A029 Camarim Arquitectos

2014-12-31 01:00

架构师提供的文本描述。这位建筑师的客户想要扩大他的两居室公寓，于是他又在同一栋楼里购置了两套公寓-一套在楼上，一套在旁边-目的是把他们作为一个更慷慨、更灵活的社交场所和更亲密的空间连接起来。这个项目与前者有关。

Text description provided by the architects. The architects client wanted to enlarge his 2-bedroom apartment and so he acquired 2 more apartments in the same building - one above and one on the side - with the aim of joining them as one with more generous and flexible social and intimates spaces. This project concerns the former.

 © Nelson Garrido

尼尔森·加里多

楼上的公寓有一个客厅，有一个小阳台和一个没有自然光线或通风的阁楼形的储藏室。只有一扇门把阁楼与起居室连接起来，小小的阳台窗户使空间显得阴郁和闷热。这位客户想把这套公寓改建成一间带哈姆的套房卧室、客厅和一个小厨房，让他可以休息、读书或工作，而不必去楼下的主要社交空间。

The apartment on the upper floor had a living room with a small balcony and an attic-shaped larder without natural light or ventilation. A single door connected the attic to the living room and the small-size balcony window rendered the space gloomy and stuffy. The client wanted to convert this apartment to an en suite bedroom with hammam, living room and a small kitchen to allow him to rest, read or work without having to go to the main social space downstairs.

 Upper Floor Plan

上层平面图

我们拓宽了阳台的窗户，在阁楼上打开了一个大天窗，把客厅和阁楼之间的墙拆掉了：突然间，这间阴郁的公寓从黎明一直到日落都被光线淹没了。我们想要阳台和天窗的光线到达每个空间，所以，我们没有把套房的卧室用走廊和门隔开，而是按线性顺序排列所有的空间，除以每个条件下的滤镜：反光玻璃、透明玻璃、半透明窗帘和黑色窗帘。每个空间都有自己的物质性：客厅里的合成自平地板，哈姆的维拉·维索萨大理石和卧室里的柚木。

We widened the balcony window, opened a large skylight in the attic and tore down the wall between living room and attic: suddenly the gloomy apartment was flooded with light from dawn till sunset. We wanted the light from the balcony and the skylight to reach every space and so, instead of partitioning the en suite bedroom with corridors and doors, we arranged all spaces in a linear sequence, divided by filters adjusted to each condition: reflective glass, transparent glass, translucent curtains and black-out curtains. Each space has its own materiality: synthetic self-levelling floor in the living room, Vila Viçosa marble in the hammam and teak wood in the bedroom.

 © Nelson Garrido

尼尔森·加里多

自然和人工光线条件，以及实际的滤镜布置-打开、关闭或关闭和覆盖-影响着它们的外观：在不同的时刻，相同的空间可能是反射的、不透明的、发光的、透明的、有限的或与相邻空间模糊的。

Natural and artificial light conditions, as well as the actual filters arrangement - open, closed or closed and overlaid - influences their appearance: at different moments the same space may be reflective and opaque or luminous and transparent, finite or blurred with adjacent spaces.