架构师提供的文本描述。运动瓦哈卡市是一个体育城市体育馆链的一部分，目前在全国各地。由于拥有50多个分支机构，他们决定冒险建造一座新的建筑，寻找一个新的区域市场，并接受了一个用传统材料建造的项目。这是一种与链条所拥有的其他空间完全不同的美学，它的特征是建筑体系的艺术状态，以强化其现代性的形象。

Text description provided by the architects. Sport Oaxaca City is part of a chain of Sport City gyms present throughout the country. With over fifty branches, they decided to risk a new building looking for a new regional market, and accepted a project built with traditional materials. A totally different aesthetic from other spaces owned by the chain, which are characterized by state of the art building systems that seek to reinforce its image of modernity.

 © Angel Ivan Valdivia Salazar

(安赫尔·伊万·巴尔迪维亚·萨拉扎)

建筑的物质性将瓦哈卡的乡土建筑技术与现代技术的资源结合起来，寻求两个世界之间的相遇。土石、木、竹、砖、石灰、混凝土、钢等被和谐地结合在一起，尊重每种材料的潜力。主墙由33，000块来自中央谷的棕色土坯砖制成。他们是由来自邻近村庄的工匠团体在一个半月内完成的，为了与城市时代见面和竞争，他们付出了巨大的努力。

The materiality of the building combines vernacular building techniques from Oaxaca with the resources of modern technology, seeking an encounter between two worlds. Adobe, stone, wood, bamboo, tiles, bricks, lime, concrete and steel are combined harmoniously and respectfully valuing the potential of each material. The main walls are made of 33,000 brown adobe bricks from the Central Valley. They were made by artisan groups from neighboring villages in just a month and a half, in an intense effort to meet and compete with urban times.

这些砖块被放置在一个基础上，用750立方米的石头手工雕刻，用石灰和砂灰浆固定，就像土坯一样。墙体作为承重体系，尊重传统的结构方案，不引入竖向混凝土补强，表明当设计尊重天然材料的有机行为的质量和极限时，不引入竖向混凝土加固是可行的。

These bricks were placed on a foundation with 750 cubic meters of stone carved by hand and set with lime and sand mortar, the same that was used for the adobe. The walls are used as load bearing systems respecting the traditional structural schemes, without the introduction of vertical concrete reinforcements, showing that it is possible to do without them when the design respects the qualities and limits of the organic behavior of natural materials.

 © Fidel Ugarte

菲德尔·乌加特

在院子里，两座不同性质的建筑，一座是钢筋混凝土建筑，另一座是土坯建筑，在院子里建造了一个高耸的竹顶。这是一个比喻，指的是一座试图调和不同材料的建筑，代表着过去与现在之间的联系。屋顶用金属连接器连接在连接竹子的混凝土柱子上，这些柱子后来被胶合板、纸板沥青和手工制作的黄色瓷砖覆盖。

In the courtyard, a towering bamboo roof was built between two buildings of different nature, one made of reinforced concrete and the other made of adobe, a metaphor for a building that seeks to reconcile different materials, representing the connection between past and present. The roof was erected on concrete pillars that connect to the bamboo by metal connectors, which were later covered by plywood, cardboard asphalt and handmade yellow tile.

竹屋面的建设是该工程技术转让的重要组成部分。这个结构是由来自当地大学的学生组成的，他们在过去三年里作为团队的一部分参与了社区项目。

The construction of the bamboo roof provided a very important component of technology transfer to the project. The structure was made by students from local universities who have worked as part of the team in community projects over the past three years.

 © Fidel Ugarte

菲德尔·乌加特

整个建筑群都是为了利用自然资源而设计的。该建筑配有收集雨水和能量的系统，并采用被动策略，如收集水源和自然通风，这种方法是通过沿土坯墙顶部的水平开口进行的。因此，加上土坯提供的高热惯性，可以避免使用空调系统，并降低建筑寿命期间的能源成本。此外，在屋顶南侧安装了500平方米的太阳能热板，用于取水，再次利用清洁和无限制的自然能源。

The entire complex was designed to harness natural resources. The building is equipped with systems for capturing rainwater and energy, and uses passive strategies such as water harvesting and natural ventilation, which occurs through a horizontal opening extending along the top of the adobe walls. Thus, together with the high thermal inertia provided by the adobe, it was possible to avoid using air conditioning systems and reduce energy costs over the life of the building. Additionally, 500 square meters of solar thermal panels were installed on the south side of the roof, for water heating, again taking advantage of clean and unlimited natural energy.

还必须指出，建筑群中使用的14万块砖和22，000块瓷砖是在当地社区手工生产的，每一块砖和每块瓷砖都含有生产这种砖的工匠的痕迹，使材料具有人情味和审美品质。最后，这些生产过程所产生的经济贡献对于保持区域传统以及其工艺的价值和推广至关重要。

It is also important to refer also to the fact that the 140,000 bricks and 22,000 tiles used in the complex were produced by hand in local communities, each brick and each tile contain traces of the craftsman who produced it, giving the material a human and aesthetic quality. Finally, the economic contribution derived from these production processes has been vital to maintain the regional traditions as well as the value and promotion of its craftsmanship.

 © Fidel Ugarte

菲德尔·乌加特

Architects Rootstudio, Arquitectos Artesanos

Location México, SAN FELIPE, 68020 Oaxaca, Oaxaca, Mexico

Category Gymnasium

Project Architects João Boto Caeiro, Fulvio Capurso, J. J. Santibáñez

Construction Alicia Andonegni, Alberto Campuzano, Efrain Vazquez, German Peña, Miguel Angel Garcia, Joaquin Pacheco, Edgar Cano, Aram Barrera, Jesus Aguilera, Cecilia Arenas, Silvino Garcia

Project Area 4600.0 m2

Photographs Angel Ivan Valdivia Salazar, Fidel Ugarte