El Patio House Lucas Mc Lean
2015-01-21 01:00
架构师提供的文本描述。该项目建于距布宜诺斯艾利斯市390公里、占地1000公顷、距大西洋海岸3公里的私营企业Costa Esmeralda。(住宅区1-地段19)
Text description provided by the architects. The project was built in Costa Esmeralda, a private enterprise with 1000 ha and more than 3km of Atlantic coast, 390 km from the City of Buenos Aires. (Residential Neighborhood 1 - Lot 19)
© Tomás Thibaud
c.Tomás Thibaud
这个项目重新解释了庭院类型。该计划的形态结构是围绕着一个紧而吸收的空间,免受强风和冬季低温的影响。
The project reinterprets the courtyard typology. The morphology of the plan is structured around a tight and absorbing space, sheltered from strong winds and low winter temperatures.
© Tomás Thibaud
c.Tomás Thibaud
客户委托一个度假屋,用于所有季节,无论是夏季和冬季,其主要前提是“感觉里面在外面,外面在里面”。由于这是一所招待客人的房子,因此建议在公共区域和私人区域之间建立明确的独立关系。院落,侧面的主角,在这两个区域之间充当一个功能,听觉和视觉的枢纽,就像后面发展起来的半公共建筑程序。三间卧室,夜间休息区位于前部,而社会曝光率最大的区域位于后部。这个80平方米的空隙,该项目的心脏,解决了程序之间的半覆盖循环,并负责整合内-外门道,从而产生一个预计范围的米,不计算的建筑面积。这座160平方米的房子随后试图征服这块土地,将其植入中心,并在强制性挫折之间占据最高的直线脚。
The client commissioned a holiday home for use in all seasons, both summer and winter with the main premise of "feeling inside being outside, and outside being inside." As this is a house to entertain guests, a clear independence between the common area and the private area was proposed. The courtyard, protagonist on the side access, acts as a functional, auditory and visual hinge between these two areas, like the semi public architectural program that develops behind. Three bedrooms, the night rest area is located to the front, while the area of greatest social exposure is located to the back. This void of 80 m2, the heart of the project, solves the semi covered circulation between the program, and is responsible for integrating the interior - exterior doorway, thus generating a projected range of meters which do not compute as built area. The house of 160 m2 then seeks to conquer the lot, implanted in the center and occupying the highest amount of line
项目所处理的另一个决定因素是隐私。有了4000多块土地,我们决定了一个内省的项目,在正面几乎没有展示,一个矩形的,调制的,清醒的和离地面的部分。四棵阿劳卡里亚松树是唯一的标志,从街道的情况,预测的内部。正面是翻译在密集,乡村,沉重,不透明的石头体积,其中包含行人通道。一旦进入,建筑就变得几乎看不见了,两边都有一个玻璃化的起居室,让用户可以观察到地块的深度和它的野生植被。共同的覆盖区域增强了与场地背面的亲密姿态;由一个倾斜的屋檐构成,它改变了木制品的高度,并保护室内家具免受阳光照射,这意味着向北。滑动木制品打开,使覆盖区域灵活。
Another determining factor that the project addresses is Privacy. With over 4000 available lots, we decided on an introspective project, displaying little on the facade, with a rectangular, modulated, sober and off the ground section. Four Araucaria pines are the only sign from the street of the situation projected inwardly. The front facade is translated on the dense, rustic, heavy, and opaque stone volume, which contains the pedestrian access. Once inside, the architecture becomes almost invisible, with a glazed living dining room on both sides that allows users to observe the depth of the lot and its wild vegetation. The common covered area enhances the gesture of intimacy to the back of the site; materialized by a sloping eave that modifies the height of the woodwork and protects interior furnishings from the sun exposure which means facing north. The sliding woodwork open up and make the covered area flexible.
© Tomás Thibaud
c.Tomás Thibaud
在物质性方面,我们决定使用贵重材料,如石材、暴露地板的木材、石灰华大理石作为室内地板,水泥绿色用于抹灰砌墙,墙壁上装饰着丰富的海松。
With regard to materiality, we decided on the use of noble materials such as stone, wood for exposed floors, travertine marble for interior floors, and cement green for plastered masonry walls, which is camouflaged with abundant maritime pines.
© Tomás Thibaud
c.Tomás Thibaud
我们还用木横梁进行地形或沙运动。于是,我们把车库放在停车场的较低层,让我们看到前面卧室的景色。最后,对后方的挫折进行了另一次沙封,最大限度地提高了更高的级别,以加强隐私和躲避元素。
We also performed a topographic work or sand movement with wooden beams. We thus placed the garage on the lower level of the lot, releasing the views of the front bedrooms. Finally, another sand containment was done on the rear setback, maximizing the higher levels to enhance privacy and shelter from the elements.
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