATHENS - SIX THRESHOLDS, the intervention

这里的游乐空间延伸到卫城的山脚，旁边是城市最重要的步行街之一，这条街通向新卫城博物馆。街道的北侧由六种不同的所有权和不同时期的建筑物组成，而南面则由帕特罗克洛斯·卡兰蒂诺诺斯设计的一所小学占据。

The space for play stretches on the foothills of the Acropolis, alongside one of the City’s most important pedestrian streets which leads to the New Acropolis Museum. The north side of the street is defined by six separate ownerships and buildings of different periods, while the south side is occupied by an elementary school designed by Patroklos Karantinos.

 © Yiorgis Yerolymbos

Yerolymbos

所有权的入口-阈值-归因于干预的节奏和特征。他们的复辟决定了空间的组织结构，从而将空间划分为六个部分，对所有权的边界进行投影。从西到东，第一、第三和第五节，容纳学校的入口。在第二和第三部分的南侧是主游乐区所在的地方，周围是抛物线形状的混凝土结构，这些抛物线形状变成了坐在和吞没现有树木的游戏元素。

The entrances to the ownerships -the thresholds- attributed rhythm and character to the intervention. Their reinstatement determined the organisation of the space, which thus was divided into six sections, on the projections of the ownerships’ boundaries. From the west to the east, the first, third and fifth section, accommodate the access to the school. On the south side of the second and third section is where the main playing area is located, surrounded by concrete configurations of parabolic shapes which become sitting and playing elements engulfing existing trees.

 © Yiorgis Yerolymbos

Yerolymbos

起伏的、开放的、流动的游乐空间增强了传统步行街的民主特性，不加区别地为所有人提供了一个安全、亲密和无障碍的日常互动空间。关于儿童，他们有无限的机会在游戏中翻译和整合空间，条件是永久地重新表达他们自己的现实。

The undulating, open, flowing space for play enhances the democratic character of the traditional pedestrian street offering indiscriminately to all a safe, intimate and accessible space for everyday interaction. With regards to children, they are granted the unlimited possibility to translate and integrate the space in their games, in a condition of a perpetual rearticulation of their own realities. 

 © Yiorgis Yerolymbos

Yerolymbos