© Kleihues + Schuwerk Gesellschaft von Architekten

(C)Kleihues Schuwerk Gesellschaft von Architekten

这座新的博物馆大楼的扩建是奥斯陆滨水区长达30年的重建过程的一部分。该博物馆最初是一家造船厂，现在正迅速转变为奥斯陆最繁华的城市中心之一，最近在该地区新建了一座歌剧院和许多办公楼。这座新建筑的设计意图是通过突出挪威国家博物馆作为奥斯陆市中心的艺术和文化中心，重新激发人们对挪威视觉艺术的兴趣。

The addition of this new building for the museum is part of a thirty-year long process to renew Oslo’s waterfront. Originally a shipyard, the site of the museum is quickly transforming into one of Oslo’s most bustling urban centers, with the recent addition of an opera house and numerous office building under construction in the area. The design intent for the new building is to renew interest in the visual arts in Norway by highlighting the National Museum as a center of art and culture in downtown Oslo.

Kleihues Schuwerk Gesellschaft von Architekten的合伙人克劳斯·舒沃克(Klaus Schuwerk)提到维特鲁维安的术语“Firmitas”或“坚实持久的”是设计的指导原则之一。他谈到了在设计中追求永恒品质的愿望，并说：“所有的物体都是以它们的时代为标志的。但如果我们尽量避免耸人听闻，追求永恒的品质，这座建筑很可能成为我们这一代人最深切愿望的象征。“由于努力实现这些持久的品质，博物馆的设计减少了对形式的重视，而是试图考虑其在奥斯陆市的位置。Schuwerk指出，这座建筑并不是为了引起人们的反应或引起人们的注意，并强调它与弗兰克·盖里(Frank Gehry)的古根海姆·毕尔巴鄂(Guggenheim Bilburg)等博物馆有多么不同。

Klaus Schuwerk, partner at Kleihues + Schuwerk Gesellschaft von Architekten, mentions the Vitruvian term “Firmitas,” or “solid and lasting” as one of the guiding principles for the design. He speaks about a desire to strive for timeless qualities in design and states “All objects are marked by their time. But if we try to avoid the sensational, and seek eternal qualities, this building may well become a symbol of the deepest aspirations of our generation.” As a result of the effort to achieve these lasting qualities, the design of the museum places less emphasis on form, and rather, attempts to consider its place in the city of Oslo. Schuwerk points out that it is not a building intended to provoke a reaction or draw attention to itself, and emphasizes how different it is from a museum such as Frank Gehry’s Guggenheim Bilbao.

 © Kleihues + Schuwerk Gesellschaft von Architekten

(C)Kleihues Schuwerk Gesellschaft von Architekten

这些持久的品质中，有些可能是通过建筑物外部物质的细微变化及其与周围城市的联系来实现的。这样，建筑物的下部与现有的城市环境有关，而建筑的上部则呈现出更现代的形式。博物馆的石面在视觉上将它与相邻的历史建筑连接起来，而进入战略的目的是创造一个新的广场，以便在现代建筑和老城市中心之间进行体面的过渡。

Some of these lasting qualities may be achieved through subtle changes in materiality on the building’s exterior and its connection to the surrounding city. In this way, the lower portion of the building relates to the existing urban context, while the upper portion of the building takes on a more contemporary form. The stone façade of the museum visually connects it to adjacent historic buildings while the entry strategy aims to create a new Piazetta in order to respectfully transition between the modern building and the older city center.

 © Kleihues + Schuwerk Gesellschaft von Architekten

(C)Kleihues Schuwerk Gesellschaft von Architekten

博物馆内部的设计反映了建筑的外观。博物馆的第一层和第二层将由采用更古典方式设计的画廊组成，而博物馆的阿拉巴斯特厅则是为了容纳更多的当代艺术品并反映挪威的现代化。除画廊外，博物馆还将包括行政、研究、就餐和滨水区的观赏区。

The plan of the interior of the museum reflects the building's façade. The first and second floors of the museum will be made up of galleries designed with a more classical approach, while the Alabaster Hall of the museum is designed to house more contemporary works of art and reflect the modernization of Norway. In addition to the galleries, the museum will also include administration, research, dining, and viewing areas for the waterfront. 

 © Kleihues + Schuwerk Gesellschaft von Architekten

(C)Kleihues Schuwerk Gesellschaft von Architekten

新博物馆计划六年后在奥斯陆市中心的维斯班开放。

The new museum is scheduled to open six years from now at Vestbanen in downtown Oslo. 

建筑师Kleihues Schuwerk Gesellschaft von Architekten Vestbanen，挪威合作伙伴Klaus Schuwerk项目2020年照片Kleihues Schuwerk Gesellschaft von Architekten

Architects Kleihues + Schuwerk Gesellschaft von Architekten Location Vestbanen, Oslo, Norway Partner Klaus Schuwerk Project Year 2020 Photographs Kleihues + Schuwerk Gesellschaft von Architekten