© Thomas Mayer

(Thomas Mayer)

架构师提供的文本描述。Argul Weave位于土耳其布尔萨，位于伊斯坦布尔以南100公里的小亚细亚半岛。布尔萨是土耳其历史上著名的纺织业的发源地，它正见证着作为地区和国际领头羊的地位的重生。该项目位于Koklu CD和Kirkpinar CD的拐角处，位于这个制造区的中心，是计划中的第一个对该地区进行再开发的干预措施。

Text description provided by the architects. Argul Weave is sited in Bursa Turkey located 100km south of Istanbul in the Asia Minor peninsula. Bursa is home to Turkey’s historic and celebrated textile industry which is witnessing a rebirth to position itself as a regional and international leader. Located on the corner of Koklu Cd and Kirkpinar Cd the project site sits at the center of this manufacturing district and is the first in a planned series of interventions to redevelop the area.

 © Thomas Mayer

(Thomas Mayer)

客户是一家纺织品分销商，其现有设施直接毗邻项目现场的东部。从一开始，Argul编织计划作为一个混合用途的发展，以吸引国际纺织企业重新定位和重新品牌，该地区作为一个领先的制造业纺织中心。这个编织是四千五百平方米，分布在三层楼，零售在一楼，办公室在第二层和第三层，并以屋顶餐厅为封顶。

The client is a textile distributor with his existing facility directly adjacent to the East of the project site. From its inception the Argul Weave was planned as a mixed-use development to attract international textile businesses to refocus and rebrand the district as a leading manufacturing textile hub. The Weave is 4,500 SQM distributed over three stories with retail on the ground floor, offices on levels two and three and capped off with a rooftop restaurant.

 © Thomas Mayer

(Thomas Mayer)

为了满足客户的视觉需求，该设计考虑了土耳其纺织品的丰富传统，以及通过巨型织机将不同的纱线交织而成。这一主题提供了一种手段，将项目的不同部分整合成一个单一和连贯的整体，同时明确说明这一地区的重要性。

To satisfy the clients vision the design considered the rich tradition of Turkish textiles and their making through the interweaving of individual threads by giant looms. This motif offered a means to integrate the disparate parts of the project into a singular and coherent whole while making a clear statement as to the importance of this district.

 © Thomas Mayer

(Thomas Mayer)

材料调色板保持最小，以强调设计的连续性和可塑性。Patara大理石从土耳其Burdur开采，并在阿夫扬制造，形成了立面的曲折带状。来自土耳其爱琴海地区的深红色大理石构成了建筑的纹路，来自西非的红褐色Iroko木材构成了编织的内部区域。当一个人沿着门面走时，它的起伏会创造出一种变化的节奏模式，而这种变化是通过光和阴影的持续发挥而增强的。

The material palette was kept to a minimum to emphasize the continuity and plasticity of the design. Patara Marble quarried from Burdur, Turkey and fabricated in Afyon forms the sinuous banding of the façade. Dark red marble from the Turkish Aegean region forms the buildings plinth and reddish brown Iroko wood from West Africa clads the inner areas of the weave. As one walks along the façade its undulations create a changing rhythmical pattern that are enhanced by the continuous play of light and shadow evolving throughout the day.

在内部，Iroko木材的立面项目在一楼，以形成充分的进入门厅玻璃，创造了一个温暖的过渡，外部和内部。第二层和第三层是动画的进出和上下的正面带，创造了一个独特的和不对称的每个窗口打开视图。立面的垂直线终止在屋顶，形成环形线之间是周围地区和遥远的乌鲁达格山脉锚定城市的一系列框架。

On the interior the Iroko wood of the façade projects in on the ground floor to form fully glazed entry vestibule vitrines creating a warm transition between exterior and interior. Levels two and three are animated by the alternating in and out and up and down of the façade banding that creates a unique and asymmetric view for every window opening. The vertical strands of the façade terminate at the rooftop forming crenellations from between which is a serial framing of the surrounding district and the distant Uludag Mountains that anchor the city.

 © Burak Pekoglu

c.Burak Pekoglu

设计的执行依赖于一个独特的、协作的过程，其中包括位于不同区域和大陆的一组不同的团队成员。数字技术是为适应当地制造和建造的做法而量身定做的。主要的数字模型被用来微调和控制所有的几何图形和建筑组件，并作为评估成本的一种手段。

The designs execution relied on a unique and collaborative process that included a diverse group of team members situated in different regions and continents. Digital technologies were tailored to adapt to local practices for fabrication and construction. Master digital models were used to fine tune and control all geometries and construction assemblies and also used as a means to evaluate costs.

 Exploded Axonometric

爆炸轴测

通常，来自制作者的时间限制被反馈到模型中，以进一步调整几何形状和根据需要进行设计。在设计中，可以将整个过程设想为位于不同地理位置的行为者相互交织的协作。研究、设计和执行在整个项目中以并行的方式相互补充，导致了Argul编织的实现。

Often time’s constraints from the fabricators were fed back into the model to further tune the geometries and design as required. As in the design the overall process can be conceived as an interwoven collaboration of actors located in distinct geographies. Research, design and execution fed each other in parallel progressions throughout the project that led to the realization of the Argul Weave.

 © Burak Pekoglu

c.Burak Pekoglu