架构师提供的文本描述。位于埃斯林根的Palmscher公园是威廉姆时代晚期以前的军营。在世纪之交，它被改造成一个住宅综合体，由于其迷人的山坡环境，它离埃森根镇中心只有十分钟的步行路程，已成为一个非常受欢迎的住宅区。当一家机构搬出一栋两层楼高的大楼的一个阁楼空间时，一个有两个小孩的家庭试图把这个地方改造成他们的新家。一个开阔而宽敞的居住空间，有着不同的生活区和诱人的视觉视角，面积达400平方米。

Text description provided by the architects. The Palmscher Park in Esslingen is a former army barracks from the late Wilhelmine era. It was transformed into a residential complex at the turn of the millennium and has become a very popular residential area thanks to its attractive hillside situation, only ten minutes walking distance from Esslingen town centre. When an agency moved out of a loft space at the short end of a two-storey block, a family with two small children sought to transform the site into their new home. An open and spacious living space with differentiated living zones and tantalising visual perspectives was created across 400 square metres.

 Ground Floor Plan

现在，当游客进入阁楼时，一个宽阔的空间沿着水平和垂直轴打开。仅用L形过滤帘将起居区与入口区隔开.在楼梯的脚下，镜子墙后面隐藏着一个衣柜，这反映了汤姆·迪克森的“镜子球”无穷无尽地来来回回。

Now when a visitor enters the loft, a wide space opens up along a horizontal and vertical axis. The living area is only separated from the entrance area by an L-shaped filtering curtain. At the foot of the staircase a wardrobe is concealed behind a mirrored wall, reflecting Tom Dixon’s Mirror Ball infinitely back and forth.

 © Zooey Braun

佐伊·布劳恩(Zooey Braun)

一楼位于餐厅周围。一张长桌由地毯和细长、相交的吊灯组成。一个开放式厨房与就餐空间很好地相连，这要归功于三个自由堆叠的实心立方体。后排厨房单元容纳不同的家用电器和一个高大，狭窄的酒架，创造了一个诱人的组合不锈钢，漆木和固体表面。金色的意大利玻璃瓷砖的瓷砖背面，让人回想起主人的起源和童年。一排厨房单元也屏蔽了孩子们的生活空间。它的后壁装有完整的橱柜，构成通往三间儿童卧室的走廊。

The ground floor is laid out around the dining area. A long table is located in space by a carpet and slender, intersecting, pendant lamps. An open-plan kitchen connects well with the dining space thanks to three, freely stacked, solid surface cubes. A rear row of kitchen units houses different household appliances and a tall, narrow wine rack, creating an enticing mix of stainless steel, lacquered wood and solid surface. The tiled splash back of golden, Italian glass tiles recalls the owners’ origins and childhood. The row of kitchen units also screens the children’s living space. Its rear wall containing integrated cupboards forms the corridor leading to the three children’s bedrooms.

 © Zooey Braun

佐伊·布劳恩(Zooey Braun)

墙的突出部分将起居区和就餐区隔开。在厨房的一侧，它的表面已经完成了黑板的修整。彩色玻璃反射房间的另一边，平面屏幕被整合到墙的两侧。客厅被宽敞的沙发景观和厚厚的地毯所占据。一架大钢琴矗立在房间的封闭式尽头，前面是一堵铺了软垫的织物墙，上面有天窗。对面的两扇门通向露台。

A projecting section of wall divides the living and dining areas from one another. On the kitchen side its surface has been given a chalkboard finish. Coloured glass reflects the room on the other side, and flat screens are integrated into both sides of the wall. The living area is dominated by an expansive couch landscape and a deep-pile carpet. A grand piano stands at the enclosed end of the room in front of an upholstered fabric wall, surmounted by a skylight. Two doors opposite lead out onto the terrace.

