架构师提供的文本描述。罗伊-劳伦斯住宅位于魁北克东部城镇萨顿村外，坐落在一个巨大的庄园里，这个庄园充满了20世纪30年代来到加拿大的一个瑞士移民家庭的遗产。到目前为止，居住的周围仍然是由田园景观，标志性的瑞士小木屋和其他类似性质的建筑，这些建筑都是多年来建造起来的，总是带着一种持续的怀旧情怀。

Text description provided by the architects. Located outside the village of Sutton, in Quebec’s eastern townships, the Roy-Lawrence Residence is set in a vast estate very much impregnated with the legacy of a Swiss immigrant family that came to Canada in the 1930’s. To this date, the surroundings of the residence are still defined by bucolic landscapes, iconic Swiss chalets and other buildings of similar nature that were erected along the years, always with a consistent touch of nostalgia.

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当然，瑞士小木屋的象征-以某种方式代表了一种失去的乡村生活理想-成为了住宅概念发展的起点。对其由坚固的石基、实木框架和坚固的保护层组成的传统三层结构进行了详细的研究和分析。

Naturally, the icon of the Swiss chalet, - somehow representing a lost ideal of country living - became the starting point for the conceptual development of the residence. Its traditional tripartite composition consisting of a robust stone base, a solid-wood frame and of a strong protective roof was studied and analyzed in details.

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为了以当代的方式重新解释这些传统元素，住宅的最终版本可以理解为三个不同的形式元素相互叠加在一起：一个固定在岩石地面上的坚实的混凝土基础，一个允许全景上全开窗的柱子和梁框架，以及一个巨大的保护屋顶，它将自己插入车库入口处的一个重要悬臂中。

Aiming to reinterpret in a contemporary manner these traditional elements, the final version of residence could be read as a composition of three distinct formal elements stacked on top of each other: a solid concrete base anchored to the rocky ground, a post and beam frame allowing total fenestration on the panorama, and a large protective roof which projects itself into an important cantilever over the garage entrance.

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室内布局设计遵循非常简单的地理定位原则，主要依靠自然采光控制、优势风管理和西南面全景景观。在东北面，一堵长长的木墙沿着通往正门的小径一直延伸到住宅的中央，从而在入口处产生了压缩效应。这种纵向访问参与了发现和进入过程，其目的是慢慢揭示站点的特殊特性。

The layout of the interiors were conceived following very simple geographical orientation principles and relied mainly on natural lighting control, dominant wind management and on panoramic views of the scenery on the south west side. On the north east side, a long wooden wall follows the path leading the visitor to the main entrance which has been recessed towards the middle of the residence, thus creating a compression effect at the entry point. This longitudinal access participates to the discovery and entry processes, orchestrated with the intent of slowly revealing the exceptional qualities of the site.

像一个咬在布局，完全玻璃内部庭院允许横向透明，并给予业主机会充分体验与山的特权接触。建筑空间和外部空间之间的这种联系有助于提高主要居住区域的空间质量，在房子内整合一座山的碎片。

Like a bite taken in the layout, the totally glazed interior courtyard allows transversal transparency and is giving to the owners the opportunity to fully experience a privileged contact with the mountain. This connection between built space and exterior space contributes to enhance the spatial quality of the main living area by integrating within the house a fragment of the mountain.

该设计旨在将东部城镇的自然景观和建筑景观的质量纳入房屋建筑，以便在实际环境中适当和负责任地插入该项目。住宅是低矮和延伸，它的形状，颜色和它的重要性是直接受到现场启发。从一开始，我们的目标就是建立一个似乎是从地面上出现的、用现场发现的材料建造的住所。最终，住宅的体积和材料的整合依赖于视觉的整合，并试图保持周围景观的质量。

The design aimed to bring the qualities of the eastern township’s natural and built landscape into the architecture of the house in order to create an appropriate and responsible insertion of the project in its actual context. The residence is low and outspread, its shapes, colors and its materiality are directly inspired by the site. From the beginning, the objectives were to create a residence that seems to emerge from the ground and that was built with materials found on site. Ultimately, the volumetric and material integration of the residence relies on visual integration and trying to preserve the quality of the surrounding landscapes.

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Architects Chevalier Morales Architectes

Location Canada

Category Houses

Architects in Charge Stephan Chevalier, Sergio Morales

Project Year 2014