架构师提供的文本描述。差一点

Text description provided by the architects. Almost see-through

这座房子的线条，建在圣保罗一个非常陡峭的地块上，唤起了米斯·范德罗赫的理性主义建筑。除其他外，他还以在巴塞罗那建造的德国展馆而闻名，该展馆是1929年世界博览会的主办地，至今仍在蒙朱伊脚下开放。

The lines of this house, built in a very steep plot in São Paulo - evoke the rationalist architecture of Mies van der Rohe. He is known, among others, for the German pavilion built in Barcelona to host the 1929 World Exhibition, which is still open at the foot of Montjuïc.

 © Fernando Guerra | FG+SG

费尔南多·格拉

在这里，就像在那里一样，它都是关于简单的几何学的。同样的集成动态，基于玻璃的广泛使用。同样的渴望永远与风景交融在一起，感受到接近水的感觉。除了明确的附加材料，这些材料被认为是建筑词汇中必不可少的：混凝土和钢。

Here, as there, it is all about simple geometry. The same integration dynamic, based on extensive use of glass. The same desire for permanent mingling with the landscape and feeling close to the water. In addition to a definite attachment to the materials that are considered essential in architecture’s vocabulary: concrete and steel.

 © Fernando Guerra | FG+SG

费尔南多·格拉

考虑到近一个世纪的距离，将这两座建筑物连接在一起的主流主题是透明度，这一点也就不足为奇了。把房子开放给周围的空间，以便更好地捕捉光线，从不同的角度为居住者创造壮观的景色。

Bearing in mind the distance of almost a century, it is not surprising that the prevailing theme that joins the two buildings is transparency. The idea of opening up the house to its surrounding space to better capture the light and create spectacular views for the occupants from different points of view.

 Ground Floor Plan

设计的作者、圣保罗的建筑师费尔南达·马克斯(Fernanda Marques)表示：“在每个空间的最高透明度与理想隐私水平之间展开工作，是我面临的最大挑战。”她补充说：“还需要在地块中插入房屋，保护和尊重现有的树木，显然还需要考虑相当大的陡峭程度。”

“Working at the limit between maximum transparency and the ideal level of privacy for each space was my greatest challenge”, says São Paulo-based architect Fernanda Marques, who authored the design. “There was also a need to insert the house in the plot, conserve and respect the existing trees, and, obviously, the considerable steepness to consider”, she adds.

 © Fernando Guerra | FG+SG

费尔南多·格拉

然而，弗尔南达认为，一旦布置好了房间，其余的就是把关键要素周围的空间清楚地表达出来。“例如，在入口处有一面水镜，从入口台阶上溢出来。她解释道，横穿整栋大楼的黄色墙上有客人厕所、厨房、储藏室和服务楼梯“。

Once the rooms were laid out, however, all the rest, according to Fernanda, was a matter of articulating the spaces well around the key elements. “At the entrance, for instance, is a water mirror that overflows by the entrance steps. The yellow wall that transverses the whole building houses the guest loo, kitchen, pantry and service stairs”, she explains.

 © Fernando Guerra | FG+SG

费尔南多·格拉

另一个焦点，螺旋楼梯，提供进入夹层，那里的媒体室，健身房和阳台，以及它的壁炉。较低的楼层是家庭区域，有一个游戏室和三个套房。主套房的入口处是一个宽阔的走廊，通往他和她的两个浴室，还有一个步入式的壁橱。

Another focal point, the spiral staircase, provides access to the mezzanine, where the media room, the fitness room and the balcony, with its fireplace, are. The lower floor is the family area, and contains a playroom and three suites. Entrance to the master suite is via a wide hallway, which opens up to the two bathrooms, his and hers – and the walk-in closet.

 © Fernando Guerra | FG+SG

费尔南多·格拉

客厅与餐厅相连，由一个玻璃流水区连接，其中包括一个甲板，无限边界游泳池和横向花园。就餐区直接向外开放。因此，几乎全部被玻璃板围住，房子似乎沉浸在周围的景观中。

The living area is linked to the dining room by a glazed circulation area, which integrates a deck, infinite-border swimming-pool and lateral garden. The dining area opens up directly to the outside. So, almost entirely enclosed by glazed panels, the house seems to be immersed in the surrounding landscape.

 © Fernando Guerra | FG+SG

费尔南多·格拉

但这并不意味着建筑师忽略了一种适合家庭居住的温暖感。“在室内，我选择了更内省的景致，以间接照明为基础，特别是在客厅，它有双高的天花板，并使用更温暖的饰面，如木材。”毕竟，房子必须看起来像一个家“。

But this does not mean the architect left out a sense of warmth that is proper to a family home. “I chose, for the interior, to create more introspective sceneries, based on indirect lighting, especially in the living-room, with its double-height ceiling – and by using warmer finishes, such as wood. After all, a house has to look like a home”.

 © Fernando Guerra | FG+SG

费尔南多·格拉

Architects Fernanda Marques Arquitetos Associados

Location São Paulo, Brazil

Category Houses

Area 830.0 sqm

Project Year 2012

Photographs Fernando Guerra | FG+SG