他们周围的墙从地板到天花板都是镜子。在镜面和玻璃门上画出一条线的分支图案，唤醒与树枝和树枝的联系，并与花园的实际景色重叠。镜子墙旁边是一个高高的木柴容器，里面装着雕刻的、悬浮的燃烧着木材的炉子的燃料。精确，光滑的玻璃表面和随机堆叠的木材创造了一个令人兴奋的对比，这反映在整个空间。

The wall surrounding them is mirrored from floor to ceiling. A branching pattern of lines is traced upon the mirrored surfaces and glass doors, awakening associations with twigs and branches and overlapping with the actual view of the garden. The mirrored wall borders a tall firewood container, which holds the fuel for the sculptural, suspended wood-burning stove. The precise, smooth glass surface and the randomly piled wood create an exciting contrast, which is reflected throughout the space.

 © Zooey Braun

佐伊·布劳恩(Zooey Braun)

温暖的天然材料和颜色-包括深色橡木地板，墙壁和窗帘上的泥土色调，以及闪闪发光的金色表面-在粉红色的颜色、长方体实心表面和玻璃表面上找到了相应的相似之处。由于其倾斜的天花板，房间受到了额外的动态扭转；它们各自的表面被一个鲜明的色彩方案所强化。

Warm natural materials and colours – including a dark-stained oak parquet floor, earthy tones on the walls and curtains, but also the shimmering golden surfaces – find a corresponding analogy in pink expanses of colour, cuboid solid surface forms and glass surfaces. The room receives an additional dynamic twist thanks to its sloping ceilings; their individual surfaces are accentuated by a contrasting colour scheme.

 © Zooey Braun

佐伊·布劳恩(Zooey Braun)

上层是父母的领地。一项单独的研究并不是简要报告的一部分，相反，一个小型的工作站位于一个开放式的区域。这是房子内建筑的一部分，它隐藏了卧室，因为客户特别要求一间没有光线进入的卧室。这间几乎密封的房间，其轮廓遵循最简单的轮廓-一支铅笔的五次笔划-只通过门和一条通往天窗的通道与外界保持联系。天花板上温暖的深蓝色点缀着一个大的灰色圆圈。圆形和侧壁是一个迷宫般的阴影的空白画布，它是由五个脆弱的光球向四面八方投射的。

The upper level is the parents’ domain. A separate study was not part of the brief, so instead a small work station is located in an open-plan area. This is part of a house-in-house construction, which conceals the bedroom, because the clients specifically asked for a bedroom into which no light could permeate at all. This almost hermetically sealed room, the contours of which follow the simplest of house outlines – five strokes of a pencil – only retains contact with the outside world via the doors and a curtained passage to a skylight and windows. The ceiling’s warm dark blue is punctuated by a large grey circle. The circle and side walls serve as a blank canvas for a labyrinthine shadow-play that is cast in all directions by five fragile spheres of light.

 © Zooey Braun

佐伊·布劳恩(Zooey Braun)

浴室向上打开，为隐蔽的卧室提供了一个完美的对应点：镜子墙是将浴室与走廊分隔开来的唯一元素。因此，悬垂的光线点亮了这两个区域，并将拼贴一样的物体和房间连接起来，形成了一个诗意的景观。

The bathroom open upwards, providing a perfect counterpoint to the hideaway bedroom: A mirrored wall is the only element separating the bathroom from the corridor. Suspended light drops thus illuminate both areas and connect the collage-like objects and rooms to form a poetic landscape.

 © Zooey Braun

佐伊·布劳恩(Zooey Braun)

阁楼ESN体现了一个特殊的转变，从军营变成一个办公室，最后成为一个宽敞和特殊的生活空间。

The Loft ESN embodies an exceptional transformation of an army barracks into an office, and finally into a spacious and exceptional living space.

 First Floor Plan

一层平面图

Architects Ippolito Fleitz Group

Location Esslingen, Germany

Category Apartment Interiors

Area 400.0 sqm

Project Year 2014

Photographs Zooey Braun